Quarto Valley Records artist: Dominic Quarto - Happy Little Accidents - New release Review

 I just had the opportunity to review the most recent release, Happy Little Accidents, by Dominic Quarto and it's an energetic blues rocker. Opening with Wanna Good Time, Dominic Quarto is on lead vocal joined by Rip Carson on bass and excellent rockabilly guitar riffs and Jeff Taylor holding the rhythm in line on drums. Strong opener. In the slot, La Verne, has real swagger with Quarto on lead vocal, Bob Gothar and Carson on guitars, Taylor on drums, Jorgen Carlsson on bass and Tyler Nickeas, Daniel Fritts , Richard McGowen and Chris Edwards on backing vocals. With thunderous drums by Kenny Aronoff and a firm hand by Carlsson, Ely May rumbles. Quarto on vocal and Pettibone on guitar and harmonica, gives this track a definite 50's feel. With a country and western twist, Outlaw really has a great feel. With strong vocals by Quarto, Pettibone and Carson on guitars, and Taylor on drums, this is one of my favorites on the release. Closing the set is easy paced, country flavored, Song For Nick. Quarto sings it like it's his music base and with Gary Brandon adding tasty pedal steel work to Gothar's lead and Carson on bass, this is an excellent closer. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Quarto Valley Records artist: Texas Scratch - Self Titled - New Release Review

 I just had the opportunity to review the most recent release from Texas Scratch and it's a strong blues rocker. Opening with Texas Trio, TS finds a great groove. Featuring Jim Suhler (Thorogood), Buddy Wittington (Mayall) and Vince Converse (Sunset Heights) on guitars, these guys know how to cut a groove. With the drums of Jeff Simon (Thorogood) and Nathaniel Peterson (Savoy Brown) and Kirk Yano (Miles Davis, Savoy Brown) on bass, this is a strong opener. Led footed, What The Devil Loves, really has a snarling guitar lead and excellent lead vocal. John Nitzinger's (Texas Jellyroll Blues)  Louisiana Cock Fight makes a cool appearance here with blazing guitars and well blended vocals. Thumping drum work by Simon, this track is a solid addition. Do  Right By You is a cool, somewhat funky track with rugged lead vocals and some real nice slide by Suhler. Wrapping the release is Showdown, a light jazzy, boogie with fluid guitar runs and driving rhythm guitar. Solid closer for an interesting release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Quarto Valley Records: Heavenly Cream - An Acoustic Tribute To Cream - New Release Review

 I just had the opportunity to review the most recent release, Heavenly Cream - An Acoustic Tribute To Cream and it's a solid cover of much of Cream's catalog by top name artists. Opening with I Feel Free, Deborah Bonham, John's sister has the lead vocals, backed by Bernie Marsden on guitar, Malcolm Bruce (Jack's son) on piano, Neil Murray on bass and Frank Tontoh on drums. Solid opener. Theme For An Imaginary Western, written by Jack Bruce and Pete Brown is fronted by Brown on vocal and backed by Clem Clemson  (Humble Pie) and Malcolm Bruce on guitars, John Donaldson on piano, Mo Foster on piano, and Cheryl Alleyne on drums. This is a great track and always one of my favorites with Jacks vocals and played by Leslie West of Mountain. Ginger Baker penned, Sweet Wine, is a standout with Baker on drums Nathan James on vocal, Marsden on guitar, Mo Nazam on guitar, Bruce on bass, Pee Wee Ellis on sax, Henry Lowther on trumpet, and Abass Dodoo on percussion. Take It Back, another Bruce/Brown composition is prime with the illustrious Maggie Bell on lead vocal. Her vocals are as sweet as they were in the 60's and a perfect fit for this track with Marsden and Tony Remy on guitars, Bruce on piano, Winston Blissett on bass and Tontoh on drums. One of the classic blues tracks covered by Cream was Howlin Wolf's Sitting On Top Of The World. Here we have a dynamic duo with Bell teamed with Bobby Rush who also plays harmonica, supported by Marsden and Remy on guitars, Bruce on piano, Blissett on bass and Tontoh on drums. Wrapping the release is Born Under A Bad Sign featuring Paul Rogers on vocal. Marsden and Nazam on guitars, Bruce on bass and Moreno Buttinar on drums. This is an interesting release with a solid assemblage of talent. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Quarto Valley Records artist: Tom Hambridge - Blu Ja Vu - New Release Review

