Steely Dan founder and guitarist, Walter Becker, has passed. My thoughts are with his family.

Walter Becker, the guitarist and bassist for the popular rock band Steely Dan, died Sunday. He was 67.
News of Becker's death was confirmed by a tribute post on his official website, though no cause of death was given.
Becker was forced to bow out of two Steely Dan performances earlier this month after undergoing an unidentified "procedure," according to bandmate Donald Fagen.
Fagen released a heartfelt statement on the passing of his longtime collaborator, praising Becker's skills as a musician and his killer sense of humor.

"Walter Becker was my friend, my writing partner and my bandmate since we met as students at Bard College in 1967," Fagen wrote. "Walter had a very rough childhood — I'll spare you the details. Luckily, he was smart as a whip, an excellent guitarist and a great songwriter. He was cynical about human nature, including his own, and hysterically funny. Like a lot of kids from fractured families, he had the knack of a creative mimicry, reading people's hidden psychology and transforming what he saw into bubbly, incisive art."
He added, "I intend to keep the music we created together alive as long as I can with the Steely Dan band."
The Queens-bred Becker and Fagen launched their musical legacy together in the early '70s.

After working as songwriters penning tunes for artists like Barbra Streisand, they formed Steely Dan — named after a strap-on dildo mentioned in the William S. Burroughs novel "Naked Lunch" — and in 1972, released their debut album, "Can't Buy a Thrill."
Throughout the decade, they rose to fame with hits like "Reelin' in the Years," "Rikki Don't Lose That Number" (though Fegan once said he and Becker weren't very fond of the track) and "Dirty Work," which would go on to become classic rock staples thanks to their jazzy tunes and clever lyrics, often steeped in black humor and irony.
Looking back on the band’s success throughout the ‘70s, Becker said in 1993 that the music Steely Dan churned out over the years ultimately helped set him up for life

“I would say that basically I’m still resting on those laurels quite comfortably,” he said. “It opens doors. When I meet people and players for the first time, they’re already on my side. It’s been just a very good and very positive influence on people I meet and work with.”
Disputes over personal and legal troubles caused the band to part ways in 1981 after seven albums together, but Steely Dan ultimately rejoined forces in 1993 and have spent the last two decades touring.
“In truth, our original bit was put together very quickly, and it got kind of frantic in the first couple of years of touring and making records. I guess we figured we’d be deceased at an early date, so we figured we’d cool it for a few decades,” Fagen told Rolling Stone in 2013 of Steely Dan’s bumpy road.
The band was inducted into the Rock and Roll Hall of Fame in 2001 after a career spanning nearly four decades, nine Grammy nominations and three wins, all three of which came in 2000 for the album "Two Against Nature."
Becker enjoyed a brief solo career as well, releasing “11 Tracks of Whack” in 1994 during a stint living in Hawaii as an avocado rancher, and his final album, “Circus Money,” in 2008.
During press tours for his debut solo album, Becker explained that he was enjoying his time out of the spotlight and embracing the role of family man.
“The perfect day for me is waking up and having a cup of tea with my kids before I drive them to school, then I go into the studio and try and write some music for three or four hours and give up about noon,” he told Jazziz in 1993.
But he remained a vocal fan of his time spent on-stage with Fagen, which helps explain the band’s longevity and their passion for touring.
“It’s just such a good band and magic stuff happens all the time, and there’s stuff that happens when you’re playing together where you get into a kind of group mind that’s very thrilling,” Becker said in 2008 of touring with Steely Dan. “I’m sure that other people experience the same kind of thing in all sorts of other realms, but for me, it happens when I’m playing with other people.”

Time On My Hands - Jon Herington - New Release Review

I just received the newest release, Time On My Hands, by Jon Herington. Most of you probably know Jon from his work with Steely Dan or as a featured musician on any number of studio tracks but this is Herington's own solo effort and it demonstrates a broad knowledge of musical styles as well as great chops. On Shine, Shine, Shine; the opening number, Herington sticks close to his efforts with Fagen and Becker with a cool jazz rock track with flashy, intricate guitar riffs and vocal harmonies. Sweet Ginny Rose has a Bo Diddley rhythm and Steve Miller like vocals but with eastern sounding flanged, distorted guitar and and again harmonic vocals. On Ain't Got You, a bluesier tune, with a bit of the Philly sound, Herington lays out the best of his tracks so far. It is definitely radio bound and has real smart soloing. Herington's vocals on this track are individualized and it sounds a bit more original. Backed by Dennis Espantman on bass and vocal, Frank Pagano on drums and vocals and Danny Louis on B3 this track is a money maker. Caroline Yes has a 12 bar bottom with a more contemporary front. Primarily a pop blues track Herington toss out some pretty nice country blues influenced riffs. Time On My Hands shows just how much Heringtons voice sounds like Fagan's but over a track that sounds like part Band, part Buddy Miles and part Steely Dan but given to someone who has broad rock,jazz and country influences and who isn't afraid to explore a lot of different paths...simultaneously. Running Out Of Time puts me in mind of Joe Walsh. Ask why I draw comparisons... I can't tell you. In this case it's the vocal blending.... and it's probably just in my head. The melody on this track is very solid and it's a really nice track as if it would be on an Apple recording... always leading to an interesting guitar riff. I'll Fix Your Wagon is one of my favorite tracks on the release and this track has a trace of Yer Blues on it but again taken quite in a different direction. This is a well constructed track providing a good setting for Herington to show his chops. I Hear they Shoot Horses has strong Steely Dan influence but still retaining it's own identity. A jazzy track and with predominant vocals, this track has woven textures of sound and really interesting guitar riffs. eGirl is a flat out boogie and done in swing form like C. Berry's No Money Down. Possibly my favorite track on the release, Herington breaks more into a Texas style with a jazz twist and shows yet another flavor of his pallet. This is a hot track. Finishing up the release with The Bucket Song, likely my second favorite track, it has a bit of funk and great tight drums. Being pushed by Espantman, Herington gets a really hot riff going on this track and his vocals are spot on. This is a really interesting release and will really appeal to fans of jazzier rock/blues and Steely Dan but with a less pop flavor. Nice job!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”