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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label Rounder. Show all posts
Showing posts with label Rounder. Show all posts
Thursday, October 10, 2013
Duane Allman 'Skydog' Encore Edition coming November 5
Labels:
Duane Allman,
Rounder,
Skydog
Friday, August 16, 2013
James Booker's 'Classified: Remixed & Expanded' on Rounder is glimpse of New Orleans piano legend's career
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Labels:
James Booker,
Rounder
Thursday, August 1, 2013
Rounder Records artist: George Thorogood and the Destroyers - Remastered release review
A second release from Rounder, the reissue and remaster of George Thorogood & The Destroyers first recording is on my desk today and all of the raw passion of a young Thorogood is apparent. Opening with Earl Hooker's You Got To Lose, Thorogood is romping right out of the gate. With raw energy and backed by Jeff Simon on drums, Billy Blough on bass and Ron Smith on second guitar occasionally, this is the beginning of the retro blues. Now memorable hit for Thorogood, Elmore James' Madison Blues was then a great rockin blues giving young Thorogood a chance to play slide like it wasn't heard since the likes of Hound Dog Taylor. Super track. On Mr John Lee Hooker's One Bourbon, One Scotch, One Beer Thorogood really captures a lot of the original feel laid down by Hook but with a little bit of modern flare. Love the foot stomp. Thorogood does an exemplary job on Robert Johnson's little remembered Kind Hearted Woman, possibly the best interpretation on the release. Keeping much of the feel of the original track, Thorogood really isn't as far from his roots as much of his music may sound to the general masses. Really cool stripped down slide work highlights this track. Another Elmore James track, Can't Stop Lovin', is really smokin with driving rhythm and hot hot slide riffs. Bo Diddley's Ride On Josephine follows the traditional Diddley rhythm and Thorogood has already developed his famous voice and understated guitar riffs. The first original track on the release, Homesick Boy, is a straight up blues rocker with fully developed style and taste. A really primitive version of the traditional John Hardy with Thorogood on harp, guitar and vocals is a nice addition to fill out his hand of cards, showing that he isn't confined to one style. Junior Parker's I'll Change My Style is a perfect R&B track to return to the more modern blues style. Thorogood demonstrated a great balance in singing and slide work on this classic track. Wrapping up the release is another Thorogood original track, Deleware Blues. With classic Rollin and Tumblin trigger lines, this is a terrific track with a lot of rhythm and flashy slide work.
This is a classic album and one that is still fresh after so many years.
Excellent!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
George Thorogood,
Review,
Rounder
Thursday, July 25, 2013
Rounder Records artist: George Thorogood and the Destroyers - Move It On Over - New Release Review
I just received the new remastered recording of George Thorogood's Classic Move It On Over which will be released on July 30, 2013 and it sounds as fresh as the first time I heard it. Thorogood opens the release with a ripping rewrite of Hank Williams' classic Move It On Over. With reckless abandon, Thorogood plays his slide guitar and it was the sound that changed the face of rock/blues for a long time to come. Bo Diddly's Who Do You Love? follows and Thorogood does a great job in enhancing an already classic track. On Elmore James' The Sky Is Crying, Thorogood plays super primitive slide guitar style and with his fresh singing style does a terrific job of delivery on this superb track. A western attack of Cocaine Blues is a nice breather from the down and dirty giving the listener a finger pickin exhibition. On Chuck Berry's It Wasn't Me, Thorogood (and band, Jeff Simon on drums and Billy Blough on bass) delivers a fairly straight forward rendition of the track with flashy rock guitar riffs. On Willie Dixion's That Same Thing, Thorogood really has the deep grindy deep voice and cool slide work that he has become known for. Brownie McGee's So Much Trouble is done rockabilly style with a lot of spunk. Thorogood really hit on all cylinders with this entry release and it's no surprise listening to it over 30 years later and finding it still is fresh and invigorating. James Moore's I'm Just Your Good Thing is a strong R&B style blues track giving Thorogood a chance to sing in more of a ballad set up. Homesick James' Baby Please Set A Date is done Elmore James style with flaming slide guitar riffs but with Thorogood's trademark romp. Finishing up with Elmore James' New Hawaiian Boogie, Thorogood puts a flaming hot exclamation point on a really superb release! I personally have owned this recording since it's first release and sitting back and listening to it today for the first time in a decade it reminds me just how good it really is. More than a coup for existing Thorogood fans but a major find for any blues and rock listener who may not have recently or ever heard this fine set!