 I just had the opportunity to review the most recent release, Blu Ja Vu, from Tom Hambridge, and it's potent set of blues rock tracks with plenty of gusto. Opening with Ain't It Just Like Love, Tom Hambridge joins up with Buddy Guy on vocal, (Hambridge on drums and Guy on guitar) with bass by Tommy MacDonald, Kevin McKendree on on keys and featuring an explosive guitar solo by Guy. Strong opener. Rob McNelley on lead guitar really gets things cranking on Wear You Out with a driving beat and solid vocals by Hambridge. Shuffle, Blues Don't Care, features Kingfish on guitar and vocal and this track has great style. Hi power Brother John Boogie features harmonica superman, James Cotton with Glenn Worf on bass, Chuck Leavell on keys, and of course Hambridge on drums. Excellent! Another great boogie, Get Out Of Town features McKendree on vicious keys and Hambridge on vocal. Very cool. Stripped down blues, Johnny Winter, features excellent slide work by McNelley, Hambridge on drums and vocal and MacDonald on bass. Wrapping the release is End Of The Line, a laid back boogie with Hambridge on vocal and drums, nicely dresses with relaxed guitar riffs by McNelley. This is a solid closer for a really enjoyable release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Quarto Valley Records artist: Savoy Brown - Blues All Around - New Release Review

 

I just had the opportunity to review the most recent release, Blues All Around, from Savoy Brown and I think it's their best in years. Opening with Falling Through, Kim Simmonds sets the pace of the set with some authentic delta style riffs on electric guitar breaking into a classic boogie style rocker. With Simmonds on vocal and lead guitar, this band has more miles than most anyone short of the Stones. Simmonds, who passed away in December has held the blues rock boogie torch for 57 years and has released 42 albums...yes...42. Having personally seen at least 4 or 5 different lineups of Savor Brown (all with Simmonds), I have been a long time fan. On Going Down South, Simmonds pulls out the slide and this is a guy who really knew how to play it. From some of the best days of the band in the 70's and Tell Mama to now, Simmonds shows a super command and feel for slide guitar. Due to Peripheral Neuropathy as a side effect of chemotherapy Kim plays quite a bit more slide on this release and I'm glad he did. His approach to the instrument is strong and certainly influenced splinter group, and slide driven, Foghat who leaned more into rock. Gypsy Healer glows with Simmonds' notable Marshall tone and his harmonica and of course the always solid bottom provided by Garnet Grimm on drums and Pat DeSalvo on bass. Texas Love has great swagger with Simmonds really sitting in the groove on rhythm guitar and his lead work is well phrased. Just listen to that guitar tone on Hurting Spell and you know why people love Simmonds. One of my criticisms on modern Savoy Brown has been Kim's vocals but with each release he seemed to get more comfortable as he molded his vocals to work well with the band. His slide work on this track is fat and classic. Can't Go Back To My Hometown has a great Latin feel, not unlike fellow UK contemporary Peter Green on his composition, Black Magic Woman. I think that Simmond's lead phrasing is every bit as juicy as Green's on the original BMW and it's great to hear Kim soloing with reckless abandon once again.  Wrapping the release is acoustic blues, Falling Through The Cracks, with Simmonds accompanying himself with that classic delta styling and a fitting way for such a great guy to close his life long love of the blues. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Quarto Valley Records artists: Bonham - Bullick - self titled - New Release Review

 

