Legacy Recordings artist: Pink Floyd - Animals (2018 Remix) - New Release Review

 I just had the opportunity to review the most recent release, Animals (2018 Remix) (September 16, 2022)  from Pink Floyd and its terrific. I had the opportunity to play this newly redone 5.1 mix on a half plus million dollar hifi system and it really shines. I am lucky to have frequent access to this system so I have heard a lot of music through it but rarely review my cds through it. The music is really immersive and special effects like random dogs, birds (and barnyard animals) appear in different places in space throughout the listening space. Drum thumps are immense and seem much more crisp and more real, twin guitar leads are more distinct, Wrights synthesized keys are more floating  … a fabulous experience. Gilmores prime lead solo on opening track, Dogs seems to be placed squarely in front of me and live. Very cool. On Pigs on the Wing 1 Gilmore’s acoustic guitar and vocals are very present. On Pigs On the Wing 2 the vocal mix is even dryer and more real sounding. Very nice. Feature track, Pigs, is much more dynamic than I've ever heard with Gilmore's guitar lead sailing about behind my head and accent riffs drift throughout the ether around a firmly anchored Waters' bass and Mason's drum set mid stage. Gilmore's most rich layered leads are center stage along with acoustic work which is dramatically more evident. Waters' lead vocals are well balanced but distinct from backing vocals. Wright's synth work is clear and wild. Yes. I was one of the fortunate probably over a million people who saw this tour in the flesh but I have to say, even though there are no flying pigs in this room, not much else is missing. Wow! 

 'Animals 2018 Remix' will be released on CD, LP (with gatefold artwork), Blu-ray, SACD and Deluxe Gatefold formats. The Deluxe Gatefold version includes LP, CD, audio Blu-ray, audio DVD and a 32-page book. The Blu-ray and DVD audio include the 2018 remix in Stereo, 5.1 Surround (both by James Guthrie) and the original 1977 Stereo mix. The 32-page booklet features rarely seen behind the scenes photographs of the album sleeve shoot along with live images and memorabilia. The album artwork has been reimagined for this release. 

 Deluxe limited edition 4 disc package.  1LP/1CD/1DVD/1BLU-RAY 180 Gram black heavyweight vinyl 32-page booklet all housed in a hardcover book style cover 

 1 LP Vinyl 1LP 180gram black heavyweight vinyl 28 page booklet gatefold vinyl sleeve

 1 CD CD in card gatefold cd size sleeve 28-page booklet. 

 1 Blu-Ray Special Blu-Ray gatefold card sleeve 16-page booklet 

 BLU-RAY - AUDIO MIXES 2018 Remix - Stereo: 24-bit/192kHz Uncompressed, dts-HD MA 2018 Remix - 5.1 Surround: 24-bit/96kHz Uncompressed, dts-HD MA 1977 Original Stereo: 24-bit/192kHz Uncompressed, dts-HD MA

 DVD – AUDIO MIXES 2018 Remix: 5.1 Surround Mix (Dolby Digital @ 640 kbps, 448kbps), Stereo (LPCM 24-bit/48 kHz Uncompressed), 1977 Original Stereo Mix: (24-bit/48 kHz Uncompressed)

 1 SACD Hardback book package with 28-page book, in slipcase. Includes: 2018 NEW STEREO MIX (High-resolution DSD) 2018 NEW 5.1 SURROUND MIX (High-resolution DSD) 2018 NEW STEREO MIX (standard CD) 1977 Original Stereo Mix by Brian Humphries Assistant Engineer: Peter James Mixed at Britannia Row 2018 Remix: 5.1 Surround and Stereo Mixes by James Guthrie Assistant Engineer: Joel Plante

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Silvertone/Sony artist: Joanne Shaw Taylor - Wild - New Release Review