Bravo Rounder!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
George Thorogood,
Move It On Over,
Review,
Rounder
Tuesday, July 2, 2013
George Thorogood's early Rounder albums to be reissued
ROUNDER
RECORDS REISSUES FIRST TWO
GEORGE
THOROGOOD & THE DESTROYERS ALBUMS
Remastered
recordings, set for release on July 30, 2013, are 1977’s
George
Thorogood & The Destroyers and 1978’s Move It On
Over
LOS ANGELES, Calif. — When George
Thorogood and the Delaware Destroyers burst onto the national scene in 1977,
roots rock music was all but absent from contemporary radio. Yet, the focus and
excitement that George brought to the classic songs of his idols such as Chuck
Berry, Elmore James, and Jimmy Reed was undeniable. Rounder
Records had its first hit artist and the late 1978 release of his second
album soon had Thorogood’s interpretations of Bo Diddley’s “Who Do You Love?”
and Hank Williams’ “Move It On Over” blanketing the airwaves.
On July 30, 2013, Rounder
Records will re-release Thorogood’s first two albums, 1977’s George
Thorogood and 1978’s Move It On Over.
The band’s stamina in its
early years is legendary. In 1981, just before opening 11 dates for the Rolling
Stones (and later their 1982 European tour), George and the band embarked on
their “50 States in 50 Dates” tour, traveling in a Checker Cab (flying only to
Alaska and Hawaii).
The Destroyers went on to
continued and greater success after leaving Rounder, when the label entered a
joint venture with EMI for George’s fourth album, Bad to the Bone, but
their first two albums are the essence of everything that makes the band great.
Recorded live in the studio, George Thorogood & the Destroyers and
Move It On Over capture perfectly the energy of their live shows.
There’s not a wasted note, and if George never aimed for the pyrotechnics of
later blues rockers such as Stevie Ray Vaughan, the directness of his approach
cuts straight to the heart of each song.
Thirty-five years later, these
performances still ring true. Mastered from new digital transfers of the
original analog tapes, these albums have never sounded better, and if you’re a
George Thorogood fan, it doesn’t get any better than this.
George Thorogood & The
Destroyers
- You Got To Lose
- Madison Blues
- One Bourbon, One Scotch, One Beer
- Kind Hearted Woman
- Can’t Stop Lovin’
- Ride On Josephine
- Homesick Boy
- John Hardy
- I’ll Change My Style
- 10. Delaware Slide
Move It On Over
- Move It On Over
- Who Do You Love
- The Sky Is Crying
- Cocaine Blues
- It Wasn’t Me
- That Same Thing
- So Much Trouble
- I’m Just Your Good Thing
- Baby Please Set A Date
- 10. New Hawaiian Boogie
Labels:
Delaware,
George Thorogood,
Rounder
Tuesday, May 28, 2013
Rounder Records : History's Swamp People Celebrate The History and Culture of the Deep Delta - New Release Review
I just received History's Swamp People, and new release from Rounder Records. This 13 track compilation showcases current and past masters of regional music. Opening with Steel Bill's Swamp People, this is a Cajun house party. Dominated by a contemporary blend of funk, fiddle and blues rock, this track also features a nice clean guitar solo from Bill. Next up is a 1969 hit track, Amos Moses, by Jerry Reed. This track was always a crowd favorite and has just a taste of country picking on an otherwise rock track. Buckwheat Zydeco comes on pure cajun with Zydeco La Louisianne and an accordion romp. Everybody loves Tony Joe Whites Polk Salad Annie, up next and another top track from 1969. Amanda Shaw plays French Jig, a cajun fiddle track accompanied primarily by drums. Nice track. The Neville Brothers come on with the high polish on Fire On The Bayou, a funky track with sophisticated instrumentals and vocals. This is a track with real movement and voodoo overtones. Very cool. Chris Ardoin is up next with What's In That Bayou, an accordion lead swinger. Nice vocals harmonies and concise instrumentation makes this one of the coolest tracks on the release. Beausoleil avec Michael Doucet delivers a traditional arrangement of Kolinda in french for a real flavor of the regional roots. Hank Williams (Sr.) is a really great addition here with his version of Jambalaya. This of curse is an absolute standard of delta country roots. Excellent! Zachary Richard performs a funky hop track, Cocodrie, with lots of horns and and solid vocals. Keys provide much of the bottom of this track and there is also a really tasty guitar solo here as well. Jumpin' Johnny Sansone lays down the Crawfish Walk, a springy twisting rocker. Nice sax work and hot harp plays over this modern track. Very cool. D.L. Menhard plays Cajun Saturday Night, another regional country style track. This track has a real warm, welcoming sound to it with slide and fiddle. I really like it. Bobby Charles' 1955 hit See You Later Alligator, is a great finish to what is not just a compliation of related tracks but actually a pretty cool cd to listen to when you need a pick me up.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Friday, April 26, 2013
Swamp People'® CD celebrates music/culture of Deep Delta
HISTORY®’S SWAMP PEOPLE® CELEBRATES
THE
MUSIC AND CULTURE OF THE DEEP DELTA
Collection
from the heart of alligator country
featuresthe Neville Brothers, Hank
Williams, Jerry Reed,
Tony Joe
White, Buckwheat Zydeco, Zachary
Richard,
Bobby
Charles and introducing Steel Bill
Thirteen-song
set, due out May 21 on Rounder Records
through
Concord Music Group, in partnership with HISTORY®,
captures
the spirit of the top-rated series of the same name
NEW ORLEANS,
La. — The storied backcountry of southern Louisiana is a place of rich history
and fascinating cultural lineage. Its inhabitants — the Cajuns and their “Swamp
People” brethren — are part of a unique tradition that dates back some three
centuries to the immigration of Acadian refugees. In the 21st century, the
region boasts not only a flavorful cuisine, distinctive music and a vastly
vibrant culture, but also a deep and reverent appreciation for the land that
continues to provide these people with refuge and a way of life.
