I just received the newest release (May 20, 2014), Screaming in the Wind, by Dudley Taft and he continues to explore new territory. Opening with Skip James' Hard Time Killing Floor Blues uses a basic blues backdrop and twists of rock and metal to forge his own sound. His subtle yet solid approach on this track baits you in until he springs the rock trap where he and his band of rockers, John Kessler (bass), Jason Patterson (drums), andn Reese Wyans(organ)lay it all out. Freddie King's Pack It Up is a cool rock track with a great beat and almost Steve Miller like vocals, Taft wailing away on his guitar solo's yet keeping the track contained for easy airplay. Tom Hambridge joins on the track playing drums and the Muscle Shoals horn section (Charlie Rose on trombone, Jim Horn on sax and Vinnie Seizeilski on trumpet) adds that over the top sound. Red Line has a lot of southern rock feel with a solid drum/bass bottom and even a Golden Earring kind of rumble with a Billy Gibbons flair with great guitar riffs and a lot of pinched harmonics. Very cool. Title track, Screaming In The Wind has a bit of a swamp feel with a smokey rhythm, crafty organ work and super grindy guitar work. Taft uses the vocals in an interesting way perfectly complimenting the instrumentation. Possibly my favorite track on the release. 3DHD is a really interesting track with a rhythm similar to Foxy Lady, but with a melody which is much more melodic. A taste of Zac Wilde style vocal but with masterfully crafted harmonies and really nice guitar work makes this a definite standout track on the release. I Keep My Eyes On You has a light funk to the step but is way to far over the line toward heavy rock to be considered a funk track. this is an interesting blend of styles leading up to curiously cool guitar work from Taft. Chords and bends and jazz runs blended into a rugged rock sound. An extended guitar solo on this track is a definite bonus. A straight up blues ballad, The Reason Why, could be another strong radio contender. Taft knows how to run the board and isn't shy to show it. I really nice guitar solo on this track followed by an equally cool B3 solo from Wynans makes it a sure crowd grabber. Rise Above It takes a jagged rhythm tightly executed and with well crafted lyrics and melodies for a transitional blues/metal sound. I really like what he's doing here and can definitely see where he's going. Barrio is the most mellow of all tracks on the release in 3/4 time. Backing vocals from Ann and Regina McCrary create a warm feel and Taft keeps the guitar reeled in on this track while still showing his dexterity and tasteful riffs. Sleeping In the Sunlight again has that mix of heavy swagger and creme filling. Screaming guitar riffs played full out but mixed down have a very nice effect to create dynamics on this track. Tears In The Rain has an unusual time signature seemingly cradling the music with well blended vocal harmonies with Hambridge and skillfully played, emotionally packed guitar riffs. Wrapping the track is rocker Say You Will, a blend of tuff and soft. Patterson sets the pace with tight drumming, sided by Kessler on bass but Taft is riding high with his prominent vocal style and well selected guitar explosions. Excellent!
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label Screaming in the Wind. Show all posts
Showing posts with label Screaming in the Wind. Show all posts
Thursday, May 15, 2014
Monday, April 21, 2014
Watch and Learn About Dudley Taft
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Labels:
Dudley Taft,
Premier Guitar,
Screaming in the Wind
Wednesday, March 12, 2014
Guitar Master Dudley Taft Is "Screaming in the Wind" on Latest CD, Coming May 20 from American Blues Artist Group; New Album of Blues-Rock Produced by Grammy-Winner Tom Hambridge Features Special Guest Reese Wynans on Keyboards
Guitar Master Dudley Taft Is Screaming in the Wind on Latest CD, Coming May 20 from American Blues Artist Group
New Album of Blues-Rock Produced by Grammy-Winner Tom Hambridge Features Special Guest Reese Wynans on Keyboards
CINCINNATI, OH – Blues-rock guitarist Dudley Taft announces a May 20 release date for his new CD, Screaming in the Wind,
on his American Blues Artist Group label. The new album was produced by
Grammy-winner Tom Hambridge, best-known for his work with Buddy Guy,
Susan Tedeschi, George Thorogood and Johnny Winter, and recorded at The
Switchyard and Rendering Plant in Nashville, as well as Taft’s new
Muchmore Studio in Cincinnati. The new recording facility is part of the
house and property Dudley recently purchased from legendary guitarist
Peter Frampton.
The
new CD features a dozen songs, most of which are originals penned by
Dudley Taft, including several co-written with Tom Hambridge (who also
plays drums on a couple tracks) and Richard Fleming, plus scintillating
covers of songs by Skip James (“Hard Time Killing Floor Blues”) and
Freddie King (“Pack It Up”).
“Screaming in the Wind is
my third solo effort and the first album I’ve done produced by someone
outside the band. Several songwriting sessions in Nashville with
producer Tom Hambridge and songwriter Richard Fleming helped the songs
take shape before recording them,” says Taft. “It was refreshing to work
with other great songwriters for the first time, and it gives Screaming in the Wind a different flavor.”
Taft’s
regular band of John Kessler on bass and Jason Patterson drums is
augmented by the addition of former Stevie Ray Vaughan keyboard player
Reese Wynans on the sessions. “Reese plays some wicked B3 organ on the
CD,” exclaims Taft. “He really shines on a bunch of the songs, elevating
them to levels I never imagined. Check out his ripping solo on ‘The
Reason Why’.”
Other special guests on Screaming in the Wind include
the acclaimed McCrary sisters, who bring their smooth gospel harmonies
to the song “Barrio,” while the Muscle Shoals Horn Section shines on
“Pack It Up.”
“So
far, I have done a Freddie King song on every CD, and this was no
exception,” states Taft. “I love the funky vibe and tight arrangement of
‘Pack It Up.’ We poured gasoline on it and lit a match.”
The
title track of the album started as a custom instrumental riff Taft did
for the “American Blues Scene” website. “They told me it should be a
song,” he recalls, “and I think it may have turned out to be one of the
strongest on the album. Tom Hambridge and I worked hard to find the key
imagery in the lyrics to tell the story.”
Speaking
of instrumentals, Dudley Taft really cuts loose on the appropriately
named track, “Red Line,” demonstrating why he’s been dubbed one of the
hottest guitarists on the planet. Fans of classic ZZ Top riffs will be
smiling from ear-to-ear when they hear Taft “spanking the plank” on that
one.
“The
riff from Skip James’ ‘Hard Time Killing Floor Blues’ got stuck in my
head last year,” Taft remembers. “I thought giving it a Led Zeppelin
‘Black Dog kind of interpretation would make it fresh.”
The
final song on the CD, “Say You Will,” has what Taft calls “an epilogue,
where the gears shift and a David Gilmour influence surfaces, taking
the listener off into oblivion. That was such a fun track to record!”
Dudley Taft’s last CD, Deep Deep Blue,
released in May, 2013, received universal acclaim from fans and critics
alike, including being named on several “best of” lists at the end of
that year. He will support the new CD release with touring both in the
U.S. and overseas, where he already has a European tour planned in May
and June that will take him to the Netherlands and Germany.
To stream the track, “Hard Time Killing Floor Blues,” from Screaming in the Wind, click on this link: https://soundcloud.com/dudleytaft/hard-time-killing-floor-blues
For more information, visit www.dudleytaft.com
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