Wide Mouth Mason - I Wanna Go With You - New Release Review

I just had the opportunity to review the most recent release, I Wanna Go With You, from Wide Mouth Mason and it's got a cool, stripped down, earthy sound. Opening with Bodies In Motion, Saskatoon born Shaun Verreault on vocal and guitars and Safwan Javed on percussion and vocals establish a high bar with a fat guitar toned, blues rhythmed, track with a solid melody and super vocals. With phrasing that puts me in mind of prime Leon Russell, this is a super track. Quick paced, Some Kind of Requiem, is a snappy, contemporary blues number with fluid slide runs and strong vocals. Very nice. I really love the overdriven electric guitar sound that Verreault gets on Erase Any Trace. These guys have focused in on a really cool blend of blues, rock and gospel styling that really hits square. Very nice. On Only Child, Mason stretches further into the driving rock styling but preserving the raw blues edge grinds out s pure rocker. Excellent! Another style covered is southern blues style of Shorty Medlock on High Road. Guitar picking, over laid on slide work and a driving bass line gives this track particular traction. Listen closely on Modern Love, yes, the Daviid Bowie hit track gets a total rework and if you don't catch the words will likely slip right past you. It retains the original energy but totally reworking the track format, and with the addition of Shawn "The Harpoonist" Hall makes this redo is very successful.  Rag style track, Outsourced gives Verreault a great opportunity to show off his guitar work and the addition of Kelly "Mr Chill" Hoppe on harmonica and nicely blended vocals, a cool track. Wrapping the release is a really solid radio track, You Get Used To It with great vocal blending between Verreault and Javed. With it's contemporary rock styling and sound, this is the definite radio track on the release and a super closer. 

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Suzie Vinnick - Shake The love Around - New Release Review

I just had the opportunity to review the most recent release, Shake The Love Around, from Suzie Vinnick and it's light rocker with fine vocals and a poppy feel. Opening with Happy As Hell, Vinnick lays down a cool funky guitar line and with Gary Craig on drums, Johnny Johnson on sax and Dean McTaggart they really set up a tight foundation to support her strong vocal lines. Another track with a nice back beat, Lean Into The Light has a real infectious feel with nicely harmonized vocals courtesy David Leask and slick guitar work by Vinnick. A particularly cool track is Danger Zone with Vinnick accompanying herself on bass. Excellent job. My favorite track on the release is Creaking Pines with a haunting melody and some of Vinnick's best vocals and nicely stylized blues guitar riffs. Excellent. Wrapping the release is Drift Away, a strong ballad with a smart melody. With only light electric and acoustic guitar, drums and Hammond by Mark lalama, this is a sweet closer for a solid release. 

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Goodbye Pork Pie Hat - Joni Mitchell

I felt like writing about Joni tonight. I love this song. I really would have preferred to bolg the Hissing of Summer Lawns but I could not find a good video. This is a super band including Jaco and Michael Brecker. Is it blues... maybe not... but...
Joni Mitchell,(born Roberta Joan Anderson; November 7, 1943) is a Canadian musician, singer songwriter, and painter. Mitchell began singing in small nightclubs in her native Saskatchewan and Western Canada and then busking in the streets and dives of Toronto. In 1965 she moved to the United States and, touring constantly, began to be recognized when her original songs ("Urge for Going," "Chelsea Morning," "Both Sides, Now," "The Circle Game") were covered by notable folk singers, allowing her to sign with Reprise Records and record her own debut album in 1968. Settling in Southern California, Mitchell and her popular songs like "Big Yellow Taxi" and "Woodstock" helped define an era and a generation. Her more starkly personal 1971 recording Blue has been called one of the best albums ever made. Musically restless, Mitchell switched labels and began moving toward jazz rhythms by way of lush pop textures on 1974's Court and Spark, her best-selling LP, featuring her radio hits "Help Me" and "Free Man in Paris."

Mitchell's wide-ranging vocals and her distinctive open-tuned guitar and piano compositions grew more harmonically and rhythmically complex as she explored jazz, melding it with her influences in rock n roll, R&B, classical music and non-western beats. Mitchell's experimental run of jazz-inspired albums, including 1975's The Hissing of Summer Lawns and 1976's Hejira, confused many and hurt Mitchell's sales at the time, but they are acclaimed today. In the late 1970s, she began working closely with noted jazz musicians, among them Jaco Pastorius, Wayne Shorter, Herbie Hancock, Pat Metheny and Charles Mingus, the latter of whom asked her to collaborate on his final recordings. In her later work Mitchell turned again toward pop, embraced electronic music, and engaged in political protest. Mitchell was also the sole record producer credited on most of her albums, including all her work in the 1970s. With roots in visual art, she designed her own album artwork throughout her career. A blunt critic of the music industry, Mitchell quit touring and released her 17th, and reportedly last, album of original songs in 2007. Now based in British Columbia, she describes herself as a "painter derailed by circumstance.
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