Rounder
Records, a division of Concord
Music Group, has partnered with HISTORY® to
celebrate that legacy with Swamp People®, a 13-song
compilation that showcases the music of current and past masters whose styles
and sensibilities are rooted in this region. Set for release on May 21,
Swamp People®, which serves as an ideal companion piece to the
Cajun-flavored series,
features the music of the Neville Brothers, Tony Joe White, Buckwheat
Zydeco, Jumpin’ Johnny Sansone, Hank Williams, Beausoleil with Michael Doucet
and several others. Many of the tracks have been culled from Rounder’s vast
catalog of southern Louisiana music and the title track, which leads off the
set, is a new song written specifically for Swamp People® by vocalist
Steel Bill, aka Billy Joe Tharpe, a native of Livingston Parish, Louisiana, who
could best be described as a country rapper. The track is a favorite of Troy
Landry, the inimitable, gator-hunting lead from the Swamp People® TV
series.
“There are so
many great songs about alligator hunting and swamp life, hit records that reach
back 50 years and more recent material from the Rounder catalog,” says Scott
Billington, Grammy®-winning producer, Vice President of A&R at Rounder and
producer of Swamp People® (who also plays harmonica on Steel Bill’s
title track). “I love this music and this culture, and I’ve spent a great part
of my life in the region. These joyful, wonderful songs are the perfect
complement to the show, and, I think Swamp People® fans will be
delighted.”
Executive
Producer Pete Elkins agrees: "The joie de vivre of the Swamp
People® is present in their lifestyle, food and music. Rounder
Records and the entire Concord Music team, have captured the spirit and joy of
swampers everywhere in this amazing collection of music.”
Now in its
fourth season, Swamp People follows the current generation of the
Landry family and their contemporaries, who have been part of the region for
generations and have made their living by carrying on their ancestors’ trades
and traditions of hunting alligators and living off the swamp’s bountiful
resources, while at the same time giving back to the swampland they call
home.
TRACK LIST:
Swamp People
Steel Bill
Amos Moses
Jerry Reed
Zydeco La
Louisianne Buckwheat Zydeco
Polk Salad
Annie Tony Joe White
French Jig
Amanda Shaw
Fire on the
Bayou The Neville Brothers
What’s in
that Bayou Charles Ardoin
Kolinda
BeauSoleil avec Michael Doucet
Jambalaya (On
the Bayou) Hank Williams
Cocodrie
Zachary Richard
Crawfish Walk
Jumpin’ Johnny Sansone
Cajun
Saturday Night D.L. Menard
See You
Later, Alligator Bobby Charles
Friday, January 25, 2013
Duane Allman 'Skydog' retrospective coming on Rounder
SKYDOG: THE DUANE ALLMAN RETROSPECTIVE
CHRONICLES GROUNDBREAKING GUITARIST’S CAREER,
FROM GARAGE BANDS AND R&B SESSION WORK
TO THE ALLMAN BROTHERS AND DEREK & THE DOMINOS
Seven CD set, due out March 5 on Rounder Records,
includes rare recordings by Allman’s early bands:
the Escorts, Allman Joys, the 31st of February, and the Bleus.
Extensive liner notes are accompanied by a tribute from Allman’s daughter.
CHRONICLES GROUNDBREAKING GUITARIST’S CAREER,
FROM GARAGE BANDS AND R&B SESSION WORK
TO THE ALLMAN BROTHERS AND DEREK & THE DOMINOS
Seven CD set, due out March 5 on Rounder Records,
includes rare recordings by Allman’s early bands:
the Escorts, Allman Joys, the 31st of February, and the Bleus.