I just had the opportunity to review the most recent release, Wild, from Joanne Shaw Taylor and it's a cool guitar fused blues release. Opening with Dyin' To Know, Taylor leads with a driving rhythm and crisp but understated lead guitar behind her solid vocals and backed by Greg Morrow on drums, Rob McNelly on guitar, Michael Rhodes on bass and Steve Nathan on keys. Ready To Roll has real swagger and Taylor's voice really shines. Backing vocals by Mahalia Barnes, Juanita Tippins and Jade MacRae give the track fullness leading up to so real nice guitar slashes by Taylor. Very cool. Get You Back is a solid country rocker in the style of the Outlaws with nicely blended backing vocals and tight guitar riffs. I really like the bent guitar chords on the opening of ballad, Wild Is The Wind. Rhodes' bass line gives the track a richer contrast to Taylor's already enticing chords and strong vocals. Very nice. Rocker, Wanna Be My Lover has the drive of the Allman's, One Way Out and the energy of the Pointer Sisters, Neutron Dance. With it's quiet nature but strong emotion, I Wish I Could Wish You Back is one of the best tracks on the release with a really warm melody, light guitar acoustic work and soft slide guitar behind the song. Excellent! With an easy swing, My Heart's Got A Mind Of It's Own, slides back and forth off the funk. Horn work by Paulie Cerra on sax and Lee Thomburg on trumpet and Barnes, Tippins and MacRae on backing vocal and Taylor's own soulful guitar make this another top track. Wrapping the release is a real nice cover of Big Brother's arrangement of classic, Summertime. I really need to give Taylor a nice bump for this track because she has a super fat lower region and she uses it nicely rather than just over singing Joplin's own vocal emotion as I have heard in other covers of this track. She does cling relatively closely to Big Brother guitarists Andrew and Gurley's melodic take but this is where the comparison begins and ends. Her vocal interpretation is unique and inspired and her guitar soloing nicely phrased. Excellent closer. 

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Sony Music in association with Capo Records and Legacy re-issue of Rory Gallagher - Live At Montreux - Review

Here is another "must have" release from the Rory Gallagher archives. This set of recordings documents the best of four live performances at Montreux (1975, 1977, 1979 and 1985). This release includes Laundromat, Tore Down, I Take What I Want, Bought And Sold, Do You Read Me, Last Of The Independents, Off The Handle, Mississippi Sheiks, Out On The Western Plain, Too Much Alcohol, Shin Kicker and Philby. There isn't one throw away track on the cd and it is full throttle from the second the first track starts. This great live compilation release clearly demonstrated why Gallagher is a legend and his reputation has remained as a superstar even years after his demise. His guitar tone is terrific throughout and the recording quality is terrific one end to the other. On Too Much Alcohol Gallagher lets up for a few moments on his Strat and plays a great fleeting solo on his dobro. If you want to hear Gallagher torture his guitar relentlessly... look no further! Doesn't he have the best looking strat on the planet!
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Sony Music in association with Capo Records and Legacy re-issue of Rory Gallagher- Notes From San Francisco - Review

This is one that you don't want to miss! This is a lost Rory Gallagher album from 1978. After some internal distress after the end of his 1977 tour Gallagher shelved this album which he was recording at the time and broke up the band. Disc one is made up of 12 songs kicked off by Rue The Day which shows Gallagher's intensity was still up from the tour. Mississippi Sheiks highlights Gallagher's great guitar tone an presence on his soloing. Wheels Within Wheels is a much calmer Gallagher than I'm used to with a guitar playing in more of an ethereal manner. Overnight Bag is a great blues tune of course with strong guitars. You can actually hear Gallagher's inspiration for Brian May on this tune. Cruise On Out is uptempo and a real ripper! Fuel To The Fire is a modern style blues with a great guitar interlude. Cut A Dash is a great rock tune with great guitar and drums throughout. Out On The Tiles is a hard driven track almost literally paving the way for Stevie Ray Vaughn!

The second disk was recorded live in San Francisco in 1979 with Gerry McAvoy on Bass and Ted McKenna, a band he had after seeing the Sex Pistols. The influence is definitely apparent. Gallagher is always at his best when recorded live and this is no exception. This recording really kicks butt. it starts off with Follow Me and Shinkicker. Both tracks definitely present a more driven raw attach of the great master. He doesn't completely abandon his roots and Off The Handle is a more traditional blues. These tracks show a definite change in deliver from earlier recordings and a must have for Gallagher enthusiasts. Even traditional Gallagher tracks Calling Dard, Tattoo'd Lady have new perspective and Bullfrog Blues is absolutely on fire!! Gallagher concludes the release with Sea Cruise which is a slide guitar enthusiasts dream. If you haven't had the chance...don't wait!
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Sony Music in association with Capo Records and Legacy re-issue of Rory Gallagher- Irish Tour - Review

