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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label Otis Redding and The Bar-Kays. Show all posts
Showing posts with label Otis Redding and The Bar-Kays. Show all posts
Tuesday, December 11, 2012
Try a Little Tenderness - Otis Redding & The Bar-Kays
The Bar-Kays are a popular soul, R&B, and funk group who began performing in 1966 and continue to perform today, although with only one original member. The group had dozens of charting singles from the 1960s to the 1980s, including "Soul Finger" (U.S. Billboard Hot 100 number 17, R&B number 3) in 1967, "Son of Shaft" (R&B number 10) in 1972, and "Boogie Body Land" (R&B number 7) in 1980.
The Bar-Kays began in Memphis, Tennessee as a studio session musician group, backing major artists at Stax Records. They were chosen in 1967 by Otis Redding to play as his backing band. On December 10, 1967, Redding, his manager, and band members Jimmy King (born 1949; guitar), Ronnie Caldwell (born 1948; electric organ), Phalon Jones (born 1949; saxophone), and Carl Cunningham (born 1949; drums) died in a plane crash in Lake Monona while on their way to a performance in Madison, Wisconsin. Trumpeter Ben Cauley survived the crash and bassist James Alexander was on another plane, since there were eight members in Redding's party and the chartered plane could only hold seven. Cauley and Alexander rebuilt the group.
The re-formed band consisted of Cauley; Alexander; Harvey Henderson, saxophone; Michael Toles, guitar; Ronnie Gorden, organ; Willie Hall, drums and later Larry Dodson (formerly of fellow Stax act The Temprees), lead vocals. The group backed dozens of major Stax artists on recordings afterwards, including Isaac Hayes's Hot Buttered Soul.
Cauley left the group in 1971, leaving Alexander, Dodson (vocals, vibes), Barry Wilkins (guitar), Winston Stewart (keyboards), Henderson (tenor sax, flute), Charles "Scoops" Allen (trumpet), and Alvin Hunter (drums) to create the 1971 Black Rock album. Lloyd Smith joined in 1973 and the band changed musical direction during that decade to have a successful funk music career. With the Stax/Volt label folding in 1975, the group signed with Mercury Records. In 1976, Dodson (vocals), Alexander (bass), Lloyd Smith (guitar), Allen (trumpet), Henderson (saxophone), Frank Thompson (Trombone), Stewart (keyboards), and Mike Beard (drums) brought their Shake Your Rump to the Funk track into the R&B Top Five. In the Fall of 1977, the group came out with Flying High on Your Love, an album that featured Shut The Funk Up as a "near-perfect disco song punctuated by the funky horn triumvirate of Charles "Scoop" Allen."
In 1983, Sherman Guy and Charles Allen left the group just before the group took a more commercial direction. Nonetheless, the Bar-Kays continued to have hits on R&B charts well into the 1980s. Marcus Price was also a member of the Bar-Kays, until he was murdered coming from rehearsal in 1984, a crime never solved by the Memphis police. The band took a hiatus in the late 1980s, but regrouped in 1991, with Alexander once again being the only original member involved. Since 1991, Larry Dotson, Archie Love, Bryan Smith, and Tony Gentry has been added to the group.
Alexander's son is the award-winning rapper and record producer, Phalon "Jazze Pha" Alexander, who was named after deceased band-member Phalon Jones.[citation needed] Bryan Smith's son is concert promoter T.J. Smith.
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Labels:
Memphis,
Otis Redding and The Bar-Kays,
Tennessee
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