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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, Tree Of Life, from Patrick Coman and I really like it! Opening with Heartbeat, a rangy, bluesy, somber song Patrick Coman, singer/songwriter/guitarist sets a certain mood. Joined by Peter Parcek on lead guitar, Marco Giovino on drums, Tom West on keys and Joe Klompus on bass, a great opener. Good advice on stripped down rocker, Don't Reach, Coman blends early British, punk, rock, folk and a lot of other sounds to get this really cool sound. A loose but fluid guitar solo by Parcek kicks the track nicely. With a twist of cha cha and a real nice bari guitar solo and cool female vocal harmonies by Abbie Barrett and Kylie Harris. The Judge has a real Johnny Cash spank. Coman's vocals are loose and cool and Parcek's guitar work is perfect. Super! Another track with a cool country rock twang is 9-5ers with a real country style guitar solo and drums ... and get this...tuba (nice job Neal Pawley). One of my favorite tracks on the release is title track, Tree of Life with an underlying country flavor, surreal guitar sounds and nice tom tom style. Excellent! Another cool rocker, Chelsea Street has just the right rock vibe with a solid guitar riff, strong vocals and prominent snare beat up front. This is a great track. An interesting interpretation of Leon Russell's, Magic Mirror with a monotone vocal line is surprisingly refreshing. Changing the melody pretty much in entirety is really a bold move and quite successful with glistening guitar soloing crowning this work. Excellent! Keep My Soul is another strong track with what I can only call lazy vocals which are really effective. Parcek's guitar work does a lot to give the track just the right cohesion and Pawley, Klompus and Giovino are spotless. Wrapping the release is a folksy kind of track, Let It Ring. Basically Coman on vocal and acoustic guitar with basic keyboard backing this spartan track is an excellent closer for an excellent release!
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Singer/Songwriter
Patrick Coman Reflects on the Tree of Life with New CD of Blues-Roots
Music Coming February 23,
Featuring Peter
Parcek and Marco Giovino
CHARLOTTESVILLE, VA – Roots-based singer/songwriter Patrick
Coman announces a February 23 release date for his new CD, Tree of Life,
on his For the Sake of the Song label imprint. Produced by acclaimed guitarist
Peter Parcek and drummer Marco Giovino (Robert Plant, Buddy Miller), who both
also play on the new disc, Tree of Life was recorded at Dagotown
Recorders in Holden, Mass., and features 11 original songs penned by Coman,
plus a cool cover of Leon Russell’s “Magic Mirror.”
Watch a live video in the studio during the recording of the
title track, “Tree of Life:”
In addition to
Patrick Coman on vocals and rhythm guitar, plus Peter Parcek on lead guitar and
Marco Giovino on drums, percussion and organ, the talented group of players
assembled for the recording sessions included Joe Klompus (Letters to Cleo) -
upright and electric bass; Neal Pawley - tuba, trombone, lap steel, baritone
guitar, guitar and electric mandolin; “Beehive Queen” Christine Ohlman - vocals
(who lends her unmistakable grit to the spirited duet, “Don’t Reach”); Kylie
Harris and Abbie Barrett - background vocals; and Tom West (Peter Wolf,
Susan Tedeschi) – keys, organ and accordion.
A
long-time Boston musician and radio personality before recently locating to
Charlottesville, Virginia, Coman was very familiar with both Peter Parcek and
Marco Giovino. “Getting to play with Peter over the past few years has been like
going to school,” states Coman. “From him I’ve learned so much about playing
the blues, but perhaps more importantly I’ve learned what it means to be a
working musician and a bandleader and to create music with power, substance and
integrity.
“Even
though a lot of the songs are pretty heavy, we had so much fun during the
recording process. Marco has this great studio out in rural Massachusetts that
feels like a little clubhouse or what you’d imagine The Band had in mind with
Big Pink. It was a place where we felt comfortable letting our imaginations run
wild and really creating a sonic landscape for each song. No idea was too crazy
for us to try and I think that type of freedom gave us the ambition to strive
for something great.”
Nearly all of
the material on the new CD was written in the months leading up to and directly
following the birth of Coman’s first child. With a new baby in the house, songs
were pieced together late at night or early in the morning in that mystical
twilight period where dreams and reality blur. This cosmic bridge is reflected
in the album’s title and sequence, where haunting opener “Heartbeat” beckons
the listener into this eerie dreamlike landscape, before galloping across a fun
house mirror version of Americana that reflects back in ways that seem both
familiar and strange. It’s clear that Patrick Coman’s Tree of Life has
many musical branches.
“The
‘Tree of Life’ comes up in most religions around the world, often as a bridge
between heaven and earth or between life and death,” says Coman. “In the last
few months before my daughter was born I began to think about her time in the
womb in the same way and how this symbol echoed my own transition between my
previous life and the one I knew I would step into on the day she was born.”
Coman’s
musical foundation was formed at an early age from his upbringing in Oklahoma.
“Like many Oklahomans, I grew up revering Woody Guthrie and his affinity for
the working class,” he recalls. “Today it is eerie to see how his Dust Bowl-era
themes are just as relevant as ever. Although my sound is different, I like to
think that Woody would appreciate songs like ‘Trouble #2’ and ‘The Judge.’ He
was the master of boiling down an injustice to the point where anyone could
understand it and while it doesn’t get mentioned as much, his combination of
folk, blues, and hillbilly music paved the way for those of us who work in the
cracks between genres.”
In an era
where volume dictates attention, Patrick Coman pulls his audience in with a
quiet, unshakable confidence. It’s a confidence built from a decade behind the
scenes with some of the generation’s best songwriters as a booking agent, sound
engineer, and DJ/producer for premier Americana station WUMB-FM in Boston,
before stepping into the spotlight with his debut full- length album, Tree
of Life.
Turning his
back on a career in the music business to spend his time as a stay-at-home
father by day and full-time musician by night has paid dividends for Coman as a
writer and performer. Over the past year he’s opened for a crop of revered
Americana artists like Del McCoury, Robbie Fulks, Larry Campbell & Teresa
Williams, Joan Osborne and John Fullbright, while veteran musicians like Parcek
and Giovino have taken him under their wing.
Coman’s own
vocals bear the laidback blues-inflected style of fellow Tulsa, Oklahoma,
natives JJ Cale and Leon Russell, while the protagonists in “The Judge” and
“Trouble #2” bring to mind Woody Guthrie. The album also stirs in touches
of Lou Reed’s street walkin’ strut, the swampy groove of Little Feat, and
darkly humorous rockabilly rave ups that swing like demented versions of Sun
Studio classics.
“Being a songwriter means
grappling with your inner demons in an incredibly public way,” Coman
summarizes. “That’s something that I have always been afraid of and so I’ve
often avoided writing about myself. One amazing thing about being a parent is
that it forces you to be honest with yourself. Digging into my fears and doubts
in songs like ‘Keep My Soul,’ ‘Tree of Life’ or even ‘Heartbeat’ was painful at
the time, but now when I perform them it feels so cathartic to share those
emotions with other people and I’m always amazed because those tend to be the
favorite songs when people come up after the show.”
Patrick Coman Tour Dates
2/16 – Me & Thee Coffeehouse (Marblehead, MA) *Tribute
to John Prine
2/17 – The Burren (Somerville, MA)
2/23 – Tellus360 (Lancaster, PA)
2/24 & 25 – Purple Fiddle (Thomas, WV)
3/2 – The Southgate House Revival (Newport, KY – Cincinnati
area)
3/14 – Awendaw Green (Awendaw, SC – near Charleston, SC)
3/17 – WDVX’s Blue Plate Special (live radio show in
Knoxville, TN)