“Lamentations are common anywhere in the world and establish solid relationships among unknown cultures”, said an African poet, father of the theory of blackness. In this way, the blues sung in Galician makes all the sense in the world. And it seems to mean much more when transmitted through the voice and guitar of Víctor Aneiros.
Born in Ferrol, A Coruña in 1960, he's a self-taught and irreverent musician, considered one of the pioneers of blues-rock in Galician.
After playing in various local bands in the 80s and 90s, he began his solo career in 1999, forming Victor Aneiros & Blue Notes and releasing “Que el blues te acompañe” (May the blues be with you).
He performed at various festivals like Antequera Blues Festival (2000), Rhythm and Blues in Aragón (2001), Cerdanyola Blues Festival (2001), Reus Blues Festival (2002) and Montreux Jazz Festival (2002). He played on the same bill as Big Bill Morganfield, Coco Montoya, Raimundo Amador, BB King...
In 2003, he formed Victor Aneiros Band and released “Live in Montreux”, a recording which captures one of the two concerts he gave at this festival. He performed at the Elorrio Festival (2003). With two recordings released, it became clear that Aneiros' take on the blues is irreverent and without pointed purisms. For Victor, the beauty of music is precisely its endless possibilities.
In 2004 he released “Blues Do Amanecer” (Dawn Blues), sung entirely in Galician.
He performed at the 2004 Getxo Blues Festival, the 2005 Sta María de las Azores Blues Festival (Portugal), the 2005 Ourense Blues Festival, the 2006 Torreperogil Blues Festival, the 2007 Seia Blues Festival (Portugal), and the 2007 Gaia Blues Festival (Portugal). He played on the same bill as Eric Sardinas, Deborah Coleman, John Lee Hooker Jr., Ten Years After, Coco Montoya...
In 2008, he released “Heroe Secreto” (Secret Hero). On this recording he puts music to the poems of Rosalía de Castro, Luís Pimentel, Amado Carballo and Ramiro Fonte. He also performs a blues version of the Galician emigration hymn “Unha Noite Na Eira do trigo” (A Night on the Threshing Floor) by the poet Curros Enríquez. Collaborators on this recording included saxophonist Roberto Somoza, trumpet player Hansel Luís Díez, trombonist Edward Chamorro Cabrera, double bass player Xacobe Martínez Antelo, vocalist Paula Martins, accordionist Javier Díaz and banjo and guitar player Juan Cabezón.
He performed for the second time at the Cerdanyola Blues Festival in 2008. He played on the same bill as Eric Sardinas, Raimundo Amador, Shemekia Copeland, Bob Brozman...
This recording includes the song “Miña Bala Perdida” (My Lost Bullet) which was nominated for best song in Galician at the 2009 XIII Edition of the Music Awards.
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From rumba rock to heavy boogaloo,from a stoned ranchera to an anxious ska piece, this couple of songwriters/producers from Barcelona (Spain) shows a complex view of the rock syntaxis in spanish language.
They PREDICADOR RAMÍREZ & MANOLO D'MADRE, have a long career playing in well-know spanish bands of the 60's, 70's survivors like LOS SIREX, LOS MUSTANG, LOS DIABLOS and many more artists of diferent sing.
AMOR DE MADRE was a common tattoo between the people in the jails. Maybe this image leads the listener to a desperado way of sense, a taste with ironically words around the triviality of live, out of political corrections. Here it can finds, the two first works of them.Latin rythms, ballads, country, bossa-nova flavour, or even funkuy-rock panflets, with no other goal than creare small celebrations of misunderstanding.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