Extensive liner notes are accompanied by a tribute from Allman’s daughter.
CAMBRIDGE, Mass. — Even if he’d never formed the Allman Brothers Band, Duane Allman would be a major figure in American popular music. Long before his name became known to mainstream audiences, he had already established his credentials as a once-in-a-lifetime guitar visionary, leaving his unmistakable stamp on a broad array of recordings. On March 5, 2013, Rounder Records, a division of Concord Music Group, will release the most ambitious retrospective of Allman’s short but influential career titled Skydog: The Duane Allman Retrospective.
The deluxe seven-disc collection, carrying a list price of $139.98, contains the guitarist’s best-known and most commercially successful recordings with the Allman Brothers Band and Derek & the Dominos, as well as session work with Aretha Franklin, Wilson Pickett, Boz Scaggs, Clarence Carter, King Curtis, Delaney & Bonnie & Friends, Ronnie Hawkins, Otis Rush, Laura Nyro, Lulu, the Sweet Inspirations, Laura Lee, Spencer Wiggins, Arthur Conley, Willie Walker, the Lovelles, the Soul Survivors, Johnny Jenkins, John Hammond, Doris Duke, Eric Quincy Tate, Herbie Mann and more.
The set was produced by Galadrielle Allman (Duane’s daughter) and two-time Grammy® winning producer Bill Levenson. Rounder Records’ Scott Billington served as executive producer. Scott Schinder contributed comprehensive historical liner notes, complemented by additional notes by Galadrielle Allman.
In her recollection of her father, who died when she was a young child, Galadrielle writes, “I am very lucky that my father is Duane Allman, an artist who left behind a wealth of incredible music . . . Working on this retrospective, I have gotten closer than I ever have been to understanding my father’s development as a musician and a man.”
Duane Allman, known to his bandmates as Skydog, was born in Nashville in 1946. With Gregg, his only sibling, Duane had his first moment of musical revelation upon witnessing a late ’50s R&B bill that featured B.B. King and Jackie Wilson. By 1960, both Duane and Gregg owned guitars and played in a series of neighborhood garage bands in Tennessee and Florida. Continuing their interest in blues and R&B in the shadow of blues radio station WLAC-AM’s continent-spanning signal, as well as absorbing the influence of the British Invasion, the brothers launched the Escorts in 1965 and the Allman Joys, who recorded a handful of sides in Bradley’s Barn in Nashville in 1966. By 1967, Duane and Gregg signed to Liberty as the Hour Glass and recorded two albums in Nashville and Los Angeles. When the band sought to defy the label and spread its musical wings, they were dropped. The brothers returned to Florida, hooked up with drummer Butch Trucks, and recorded two sides as the 31st of February, and later at Ardent Studio in Memphis as the Bleus.
By this time Duane had developed a reputation as a leading session guitarist. He was on Fame Studio’s A list, his guitar licks coloring hits by Wilson Pickett. Atlantic Records producer and executive Jerry Wexler took note and hired him to perform on Atlantic sessions by King Curtis, Otis Rush, Arthur Conley, the Soul Survivors and Sweet Inspirations. Wexler signed him to a solo Atlantic deal, resulting in a session that contained the raucous original “Happily Married Man” and more. The session, contained on the Skydog set, was abandoned mid-stream. But by then Capricorn Records’ Phil Walden had noticed the rumblings from Muscle Shoals. Duane gathered up brother Gregg, Dickey Betts, Berry Oakley, Butch Trucks, Jai Johanny Johanson and others and the Allman Brothers Band was born.
According to reissue annotator Schinder, “The [Allman Brothers Band’s] music was complex and adventurous, yet unfailingly accessible. The subtle and harmonic interplay between Duane and Dickey’s dual lead guitars was matched by the three-man rhythm section’s surging, swinging cross-rhythms, with Gregg’s massively expressive singing and organ playing keeping the music firmly grounded in human emotion.” The band’s profile grew with each release — the self-titled debut, Idlewild South and eventually the band’s breakthrough, At Fillmore East.
Testament to his energy and ambition, Duane still found time for side projects. When bandmates would hole up at home after tours, Duane joined fellow world-class guitarist Eric Clapton on Derek & the Dominos’ Layla and Other Assorted Love Songs. While not an official member, he quickly emerged as a major contributor to the classic album, his twin guitar interplay with Clapton shaping the hits “Layla” and “Why Does Love Got To Be So Sad.” He also worked with Delaney & Bonnie & Friends and Laura Nyro between Allman Brothers Band projects.
