I just received the newest release (February 17, 2015), Way Down South, from Igor Prado Band and Delta Groove All Stars and it's smokin! Opening with Ike Turner's, Matchbox, Sugaray Rayford leads the way on vocal and Prado really romps the guitar. A heavy slung blues, Prado throws stiff riffs and wild trem work making this a terrific opener! John Hunter's, Ride With Me Baby has an easy rock beat with deep blues roots. Kim Wilson has the lead on vocal and Prado shows his fleet fingered guitar work. Yuri Prado on drums and Rodrigo Mantovani on bass keep it tight. Muddy Water's She's Got It, featuring Mud Morganfield on lead vocal sounds like it's right out of 60's Chicago with Ivan Marcio on harp and Donny Nichilo doing a great Otis Spann. Morganfield, Marcio, Nichilo and Prado really do capture Muddy's band sound with a lot of authenticity. Very cool! Lowell Fulsom's Baby Won't You Jump With Me features Ari Borger on piano and Lynwood Slim on vocal with cool jazzy guitar work from Prado and Junior Watson and tight sax work from Denilson Martins. James Lane's, What Have I Done, has a smooth groove led by Mitch Kashmar on vocal and harp. Kashmar really takes a nice romp on his solo as does Ari Borger on piano and Prado shows again that he's got great guitar chops. Jr. Walker and the Allstars' Shake & Fingerpop keep all of the R&B groove of the original with super stinging guitar riffs and lead vocals from Prado, a super bass run by Mantovani. Raphael Wressnig does a super job on B3. On Elmore James' Talk To Me Baby, Rod Piazza takes the mic for lead vocal and harp. Honey Piazza joins in on piano with Prado on lead guitar super charging this track. Excellent! Jerry West's If You Ever Need Me, keeps the original feel of the 60's R&B lead by Kim Wilson on vocal and harp. Very Nice! Joe Tex's You Got What It Takes has a nice twist on the original with Prado and JJ Jackson sharing the vocal lead. Keeping the guitar work tame on this number, Prado's finesse on the fretboard isn't hindered with quiet but cool riffs. Sugaray Rayford's Big Mama Blues has the girth of a Muddy Waters track with Prado and Monster Mike Welch doing the guitar Muddy style. Rayford leading the vocal charge and Borger tickling the keys, this track is right off the Chicago stage. Sweet! Paul Gayten's R&B swing tune You Better Believe It, led by Lynwood Slim on vocal and chased by Borger on piano and Martins on sax make this one really hot number. Prado jumps up and stiff arms the crowd with a flaming guitar solo keeping with the pace of the release. On Jerry West's, Rooster Blues, Wallace Coleman takes the vocal and harp lead and gets right into the Chicago groove. Yuri Prado (drums) keeps this track on a tight leash and Borger lays down a great piano solo. Prado really lets it out on this track proving once again that he can hold his own with just about anyone on the blues circuit. Excellent! Wrapping the release is Omar Coleman's Trying To Do Right with Coleman on vocal and harp. Prado takes the acoustic guitar and shows how powerful the simple instrument can be in the right hands. This is a powerful acoustic track and a great conclusion to a terrific release!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label Rod piazza. Show all posts
Showing posts with label Rod piazza. Show all posts
Tuesday, January 27, 2015
Tuesday, January 20, 2015
Friday, May 9, 2014
Behold the Bender!
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Tuesday, April 29, 2014
Cleopatra Records artist: Eli Cook - Primitive Son - New Release Review
I just received the newest release (April 29, 2014), Primitive Son, from Eli Cook and it's a rockin, snarling blues guitar release. Opening with War Horse, Cook and gang (Wade Warfield on drums and Rob Richmond on bass) crank up a Led Zep feel with a southern twist. It has a mesmerizing groove and cool guitar riffs. Revelator has a bit more pop to it adding Vinny Appice (drums), Jorgen Carlsson (bass and B3) and Steffen Presley and Greg Hampton on backing vocals. Sweet Thang has a slinky sound and features Tinsley Ellis on additional guitar. High In The Morning, a southern influenced track features Sonny Landreth on some slick slide work. Reese Wynans adds some Vocals remind me quite a bit of Black Label Society. Won't Be Long is a real nice little acoustic ballad featuring Cook on acoustic slide and vocal. Motor Queen steps out with real attitude... a club swingin blues rocker with Leslie West joining on guitar. This track has a lot of attitude and is one of my favorites on the release. Be Your Fool, still with more of a rock blues swagger, features Rod Piazza on harp but certainly has more of the flavor of Led Zep, Skynyrd or G&R than the old masters but still quite entertaining. Swing A Little Harder is a stripped down track with only Cook on vocal, bass and guitar and Wade Warfield on drums. A blend of spoken lyrics and heavier rock gives it a different style sound. Again the closest thing that I can compare it to is BLS. With interesting guitar riffs and a solid beat... cool track. Shake The Devil Down is consistant with the bulk of the release with solid vocals and well executed guitar riffs over a solid bottom. Tall & Twisted is again accompanied by acoustic guitar and understated drums by Warfield and bass from Rob Richmond. Modern country blues. The Great Southern Love Kill has a hotter flame featuring Artimus Pyle on drums and Pat Travers on additional guitars. A more straight up blues rocker and an easier melody actually brings this track across a bit more crisply. Smokin hot guitar riffs on this track break the uneven but consistent drum rhythms. Amphetamine Saint has a real blues rock swagger. I like Cook's vocal style more on this track and guitar heavy Eric Gales adds nicely to the mix. Title track, Primitive Son, is more vocal heavy with instruments more in the back. A straight forward blues rocker, this track definitely demonstrates the relationship between blues and progressing metal. Wrapping the track is Burying Ground, a heavy blues rocker with interesting guitar work and a heavy drum beat. Cook is carving out a niche for himself in this heavy blues rock/metal sound and I'm certain he will find a strong audience.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
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