I just had the opportunity to review Bonham-Bullick's self titled release and it's a smooth blend of pop, rock, soul, R&B and country. Opening with See You Again, a certain radio composition with a solid melody and featuring Deborah Bonham on lead vocal and Peter Bullick on guitars, Gerard Louis on keys, Ian Rowley on bass, and hard Newman on drums. On Albert King's, Can't You See What You're Doing To Me, Bonham gets into a cool groove and Bullick lets his blues rock chops fly. Delving deeper into the blues, Charles Brown's Trouble Blues is rich with ambiance and Bonham really works it. Bullick's guitar phrasing is poised and soulful. Very nice. I particularly like the arrangement on When This World Comes to an End, with it's suspenseful setup and then how it breaks into a more outright rocker. Reminds me of a favorite blues rock track Religion by Ten Years After. It Ain't Easy, that was made popular by David Bowie back in the 70's holds it's basic arrangement but sounds great after all of these years with strong vocals by Bonham and solid guitar riffs by Bullick. Wrapping the release is ballad, The Changeling with some of the best vocal on the release and strong atmospheric guitar work by Bullick. Solid closer. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Quarto Valley Records artist: Sean Chambers - That's What I'm Talkin About - New Release Review

 I just had the opportunity to review the most recent release (July 9, 2021), That's What I'm Talkin About, from Sean Chambers and I really like it. Chambers put together this release as a tribute to Hubert Sumlin who he played with  for over 4 years, in fact the title of the release is due to it being a phrase that Hubert used frequently. Opening with blues rocker, Hubert Sumlin's Chunky, a funky instrumental, features Chambers on lead guitr, Bruce Katz on B3, Andrei Koribanics on drums and Antar Goodwin on bass.  With strong blues rock guitar lead and solid phrasing, this is a super instrumental opener. Howling Wolf's Rockin' Daddy gets a really hnice Wolf like vocal lead and Chambers' guitar lead is nothing short of electrifying. On St' Loius Jimmy Oden's Goin' Down Slow, Chambers works the space with excellent phrasing and his attack has fire that I've rarely heard from contemporary blues players except SRV. Excellent! On Willie Dixon's, Taildragger, Chambers digs deep on lead vocal with gritty vocals and really potent lead guitar that just oozes blues. Katz's contribution on B3 is particularly full on tis track giving Chambers a good paring to extend his soloing. Really nice. Mississippi Sheiks composition, Sittin On Top Of The World, made highly popular by the Cream, gets a healthy rework here with a less jazzy... more bluesy approach. Chambers, whos vocal has similar characteristics to Howlin Wolf defaults to another Wolf / Dixon composition in Howlin' For My Darling with the addition of John Ginty on B3 and wth a more rocking guitar attack. Very effective. Wrapping the release is Wolf's, Louise, with super pace. Chambers digs in on his vocal attack, playing his lead guitar response with excellent efficiency and sting. With cool piano work by John Ginty and emotional guitar lead, this is an excellent closer for a really strong release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Quarto Valley Records artist: Savoy Brown - Ain't Done Yet - New Release Review

 

I just had the opportunity to review the most recent release, Ain't Done Yet, from Savoy Brown and they are definitely on a solid path again. Opening with blues rocker, All Gone Wrong, Kim Simmonds is up front on lead vocal and guitar and Simmonds is developing into a very solid lead vocalist. His guitar  playing and blues chops are as good as any, possibly one of the best electric/contemporary lead blues rockers ever. Joined by Pat DeSalvo on bass and Garnet Grimm on drums, the band sounds tight. With it's droning bass line and steady drums beat, Borrowed Time has a classic feel. Simmonds uses a Multivox FullRotor for shimmery guitar effects and keeps the underpinnings of the track spartan. Boogie rocker and title track, Ain't Done Yet has classic Savoy Brown styling with crisp lead work by Simmonds and a solid base. Latin flavored, Feel Like A Gypsy, is a cool radio style track with a smooth, "Santana" like feel. Simmonds is a talented player and improvisor and can pull off just about anything he attempts. Very cool. One of my favorites on the release is Jaguar Car with a driving bottom and giving Simmonds open road to plays slide. If you don't know Simmonds' slide playing, think classic rock track, Tell Mama or think the and Foghat, who built their trademark sound around Simmonds' slide sound. I love the Marshall crunch on Soho Girl, a heavy weight rocker with Simmonds singing and playing with authority. His lead playing is fluid and inventive. Wrapping the release is Crying Guitar, my favorite on the release. Simmonds is an expert at defining and playing long fluid guitar lead and with just a light Latin touch, this expressive, bluesy guitar melody springs to life. Excellent closer. This is really quite a good release and if you love the Savoy Brown sound, or blues rock in general, this is one to hear!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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