By then acknowledged as one of rock’s premier guitarists, Duane and the Allman Brothers Band began recording their follow-up to At Fillmore East — Eat a Peach. Tom Dowd, another legendary Atlantic house producer, oversaw sessions at Criteria Studios. Then on October 29, 1971, four days after Fillmore had been certified gold, Duane was riding his motorcycle and swerved to avoid hitting a truck. He crashed and died of internal injuries. He was 24 years old.
The band forged ahead as a quintet on Eat a Peach, which became one of their best selling albums. The Allman Brothers, led by Gregg Allman and Butch Trucks, continue to perform to this day.
Schinder notes, “More than four decades after his death, Duane Allman remains a towering figure whose stature has only increased in his absence. His influence lives on, not only in the multiple generations of guitarists who have been motivated by his input, but also in the legions of listeners who have continued to find inspiration in his vibrant vision of American music, which remains as fresh and truthful today as when it was created.”
“When a musician of my father’s caliber dies, every note he ever recorded becomes even more precious,” writes Galadrielle. “Each song is pressed into the service of telling his story. The longer Duane is gone, the clearer it becomes that there will never be another like him.”
Over seven discs, Skydog tells the Duane Allman story with rare and never-before-heard gems alongside smash hits.
“I hope the celebration of Duane’s life inspires you to live fearlessly and enjoy life,” Galadrielle concludes. “I know that would have made him proud.”
Disc One
1 THE ESCORTS Turn On Your Love Light 2:33
2 THE ESCORTS No Name Instrumental 3:13
3 THE ESCORTS What’d I Say 4:04
4 THE ALLMAN JOYS Spoonful 2:27
5 THE ALLMAN JOYS Gotta Get Away 2:38
6 THE ALLMAN JOYS Shapes Of Things 2:47
7 THE ALLMAN JOYS Crossroads 3:32
8 THE ALLMAN JOYS Mister, You’re A Better Man Than I 4:45
9 THE ALLMAN JOYS Lost Woman 5:23
10 HOUR GLASS Cast Off All My Fears 3:31
11 HOUR GLASS I’ve Been Trying 2:39
12 HOUR GLASS Nothing But Tears 2:29
13 HOUR GLASS Power Of Love 2:51
14 HOUR GLASS Down In Texas 3:08
15 HOUR GLASS Norwegian Wood (This Bird Has Flown) 3:01
16 HOUR GLASS B.B. King Medley 7:07
17 HOUR GLASS Been Gone Too Long 3:03
18 HOUR GLASS Ain’t No Good To Cry 3:08
19 31ST OF FEBRUARY Morning Dew 3:46
20 31ST OF FEBRUARY Melissa 3:12
21 THE BLEUS Milk And Honey 2:34
22 THE BLEUS Leavin’ Lisa 2:43
23 THE BLEUS Julianna’s Gone 2:59
Disc Two
1 CLARENCE CARTER The Road Of Love 2:54
2 CLARENCE CARTER Light My Fire 2:49
3 WILSON PICKETT Hey Jude 4:06
4 WILSON PICKETT Toe Hold 2:49
5 WILSON PICKETT My Own Style Of Loving 2:41
6 WILSON PICKETT Born to Be Wild 2:45
7 LAURA LEE It’s How You Make It Good 2:32
8 LAURA LEE It Ain’t What You Do (But How You Do It) 2:05
9 SPENCER WIGGINS I Never Loved A Woman (The Way I Love You) 3:01
10 ARTHUR CONLEY Ob-La-Di, Ob-La-Da 3:00
11 ARTHUR CONLEY Stuff You Gotta Watch 2:15
12 ARTHUR CONLEY Speak Her Name 2:39
13 ARTHUR CONLEY That Can't Be My Baby 2:22
14 WILLIE WALKER A Lucky Loser 2:20
15 THE LOVELLES I'm Coming Today 2:59
16 THE LOVELLES Pretending Dear 2:38
17 ARETHA FRANKLIN The Weight 2:53
18 ARETHA FRANKLIN It Ain't Fair 3:22
19 SOUL SURVIVORS Darkness 2:56
20 SOUL SURVIVORS Tell Daddy 2:30
21 SOUL SURVIVORS Got Down On Saturday 3:10
22 KING CURTIS Hey Joe 2:56
23 KING CURTIS Foot Pattin' 4:49
24 KING CURTIS Games People Play 2:46
25 KING CURTIS The Weight 2:47
26 THE SWEET INSPIRATIONS Get A Little Order 2:06
Disc Three
1 THE BARRY GOLDBERG BLUES BAND Twice A Man 4:26
