Stevie Ray Vaughan with Jeff Beck, Jimmie Vaughan & Angela Strehli

Angela Strehli (born November 22, 1945, Lubbock, Texas, United States) is an American electric blues singer and songwriter. She is also a Texas blues historian and impresario. Despite a sporadic recording career, Strehli spends time each year performing in Europe, the US and Canada In the early 1960s, Strehli learned the harmonica and bass guitar before becoming a vocalist. In 1966 she visited Chicago, and attended concerts given by Howlin' Wolf, Muddy Waters and Buddy Guy. In her final university year, Strehli and Lewis Cowdrey formed the Fabulous Rockets. Strehli then sang as a backing vocalist for James Polk and the Brothers and assisted with Storm, which had been formed by Cowdrey and Jimmie Vaughan. In 1972, she was a founding member of Southern Feeling, along with W. C. Clark and Denny Freeman. Three years later Strehli became the stage manager and sound technician at Antone's, a nightclub in Austin, Texas. By 1986, Strehli had recorded Stranger Blues (EP) which help launch Antone's own record label. Her debut album was Soul Shake (1987, Antone's Records), and she appeared on Dreams Come True, with Lou Ann Barton and Marcia Ball (1990). Her own effort Blonde and Blue (1993, Rounder Records) assisted in building the Austin, Texas blues scene, alongside nightclub owner Clifford Antone, Kim Wilson, Stevie Ray Vaughan and Jimmie Vaughan. In 1998, Strehli released Deja Blue, and Blue Highway followed in 2005. Strehli has either recorded, toured or performed with Andy Santana, Elvin Bishop and Pinetop Perkins, and appeared at festivals including Notodden Blues Festival, Long Beach Blues Festival, Edmonton's Labatt Blues Festival and the San Francisco Blues Festival. In 2003, she recorded music for the tribute album, Shout, Sister, Shout: A Tribute to Sister Rosetta Tharpe. Strehli is now based in San Francisco If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, -  ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

Albert King and Stevie Ray Vaughan with Gus Thornton

Personnel Albert King : Electric Guitar, Vocals Stevie Ray Vaughan : Electric Guitar, Vocals only on Song 3 Tony Llorens : Piano, Organ Gus Thornton : Bass Michael Llorens : Drums Bassist Gus Thornton has lived a blues musician's dream. In the last 40 years he has traveled around the world recording and touring with blues greats such as Albert King, Stevie Ray Vaughan and Katie Webster. He has shared the stage with, and earned the respect of, every St. Louis Blues Musician he has played with. Gus Thornton is the epitome of St. Louis Blues. Thornton, like many rhythm musicians, is over looked by listeners who tend to get wrapped up in screaming guitars, monster harps and raspy vocals. Musicians, however, will readily agree that the key to any blues band is the rhythm section. "Every time one of my fingers moves, someone taps their foot or nods their head. Yeah, people pay attention to the guitar players and singers, but I have the audience attached to my fingers," said Derek Morgan, bass player for Mojo Syndrome. Thornton is known for his fingers. His chops are on the cutting edge of music, whether it‚s his recordings with Albert King or one of his new contemporary jazz compositions. Thornton continues to be a beacon of light and breath of fresh air for those who pay attention to his music. "He is prolific in everything," said Sharon Foehner, bass player for Bennie Smith and the Urban Express. "He is not just a bass player, though. He is an arranger and plays the guitar as well as many other instruments. He is a complete and total musician." Thornton is quiet about his success in the business, but very honest and surprised to know people admire him. He is a self-taught musician who originally began playing guitar, but became the bass player by default when his first band already had a guitar player. As a teenager, he played in popular gospel and R & B bands mostly, but quickly got drawn into the blues. Thornton played with local talents like Oliver Sain, Johnnie Johnson, and Shirley Brown before he started touring with Albert King. He traveled with King for several years and recorded albums like San Francisco '83 and the more recent release, In Session, with King and Stevie Ray Vaughan. He also toured with Katie Webster and got to help cut the Two Fisted Mama album, which stands as one of his favorite recording experiences. At one time, Thornton was offered the opportunity to be B.B. King's bass player. He passed it up because B.B.‚s tour schedule of 300 nights a year would keep him away from his family for too long. Thornton's dedication to his family of six children and wife, Charlene, has been a blessing for both him and St. Louis. His obvious compassion and selfless dedication to the music has earned him a large group of people who care deeply for him and his well-being. St. Louis has in many ways become his extended family. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

