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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label Pop Staples. Show all posts
Showing posts with label Pop Staples. Show all posts
Sunday, December 2, 2012
Nobody's Fault But Mine - Pop Staples
Roebuck "Pops" Staples (December 28, 1914 – December 19, 2000) was an American gospel and R&B musician.
A "pivotal figure in gospel in the 1960s and 70s," he was an accomplished songwriter, guitarist and singer. He was the patriarch and member of singing group The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha.
Roebuck Staples was born on a cotton plantation near Winona, Mississippi, the youngest of 14 children. When growing up he heard, and began to play with, local blues guitarists such as Charlie Patton, who lived on the nearby Dockery Plantation, Robert Johnson, and Son House. He dropped out of school after the eighth grade, and sang with a gospel group before marrying and moving to Chicago in 1935.
There he sang with the Trumpet Jubilees while working in the stockyards, in construction work, and later in a steel mill. In 1948 Roebuck and his wife Oceola
Staples formed The Staple Singers to sing as a gospel group in local churches, with their children. The Staple Singers first recorded in the early 1950s for United and then the larger Vee-Jay Records, with songs including "This May Be the Last Time" (later covered by The Rolling Stones) and "Uncloudy Day".
In the 1960s the Staple Singers moved to Riverside Records and later Stax Records, and began recording protest, inspirational and contemporary music, reflecting the civil rights and anti-war movements of the time. They gained a large new audience with the 1972 US # 1 hit "I'll Take You There", followed by "Respect Yourself", "If You're Ready (Come Go With Me)", and other hits. Pops Staples also recorded a blues album, Jammed Together, with fellow guitarists Albert King and Steve Cropper.
In 1976, Staples also appeared in the movie documenting The Band's final concert, The Last Waltz (Released in 1978). Pops Staples shared vocals with his daughters and with Levon Helm and Rick Danko on "The Weight." After Mavis left for a solo career in the 1980s, Pops Staples began a solo career, appearing at international "blues" festivals (though steadfastly refusing to sing the blues), and tried his hand at acting. His 1992 album Peace to the Neighborhood won a Grammy nomination, and in 1995 he won a Best Contemporary Blues Album Grammy for Father, Father.
In 1986, Roebuck played the role of Mr. Tucker, a voodoo witch doctor, in the Talking Heads film True Stories, during which he performed "Papa Legba". He appears as himself in the 1997 Barry Levinson film Wag the Dog, singing "Good Old Shoe" with Willie Nelson.
In 1998 he received a National Heritage Fellowship from the National Endowment for the Arts, and in 1999 the Staple Singers were inducted into the Rock and Roll Hall of Fame.
He died after suffering a concussion in a fall at his home, just a few days short of his 86th birthday. After his death, his daughters Yvonne and Mavis gave one of his guitars to country and gospel musician Marty Stuart.
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Labels:
Mississippi,
Pop Staples
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