2 DUANE ALLMAN Goin' Down Slow 8:44
3 DUANE ALLMAN No Money Down 3:25
4 DUANE ALLMAN Happily Married Man 2:40
5 OTIS RUSH Me 2:55
6 OTIS RUSH Reap What You Sow 4:53
7 OTIS RUSH It Takes Time 3:25
8 THE DUCK & THE BEAR Going Up The Country 2:34
9 THE DUCK & THE BEAR Hand Jive 2:41
10 BOZ SCAGGS Finding Her 4:10
11 BOZ SCAGGS Look What I Got 4:13
12 BOZ SCAGGS Waiting For A Train 2:41
13 BOZ SCAGGS Loan Me A Dime 13:01
14 THE ALLMAN BROTHERS BAND Don't Want You No More 2:26
15 THE ALLMAN BROTHERS BAND It's Not My Cross To Bear 5:01
16 THE ALLMAN BROTHERS BAND Black Hearted Woman 5:07
17 THE ALLMAN BROTHERS BAND Trouble No More 3:45
Disc Four
1 THE ALLMAN BROTHERS BAND Every Hungry Woman 4:13
2 THE ALLMAN BROTHERS BAND Dreams 7:16
3 THE ALLMAN BROTHERS BAND Whipping Post 5:16
4 RONNIE HAWKINS One More Night 2:22
5 RONNIE HAWKINS Will The Circle Be Unbroken 2:50
6 RONNIE HAWKINS Matchbox 3:05
7 RONNIE HAWKINS Down In The Alley 5:08
8 RONNIE HAWKINS Who Do You Love 2:13
9 LULU Marley Purt Drive 3:21
10 LULU Dirty Old Man 2:20
11 LULU Mr. Bojangles 3:08
12 LULU Sweep Around Your Own Back Door 2:40
13 JOHNNY JENKINS I Walk On Gilded Splinters 5:16
14 JOHNNY JENKINS Rollin’ Stone 4:56
15 JOHNNY JENKINS Down Along The Cove 3:02
16 JOHNNY JENKINS Voodoo In You 4:50
17 JOHN HAMMOND Shake For Me 2:42
18 JOHN HAMMOND Cryin’ For My Baby 2:39
19 JOHN HAMMOND I’m Leavin’ You 3:20
20 JOHN HAMMOND You’ll Be Mine 2:42
21 DORIS DUKE Ghost Of Myself 3:06
Disc Five
1 ERIC QUINCY TATE Comin’ Down (demo version) 2:52
2 THE ALLMAN BROTHERS BAND Hoochie Coochie Man (live) 5:00
3 THE ALLMAN BROTHERS BAND Midnight Rider 2:58
4 THE ALLMAN BROTHERS BAND Dimples (live) 4:59
5 THE ALLMAN BROTHERS BAND I'm Gonna Move To The Outskirts Of Town (live) 9:21
6 DELANEY & BONNIE & FRIENDS Soul Shake 3:06
7 LAURA NYRO Beads Of Sweat 4:47
8 THE ALLMAN BROTHERS BAND Don’t Keep Me Wonderin’ 3:28
9 DELANEY & BONNIE & FRIENDS Living On The Open Road 3:03
10 ELLA BROWN A Woman Left Lonely 3:23
11 ELLA BROWN Touch Me 2:59
12 BOBBY LANCE More Than Enough Rain 5:51
13 DEREK & THE DOMINOS I Am Yours 3:34
14 DEREK & THE DOMINOS Why Does Love Got To Be So Sad? 4:41
15 DEREK & THE DOMINOS Have You Ever Loved A Woman 6:52
16 DEREK & THE DOMINOS Layla 7:03
17 ERIC CLAPTON & DUANE ALLMAN Mean Old World 3:48
Disc Six
1 SAM SAMUDIO Me And Bobby McGee 3:31
2 SAM SAMUDIO Relativity 3:14
3 SAM SAMUDIO Goin' Upstairs 5:06
4 RONNIE HAWKINS Don't Tell Me Your Troubles 2:13
5 RONNIE HAWKINS Sick And Tired 2:45
6 RONNIE HAWKINS Odessa 3:19
7 DELANEY & BONNIE & FRIENDS Gift Of Love 2:09
8 DELANEY & BONNIE & FRIENDS Sing My Way Home 4:02
9 THE ALLMAN BROTHERS BAND Statesboro Blues (live) 4:17
10 THE ALLMAN BROTHERS BAND In Memory Of Elizabeth Reed (live) 13:04
11 GRATEFUL DEAD Sugar Magnolia (live) 7:20
12 THE ALLMAN BROTHERS BAND One Way Out (live) 4:57
13 HERBIE MANN Push Push 10:03
14 HERBIE MANN Spirit In The Dark 7:59
15 HERBIE MANN What’d I Say 4:57
Disc Seven
1 DELANEY & BONNIE & FRIENDS Come On In My Kitchen (live) 3:42
2 DELANEY & BONNIE & FRIENDS Going Down The Road Feeling Bad (live) 4:03
3 DELANEY & BONNIE & FRIENDS Poor Elijah / Tribute To Johnson (Medley) (live) 4:54
4 THE ALLMAN BROTHERS BAND You Don't Love Me / Soul Serenade (live) 19:25
5 COWBOY Please Be With Me 3:41
6 THE ALLMAN BROTHERS BAND Stand Back 3:24
7 THE ALLMAN BROTHERS BAND Blue Sky 5:09
8 THE ALLMAN BROTHERS BAND Blue Sky (live) 11:24
9 THE ALLMAN BROTHERS BAND Dreams (live) 17:56
10 THE ALLMAN BROTHERS BAND Little Martha 2:07
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, - ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!