Little Wing - Stevie Ray Vaughan

Stephen Ray "Stevie Ray" Vaughan (October 3, 1954 – August 27, 1990) was an American electric blues guitarist and singer. He was the younger brother of Jimmie Vaughan and frontman for Double Trouble, a band that included bassist Tommy Shannon and drummer Chris Layton. Born in Dallas, Vaughan moved to Austin at the age of 17 and began his music career. Later, producer John H. Hammond arranged a deal with Epic Records in 1983.

Alcohol and drug abuse severely affected his health before he became sober in late 1986. After three years without a new album, he returned to the studio, releasing In Step. The album produced the single "Crossfire" in July 1989, which became a number one hit. On August 26, 1990, Vaughan performed at Alpine Valley Music Theatre as part of his In Step Tour in a triple bill along with Eric Clapton and Robert Cray before an audience of approximately 25,000. Leaving the concert that evening, his helicopter crashed into a nearby ski slope. He was pronounced dead hours later.

Vaughan was an important figure in Texas blues, a loud, swing-driven fusion of blues and rock. He became the leading musician of the blues rock sound, with multiple network television appearances and charting albums. His debut Texas Flood, released in June 1983, became a double-platinum record. Vaughan encompassed multiple styles, including jazz and ballads. Nominated for 12 Grammys, he won six. He won five W. C. Handy Awards and was posthumously inducted into the Blues Hall of Fame in 2000. He is widely considered one of the most respected and influential guitarists of all time.
Get Facebook support for your favorite band or venue - click HERE

House On The Edge Of Town - Stevie Ray Vaughan - Albert King

Father and son.... no question that SRV was heavily influenced by Albert King. I actually bought this cd a few years back and was not overly impressed. I think it has to do with two super stars trying to play together for one time that just doesn't rock my boat. Typically neither has the chance to really do his thing. In this case, I actually had the opportunity to watch the DVD which was released recently. It is a very good watch. Albert actually does a nice nod to SRV for having technically surpassed his own playing...actually playing the blues like a "real blues player' if you know what I mean.
Get Facebook support for your favorite band or venue - click HERE

How'd He Get That Sound

Stevie Ray Vaughn has always been known as one of the best tone masters of all time. Oh yeah, we all know he was terrific guitar player and soulful singer. His chops were terrific... but how did he get that tone. Well, he started out with being a great player and having great fingers, but here are a few of his secrets. He was known to superglue skin from other parts of his body to replenish his fingertips from the tremendous abuse that he took using super heavy strings (like 15's). I wouldn't advise this unless you have developed great style and hand strength. Better to play with 10's and clean than with 12's and sloppy. He had a great guitar, a standard Fender strat pretty much totally unmolested (except that he had a left handed trem bar put on with the theory that it gave him a Jimi vibe to his sound)although not used in this video. He could pick up any strat at guitar center and make it sound right. It just wouldn't feel right to him. All players are like that... and they hear subtle differences that we would never pick up. He played primarily through Fender Vibroverbs, Vibrolux's and Super Reverbs, both black and silver faced. It was with these amps that he got the beautiful full clean tube overdriven tone and dynamic tremolo that made his sound. Play one of the amps if you're a player. And don't be fooled into thinking that the new ones are just as good. They aren't. Get one of the old hand wired silver face or black face (or tweed if you got the dough) and give them a shot. Stevie used a silver face Super Reverb extensively as well as a brownface Vibroverb. The Vibroverbs are now over the top but you can still get the silverface AB763 amps pretty cheap... and they sound great. That 40 Watts into 4-10" stock speakers (Jensen, Oxford or CTS) can make magic even an amateur can really appreciate... immediately!
Get Facebook support for your favorite band or venue - click HERE