Third in the review of re - issue Rory Gallagher... Irish Tour. This is a recording that should be in every blues rock lovers library. It sounds as fresh as recorded yesterday and easily one of Gallagher's strongest recordings. This album came about as a result of the massive appeal of a concert filmed for television. It soon became apparent that the film deserved a larger audience and was released for the theater. This all came about during incredible turmoil in Belfast and most musicians wouldn't venture there. As this is a live recording, most of the songs have been released in studio form on other releases but never with such vigor! The recording opens with Cradle Rock and a series of pinched harmonics which have become synonymous with this recording. This track was first heard on the Tattoo'd Lady release but in a much more tame form. Rory is blazing with the slide right out of the chute! Next up is a Muddy Waters track, I Wonder Who and again Rory doesn't hold back and has some terrific pinched harmonics as well as the call and response associated with Chicago Blues. This track develops into a full on frontal attack with is guitar... WOW! third is Tattoo'd Lady of course from the Tattoo'd Lady release. This is a straight forward UK style blues rock track ... of course with a healthy share of Rory's excellent guitar technique and feel. Too Much Alcohol, a JB Hutto tune takes on more of a traditional delta feel only on Strat. There's also a real nice key solo in this track by Lou Martini. As The Crow Flies, a Tony Joe White tune is played on a National Resonator and is delivered in a modern but traditional fashion as only Rory could do. I will mention that Rory's harp playing on this track resembles Bob Dylan.
A Million Miles Away, another track from Tattoo'd Lady shows Gallagher's mastery of the guitar in so many ways. It is articulate, soulful and expressive ... just great!
Walk On Hot Coals, a true blues rocker is played with strong conviction and was surely a great centerpiece for the concert with extended instrumentals as only concert recordings have. Who's That Coming opens with Gallagher's trademark slide sound. Gallagher begins the track as a ditty and turns it into a full blown blues rock boogie. Back On My Stompin' Ground begins with a slide melody and the song builds from it. Gallagher again pulls out the stops and lets it fall where it may. Maritime, the final track on the recording is really only an outro sounding like a part of Santo and Johnny's Sleepwalk. Terrific ending to a terrific concert. You won't be disappointed!
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This is a slightly different version of the same tune:

Sony Music in association with Capo Records and Legacy re-issue of Rory Gallagher- Deuce - Review

I have been listening to the newly re - issued and remastered recording of Rory Gallagher's Deuce.“Deuce” became Rory's third self-penned album in a row - having written all of Taste's second album “On The Boards” as well as the debut solo album “Rory Gallagher”. “Deuce” was recorded at Tangerine Studios in Dalston, East London, which had been built by the legendary British record producer Joe Meek.This is a 10 track recording that covers a lot of Rory's musical interests at the time. The opening track, I'm Not Yet Awake, has a bit of a folk style to it and is followed up by Used To Be which is an early example of Blues rock at it's best. Don't Know Where I'm Going has a strong country Piedmont style to it and Maybe I Will comes back out swinging in Rory's UK rockin' style. Whole Lot Of People sends Rory finger picking on his strat and pushing the blues rock style that he is to develop. It also has a great little slide solo that is sure to please anyone who loves Rory's style. In Your Town brings on a full tilt boogie like a modern John Lee Hooker and Before G Thorogood caught the groove. Should've Learn't My Lesson is a down and dirty blues in the path of Otis Rush and is killer. There's a Light again visits Rory's beginnings in the experimental blues/rock/jazz genre that was starting to meld all musics together and demonstrating Rory's intricate playing style and versatility. Out Of My Mind is a bit of a folk blues in the style of Doc Watson showing Rory's acuity at finger picking. Crest Of A Wave wraps up release number two with Rory's blues rock style and his flaming slide work.

It's great to hear this timeless music again and freshly remastered.
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Sony Music in association with Capo Records and Legacy re-issue of Rory Gallagher's first Solo Recording - Review

Well, I've got them! The re issue recordings by Rory Gallagher and I'm going to review them like they're new as many readers weren't alive when these were cut and the music is as fresh today as it was when cut in 1971. After releasing two critically acclaimed albums with his first band, Taste, and playing the Isle of Wight in 1970, Rory left the band to pursue a solo career. The original release had 10 tracks. This one has 2 bonus tracks originally recorded during the original sessions and they are great additions. The recording opens with Laundromat Blues which came to be a trademark rocker for Gallagher. As I Fall Apart in retrospect appears to be the stimulus for a later song by American Band "the Outlaws" (Green Grass and High Times)... I can hear it anyway). Wave Myself Goodbye is a very cool straight forward delta style blues track. Hands Up gives you an idea where Thin Lizzy got their sound. Sinner Boy, one of the signature tracks on this recording has the blazing slide work that Gallagher is know for. For The Last Time is a laid back stylistic blues piece with the beginnings of Gallagher's musical experimentation. It's You shows how US country music had started to permeate the UK and Gallagher even emulated a steel guitar with slide on his Strat. On the final track of the original recording Can't Believe It's True shows Gallagher experimenting into the jazz fusion as did his contemporaries. Great guitarmanship. The two bonus recordings are dedicated to two of Rory's blues heroes. The first bonus track is Rory's version of the Muddy Waters classic Gypsy Woman. It's done in a stripped down Delta style and I really like it. The second bonus track, It Takes Time, is done as a shuffle and of course is a version of Chicago blues guitarist, Otis Rush.This is also a great addition.

It's great to see these recordings remastered and re - issued in their original packaging and also available on vinyl! I can't wait to listen to the next one!
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