Labels:
Duane Allman,
Rounder
Wednesday, October 3, 2012
Carrie Newcomer's 'Kindred Spirits' collection coming on Rounder
CARRIE
NEWCOMER’S KINDRED SPIRITS: A COLLECTION
COMING
NOVEMBER 13 ON ROUNDER
Nineteen-song
career retrospective contains two new
songs.
CAMBRIDGE, Mass. — On November 13, 2012, Rounder Records will release a new compilation of Carrie Newcomer’s music entitled Kindred Spirits: A Collection. This collection of 19 songs draws from Newcomer’s catalog of 12 Rounder Records releases. It also includes two previously unreleased songs, two songs from her special hunger benefit project (Everything Is Everywhere) featuring Indian classical sarod masters Amjad Ali Khan and Ayaan Ali Khan, as well as two currently unavailable live recordings.
Carrie Newcomer’s music has always explored the intersection of the spiritual and the daily, the sacred and the ordinary. Over the course of her career she has become a prominent voice for progressive spirituality, social justice and interfaith dialogue.
Newcomer’s ability for sharp
observation of the world lead the Dallas Morning News to rave, “She's
the kind of artist whose music makes you stop, think and then say, ‘that is so
true.’” She has been described as “a soaring songstress” by
Billboard, a “prairie mystic” by the Boston Globe and
Rolling Stone has declared that Newcomer “asks all the right
questions.” Author Barbara Kingsolver wrote, “She’s a
poet, storyteller, snake-charmer, good neighbor, friend and lover, minister of
the wide-eyed gospel of hope and grace.”
The two new songs, “The Speed of Soul” and “A Long Christmas Dinner,” were recorded and produced by Newcomer, Robert Meitus and David Weber at Airtime Studios. “The Speed of Soul” is a poignant exploration of a more deliberate relationship to time in an increasingly fast-paced culture. “A Long Christmas Dinner” creates a portrait of life and family as part of an ongoing continuum. In the songs “I Believe,” “Geodes” and “Holy as a Day Is Spent,” Newcomer quietly and beautifully describes the presence of something extraordinary in the midst of our ordinary days. She sings, “God walks around in muddy boots, sometimes rags and that’s the truth” and “Folding sheets like folding hands, to pray as only laundry can.” “Before and After” explores the large and small experiences by which we mark our lives through a haunting duet with Mary Chapin Carpenter, resulting in a remarkable combination of two of acoustic music’s most rich and resonant females. “The Gathering of Spirits,” featuring Alison Krauss, is a clear-voiced and crystalline celebration of life. “Betty’s Diner” is a hymn to the human condition and the presence of grace in something as small as a shared meal or cup of coffee — “Here we are all in one place, the wants and wounds of the human race . . . let her fill your cup with something kind, eggs and toast like bread and wine.” Also included are the spiritual and tender “Sparrow” and the wry and raucous “Where You Been.” The sensual “I Do Not Know Its Name” describes poetically and lyrically the sacred we experience, but which cannot be named. Reaching into her early work, “A Whole Lot of Hope,” “Bare to the Bone” and “My True Name” are snapshots of what has always been present in Newcomer’s songwriting and has only deepened and expanded with each recording.
On the topics of the new collection, spirituality and songwriting, Newcomer writes, “I am one of a growing number of people who don’t want to put the sacred in such a small container. I am disturbed that one very narrowly focused and extremely political brand of Christianity being called the ‘religious voice.’ There are wide communities of spiritual people who believe that walking this world in love and compassion is about feeding the hungry, providing for the poor or sick, caring for our elders, making sure that the table of love includes and welcomes everyone, educating our children and young people, honoring our beautiful and interconnected planet. These communities believe that women are equal spiritual beings, and that the highest and most honorable work is creating a less violent, more just and kind world. Isn’t a life of compassion bigger than a catch phrase or sound byte? Isn’t love wider and deeper than fear?” Speaking more to this point, she shares, “If a spiritual leader is teaching hate, it is not spiritual message, it is political message.”
