Solid Blues Records artist: JW-Jones - Everything Now - New Release Review

 I just had the opportunity to review the most recent release, Everything Now, by JW-Jones and it's a solid mix of blues, R&B, rock, and pop. Opening with title track, Everything Now, JW-Jones on lead vocal and guitar has penned a cool, pop rocker with a strong melody, featuring Stanton Moore on drums, Gordie Johnson on harmony, rhythm, bass and keys making this a super opener. Blues rocker, Papa's In The Pen has a cool rhythm and Jones' vocals are strong with a tight guitar solo pushing the track nicely. With Eric Eggleston on harmony vocal, rhythm guitar and percussion, Aaron Sterling on drums and Jeff Rogers on keys another solid entry. Shuffle track, Take Your Time features Jimmie Vaughan on guitar with his signature style, and includes Jason Corbiere on drums. My favorite track on the release is To Tell You The Truth (I Lied) with Jones' best vocal on the release and it's supple bluesy feel. Cutting loose on guitar Jones really gives this track an extra boost, joined by Jacob Clarke on bass, Eggleston on rhythm guitar and percussion, and Jesse O'Brien on keys. Very nice. Another favorite is R&B influenced, When You Left, with a real nice melody and with Kaz Kazanoff, John Mills and Al Gomez on horns working in support of Jones on vocal and guitar. Wrapping the release is rocker, Good To Be True, with a contagious melody and driving beat. JW has a solid rocker here with plenty of diversity and soul. 

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Solid Blues Records artist: JW-Jones - Sonic Departures - New Release Review

I just had the opportunity to review the most recent release, Sonic Departures, from JW-Jones and it hits solid on the radio track styling with great guitar soloing. Opening with Blue Jean Jacket, a pop rocker with a shuffle beat, JW-Jones is up front with solid vocals and joined by Jesse Whiteley on keys, Will Lauin on drums, Jacob Clarke on bass Brendan Cassidy, Jim John, Daniel Koelsch and Rolf Rogde on sax, Scott McGonigal, Rob Williams, Rob Mee and Rob Scott on trombone, and Bob Clegg, Noel Methven, Jim Shea and Brad Harrison on trumpet. Jones does a funky overlay on classic blues number, Drowning on Dry Land and I like it. Whiteley's organ work, along with the tight rhythm work of Laurin really make this track move. Jones stabs in some real nice guitar riffs, working really well with sax and trumpet accents. Very cool! Big swing track, It's Obdacious has great feel and dynamics with harmonies by Brit Wynne-Jones. Jeff Pighin really wails on sax on this one giving it a great kick. On Guitar Slim's, The Things That I Used To Do, Jones maintains Slims original trademark guitar riffs which give it great presence and his own twists, with the addition of sax and trumpet which work really nicely. Possibly my favorite track on the release. Wrapping the release is rock shuffle, When It All Comes Down with Jones' solid lead vocals and warm sax work maintaining the balance. His lead guitar work on the track is concise and well blended making this a solid closer for a solid release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Solid Blues Records artist: JW - Jones - Live - New Release Review

I just had the opportunity to review the most recent release, Live, from JW- Jones and it's terrific. Opening with A Memo, a cool, well written rocker with a solid melody. Jones' band is Laura Greenberg on bass and vocal, Will Laurin on drums and vocals and Don Cummings on Hammond and vocals. Jones gets the opportunity to stretch a bit and with nicely phrased blues riffs, punctuates this fine opener. On BB King's Need You So Bad, Jones' vocals are firm and his guitar playing sure footed. I have heard each of his previous releases and this one really shines. Howlin' Wolf's Moanin' At Midnight has a steady rolling tempo with aggressive blues stance, breaking into a Hendrix "Voodoo Chile" posture and letting the pyrotechnics fly. Very nice. Dylan's Tonight I'll be Staying Here With You has an approach that blends Dylan, Beck and Garcia styles. Another BB King track, Early Every Morning, has a hard driving bass line putting Jones into boogie mode, dancing across the fretboard in the manner of Gatemouth Brown, but using his own phrasing making it all his own. Very nice.  Albert King's, You're Gonna Need Me, sets up nicely with a cool undertow on bass and subdued King styling on rhythm, allowing Jones to lay it out there "All Jones". Excellent! Reworking Jimmy Rogers' That's Alright, you got pure slow blues. Some of Jones best vocals in years shine here and Muddy Waters styling on slide is extremely effective. Wrapping the release is I Might Not Come Home At All with an extended guitar exploration including the Walk Don't Run, Wipeout, Daytripper, Satisfaction, James Bond Theme, Secret Agent Man, Communication Man, Baracuda, Hawaii 5-O Theme, Batman Theme, Spider Man Theme, Apache, Pipeline,  Brown Sugar, Oh Pretty Woman, Misirlou and Johnny B Goode. Excellent closer for a really solid release. I think his best yet!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Solid Blues Records artist: JW - Jones - High Temperature - New release review

I just had the opportunity to review the most recent release, High Temperature, from JW - Jones and it may be his best yet. Opening with rocker, Price You Pay, JW-Jones seems to have taken a new direction with tighter riffs and more relaxed vocals. Joined by Colin Linden on guitar, Kevin McKendree on keys, Dominic John Davis on bass and Bryan Owings on drums this is a solid opener. On How Many Hearts, Jones is joined by Jaida Dreyer on second lead guitar and in addition to slick lead guitar riffs and a nice groove, I really like the over saturated tones on the rhythm guitar. Title track, High Temperature is a great blues shuffle and that over driven guitar tone is through the roof. Along with McKendree's key work, Jones lets the guitar off the leash with some real string lashing making this one of the best tracks on the release. Excellent! Who I Am is a really cool track with an almost Robert Cray feel. With it's heavy bass and tight drums, Jones is way out front on vocal and his guitar seems to be a mad dog held back by a string. Very nice. Loping, Away Too Long has a bit of that familiar country blues rumble and McKendree's organ work is real nice. Harmony vocals by Liam Russell give this track yet another dimension and pure radio appeal. Midnight Blues is a swinging rocker with a snappy rhythm. Jones does some of his best vocal work on this track with Russell and McKendree's keys are sweet. He steps up with really a nice guitar solo making this one of my favorites on the release. Leon Russell's Out In The Woods, is up next and with some of the coolest drum work you're likely to hear. Keeping that swampy feel that Leon conjured and with bluesy riffs, this track floats. The releases closes with Lonnie Mack's Wham. A terrific guitar twister, this track gives Jones the opportunity to really turn it loose and away he goes. This is an excellent closer for a really strong release.



  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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