LIVE AT THE GARAGE, LONDON
WEDNESDAY 25th SEPTEMBER
plus very special guests
Exclusive 24hr Ticket Presale starts Thursday 9th May at 9am.
Tickets on sale to the general public on Friday 10th May from www.eventim.co.uk and 0844 249 1000.
Following the release of their critically acclaimed new studio album
If the River Was Whiskey,
Spin Doctors are pleased to announce a rare London concert at
The Garage in
Islington,
North London, on
Wednesday 25th September. Special guest is
Dodgy
An
exclusive ticket presale starts on
Thursday 9th May at 9am before tickets go on sale to the general public on
Friday 10th May from
www.eventim.co.uk and
0844 249 1000.
plus very special guests
www.eventim.co.uk // 0844 249 1000
THE GARAGE, LONDON
Wednesday 25th September 2013
Box office: 0844 847 1678
Tickets: £20.00
www.thegarage.co.uk
20–22 Highbury Corner, London, N5 1RD
Doors 7pm
Dodgy - Official Biography
The definitive line up of Nigel Clark, Andy Miller and Mathew Priest is back!
The first time round,
Dodgy were only together for
seven years but during that time they sold over a million records
worldwide, released three albums and 12 Top 40 singles, including 3 Top
10s and the Top 5 hit
Good Enough, still a staple of the Radio 2 playlist.
They also sold out the Brixton Academy for three nights in a row and
were awarded an unprecedented 90-minute Saturday evening slot on the
Pyramid stage at Glastonbury Festival in 1997 just before Radiohead. Not
bad, considering that they also partied harder than an Ewok.
2012 saw the release of
Stand Upright In A Cool Place to unanimous critical acclaim.
You think you know the
Spin Doctors. Think again. When the legendary New York quartet release
If The River Was Whiskey in the UK on May 6th through Ruf Records, casual fans will discover the secret past the hardcore have never forgotten.
To the wider world, the Doctors might be the multi-million-selling icons behind hits like
Two Princes and
Little Miss Can’t Be Wrong, not to mention the classic
Pocket Full Of Kryptonite. But in 2013,
Chris Barron (vocals),
Aaron Comess (drums),
Eric Schenkman (guitar) and
Mark White
(bass) are reconnecting with the flat-broke twenty-somethings who
scraped for dollars at the sharp end of the Big Apple blues circuit.
The Spin Doctors have come full circle.
Spin Doctors (L-R): Eric Schenkman (guitar), Aaron Comess (drums),
Chris Barron (vocals) and Mark White (bass). Photo Credit: © 2013 Lucy Onions
"We were four guys in our twenties," remembers Aaron of early days
in the late-’80s. "Our goal was to write our own songs and make a
living doing it. The blues is such a big part of our roots, but one of
the reasons we came up with such a big catalogue of blues songs back
then is that we’d play these downtown blues bars in New York. You were
supposed to play blues covers – but we were actually playing our own
songs!"
We all know what happened next… the hits, the hysteria, the fame and
the money. "At one point, we were selling 50,000 records a week,"
recalls Chris, "I’d walk into a shopping mall to buy underwear and 300
kids would surround me."
If The River Was Whiskey hits rewind. It’s
the deep-blues album the Spin Doctors almost made before mega stardom
came knocking. It finally bottles those near-mythical songs from that
sweatbox circuit. It’s simultaneously a tipped hat to the band’s lost
past and the freshest record you’ll hear all year. "Every note feels
dangerous," says Barron. "It’s like this ramshackle, broken carriage
running down a cobblestone hill, with pots and pans, and a screaming
baby…"
Spin Doctors perform "Traction Blues" at Rockwood Music Hall
The concept to revisit these songs struck as the Spin Doctors toured Europe to toast the 20th anniversary of
Pocket Full Of Kryptonite,
and polled über-fans David Landsburger and Daniel Heinze on what
they’d like to hear as the encore that night. Their answer –
So Bad
– was a song so old that Chris had almost forgotten the verses, but
when the venue exploded, a lightbulb lit over the band’s heads. "We had
such a good time playing these tunes," the singer explains, "that we
thought, ‘We should go make a record of this stuff’. It’s really
brought us back as a band, musically and interpersonally."
The songs on
If The River Was Whiskey are different vintages. "
Some Other Man Instead and the title track, I wrote those lyrics in the last year or two," explains Chris. "I wrote
Sweetest Portion
when I was only 19. I’d run away from home, and when I got back, my
friends were really upset and there was a rumour going around that I
had died. So I wrote that song – and I’m not sure if I’ve ever written a
better one since."
The songs might be a quarter-century in the making, but
If The River Was Whiskey
took just three days to record when the four members convened last
summer in New York. The original plan was to get together at Aaron’s
His House Studios in Manhattan and record some demos (no pressure)
before heading upstate to a boutique analogue facility and start
tracking in earnest. "We didn’t expect to make a record," smiles Eric.
"We were just going to make a demo and play at the Rockwood. And then,
lo and behold…"
Photo Credit: © 2013 Richard Ecclestone
Instead, without the pressure of the red light, the sessions began
to unfold with an effortless magic. "We just kinda winged it, man,"
says Mark. This album sounds exactly the same as it does onstage,
because we recorded it live, which is the way it should be done. There
are no overdubs. Anybody that tried to do an overdub was gonna get
whacked!"
"We really kinda fooled ourselves and tricked ourselves, and I think
that’s one of the reasons why it sounds so fresh," says Aaron. "There
was absolutely no pressure on us of any kind. We just hit a moment.
Everything came together and we created this great record. Usually, the
best things happen when you’re not trying. That’s exactly what
happened here."
The band quickly realized the supposed rough-cuts captured by
engineering ace Roman Klun couldn’t be topped. "By the third day,"
reflects Chris, "we’d recorded all ten of the demos. We went out to
dinner that night, we were all having a cocktail, and someone was like,
‘Gentlemen, I believe our demo is a record’. We all just laughed."
Take a spin of
If The River Was Whiskey and you’d have to
agree: they aced it. The Spin Doctors might have given you the
soundtrack to the best nights of the ’90s, but with this new album,
they’ve rediscovered a strand of their musical DNA that melds perfectly
with the hits you know and love.
"It’s been so refreshing to go back to this material," says Aaron.
"It’s just brought everything that’s good about the band out again. I
can honestly say that we’re playing better than ever right now, and I
think a lot of that is because of the material on this record: it’s
just really opened things up. Some bands, you go and see them 25 years
later and they’re up there going through the motions. I think we sound
better than ever. We sound world-class now."
"We play about four or five tunes a night from this new album and
they all work," says Eric. "It just feels seamless, like any of the new
tunes can sit with any one of the
Kryptonite songs. And the
band is just playing amazing now. It’s a pleasure to play with people
that you’ve been playing with so long… and everybody’s still
breathing!"
Likewise, when
If The River Was Whiskey arrives on May 6th
it’ll be a pleasure to toast the return of the Spin Doctors, and a new
album set to score new fans while making the hardcore love them more
than ever.
"I don’t care about sales, man," states Chris, honestly. "I mean,
it’d be awesome if it sold millions of copies, but honest to God, I
just want to keep making a living playing music. We get up onstage and
we turn it on, and sing and play our hearts out. And that’s all I’ve
ever wanted to do: just make real music, give people something from my
heart."