“My most effective and powerful voice will always be my truest voice. We all know when a song is candy-coating things or just going for shock value. But when a song places its finger on the open palm of something true, it shakes the world just a little bit. Why would I want to do anything else as a writer, or as a person? Part of my work as a writer is to put into language and music moments of wonder that have no words.”
The result is Kindred Spirits: A Collection, a resonant soundtrack for a world that is both sacred and ordinary, reflective and forward thinking.
The album’s artwork features the work of Hugh Syme, whose sense of magical realism captures Newcomer’s joyous idea about finding miracles in common places.
Kindred Spirits: A Collection Track List
1. The Speed of Soul
The two new songs, “The Speed of Soul” and “A Long Christmas Dinner,” were recorded and produced by Newcomer, Robert Meitus and David Weber at Airtime Studios. “The Speed of Soul” is a poignant exploration of a more deliberate relationship to time in an increasingly fast-paced culture. “A Long Christmas Dinner” creates a portrait of life and family as part of an ongoing continuum. In the songs “I Believe,” “Geodes” and “Holy as a Day Is Spent,” Newcomer quietly and beautifully describes the presence of something extraordinary in the midst of our ordinary days. She sings, “God walks around in muddy boots, sometimes rags and that’s the truth” and “Folding sheets like folding hands, to pray as only laundry can.” “Before and After” explores the large and small experiences by which we mark our lives through a haunting duet with Mary Chapin Carpenter, resulting in a remarkable combination of two of acoustic music’s most rich and resonant females. “The Gathering of Spirits,” featuring Alison Krauss, is a clear-voiced and crystalline celebration of life. “Betty’s Diner” is a hymn to the human condition and the presence of grace in something as small as a shared meal or cup of coffee — “Here we are all in one place, the wants and wounds of the human race . . . let her fill your cup with something kind, eggs and toast like bread and wine.” Also included are the spiritual and tender “Sparrow” and the wry and raucous “Where You Been.” The sensual “I Do Not Know Its Name” describes poetically and lyrically the sacred we experience, but which cannot be named. Reaching into her early work, “A Whole Lot of Hope,” “Bare to the Bone” and “My True Name” are snapshots of what has always been present in Newcomer’s songwriting and has only deepened and expanded with each recording.
On the topics of the new collection, spirituality and songwriting, Newcomer writes, “I am one of a growing number of people who don’t want to put the sacred in such a small container. I am disturbed that one very narrowly focused and extremely political brand of Christianity being called the ‘religious voice.’ There are wide communities of spiritual people who believe that walking this world in love and compassion is about feeding the hungry, providing for the poor or sick, caring for our elders, making sure that the table of love includes and welcomes everyone, educating our children and young people, honoring our beautiful and interconnected planet. These communities believe that women are equal spiritual beings, and that the highest and most honorable work is creating a less violent, more just and kind world. Isn’t a life of compassion bigger than a catch phrase or sound byte? Isn’t love wider and deeper than fear?” Speaking more to this point, she shares, “If a spiritual leader is teaching hate, it is not spiritual message, it is political message.”
“My most effective and powerful voice will always be my truest voice. We all know when a song is candy-coating things or just going for shock value. But when a song places its finger on the open palm of something true, it shakes the world just a little bit. Why would I want to do anything else as a writer, or as a person? Part of my work as a writer is to put into language and music moments of wonder that have no words.”
The result is Kindred Spirits: A Collection, a resonant soundtrack for a world that is both sacred and ordinary, reflective and forward thinking.
The album’s artwork features the work of Hugh Syme, whose sense of magical realism captures Newcomer’s joyous idea about finding miracles in common places.
Kindred Spirits: A Collection Track List
1. The Speed of Soul
2. I Believe
(featuring Ayaan Ali Khan)
3. Breathe In
Breathe Out (featuring Amjad Ali Khan)
4. There Is a
Tree
5.
Geodes
6. The
Gathering of Spirits (featuring Alison
Krauss)
7. Sparrow
(Live)
8. I Do Not
Know Its Name
9. Before and
After (featuring Mary Chapin Carpenter)
10. Betty’s
Diner - Remix (featuring Krista Detor)
11. Where You
Been
12. Angels
Unaware
13. Two
Toasts
14. Holy as a
Day Is Spent
15. If Not
Now
16. My True
Name
17. A Whole
Lot of Hope
18. A Long
Christmas Dinner (featuring Krista Detor)
19. Bare to
the Bone (Live)
Labels:
Carrie Newcomer,
Rounder
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