I just received the newest release (October 16, 2015), Skin and Bones, from Dudley Taft and it's a hot fusion of blues, country, rock, hip hop, metal, grunge and Dudley Taft! Opening with title track, Skin and Bones, Taft delivers vocals in almost a hip hop style but the guitars say country rock. Taft knows how to get his listeners attention when he grabs the strings and he does it. Lonesome Memphis Blues has a strut pushed along nicely by John Kessler on bass and Jason Patterson on drums. Warming organ work from Reese Wynans and soothing backing vocals from Rachael Williams gives this track balance and an slightly jazz feel but Taft's guitar tone says rock baby! Ain't Nothing Gonna Stop Us Now is a driving rocker with laser like focus. A simple pleasing melody and swift fingered blues guitar riffs make this an ideal radio track with a bleeped "F***off". Johnny Winter's Leland Mississippi Blues, keeps it's straight, Willie Dixon like blues romp. This is every man's blues rocker and Taft firrs it up. Very nice! Easy flowing, One Of These Days, is a total change up gone mellow ballad style. With it's memorizing melody and melodic guitar work, it's certain to cross pollinate the airwaves. Fuzzy Dice has great swagger with a rumbling bass by Kessler. With a clever guitar repetitive guitar riff the track has a contemporary northwest feel with a Frank Marino edge. One of my favorite tracks on the release, Taft lays out some really tight guitar lines to compliment his super vocals. This track breaks into a metal (say Deep Purple) driving rhythm setting a rock solid platform for Taft to really take it home. Very cool! Without You has a square kick in the pants feel with a nice back beat thanks to Patterson. Kessler is no wall flower driving a great bass line on this track and Taft's vocals are really ideal for this kind of blues rock music with hot flashes of guitar. Space Cake has a solid rock bottom and Taft takes command on vocal and guitar. I really like Patterson's work on this track and Taft's slide work adds texture to the track. Metal solidity sets the path for Ain't About The Money, a track that has a heavy overtone with drum, guitar and bass emphasis on the key notes in unity. A well crafted track with an interesting melody line, it should fare well in the rock market. Coming Home is an interesting composition with a a rocking rhythm. Just enough edge to make it sharp but not enough to fall, this track has surprises and a cool hook. Wrapping the release is Mojo Woman with it's southern country rock feel. Williams' vocals are almost Dark Side of the Moon in quality with smooth organ backing and plenty of room for Taft to hits some really slick guitar riffs. This is a nice track to sum up the release.
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label Skin and Bones. Show all posts
Showing posts with label Skin and Bones. Show all posts
Thursday, September 24, 2015
Monday, August 3, 2015
Dudley Taft Rips Into You With Skin And Bones
Dudley Taft Rips Into You With Skin And Bones
The Guitarist’s New
CD Out October 16, 2015
“… making paint
peel from the walls with the heat of his guitar blitzkrieg…”
- Deep Roots
Atlanta GA – American Blues Music Group recording artist
Dudley Taft brings his own version of the blues to the table with Skin
And Bones, a hair-raising collection of blues, rock and a slice of
grunge pie to be served on October 16, 2015. Recorded at Muchmore studio in his
home in Cincinnati and Omni Sound in Nashville he and bassist John Kessler
co-produced the record.
Skin And Bones came from three sessions with
Jason Patterson on drums and John Kessler on bass at Taft’s home studio once
owned by legendary rock icon Peter Frampton in Cincinnati, OH. Yes, that guy.
Taft bought the house with the intent of utilizing the studio full time.
He didn’t know the support phone number when setting up the room would lead him
to Frampton himself. Taking cues from Neil Young and his studio approach of
using the first takes, Dudley gives Skin And Bones a raw feel
with fresh air weaving in and out of the arrangements. Never mind the
blemishes, let the soul of the songs shine through.
As the creeping chord progression starts the CD with the
title track, “Skin And Bones”, Dudley sings about Bourbon Street in New
Orleans. You can almost feel the hot pavement under your shoes as you walk
through the Crescent City. He gives nods to the past musicians, the voodoo, and
its patina history.
He grooves and
boogies through riffs and melodies all while keeping his shades on
“Fuzzy Dice” is a musical air raid that started out as a
riff using the Buzzmaster Fuzz Pedal and then researching the rearview mirror
classic to get inspired to write the lyrics. Fuzzy dice were hung in B-17
cockpits showing 7 for good luck as the fighters carried out their missions.
The heavy driving guitars and being honest with the subject matter makes this a
standout. You can almost feel the plane soar and dive and shoot.
“Coming Home” is a simple yet expressive reflection of what
matters in life. As we all know, life pulls us in 25 different directions, and
we get lost; sometimes the home front is where we belong. Built off a classic
50’s fingerpicked riff, Dudley uses his bare knuckles to emulate Lightnin’
Hopkins and Hubert Sumlin. Another nod to a guitar hero of Taft’s is the
straight forward, “Leland Mississippi Blues” from Johnny Winter. Never mess
with a classic. “The descending riff is totally cool and fun to play. It’s one
of my favorite songs to perform live,” Dudley states.
“I like blues
because it touches on dark and heavy things. I’ve always believed that it’s
important to have old and new influences.“ - Dudley told Premier
Guitar in 2013
If you listen close, his influences range from Johnny
Winter, Elmore James and ZZ Top to Alice Chains’ Jerry Cantrell. A gear head
geek at heart he uses all the tools in his shed to create his sound. His
relationship with Reese Wynans of the legendary Stevie Ray Vaughan band
continues as he supplies the hum with his signature organ sounds. The backing
vocals of Rachel Williams and Ashley Christensen add a sweetness to the
choruses.
Dudley’s music career began in high school when he founded
the band Space Antelope with friend Trey Anastasio (of Phish). In the
1990’s he joined Seattle band Sweet Water, touring the states with Monster
Magnet, Flaming Lips, Candlebox, and Alice in Chains. After recording two
albums for Atlantic, he left the band to join Second Coming. More touring
followed with an album on Capitol Records and a taste of success thanks to the
single “Vintage Eyes” which made it to #10 on the Rock Radio charts.
In his music, you’ll hear Delta roots mingling with Seattle
grunge, a southern twang with a high-octane crunch. Dudley’s music is a visual
film that comes to life with his dark look and respect to the music itself. He
honors the players that came before him and those around him but is always
looking down the road into the future.
Dudley will be playing Seattle and Midwest cities throughout
the fall in the U.S. and will return to Europe for festivals and club gigs in
the summer. Look for that upcoming information on his website www.dudleytaft.com
Follow the Dudley Taft YouTube promo:
Labels:
Dudley Taft,
Skin and Bones
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