CLICK ON TITLE BELOW TO GO TO PURCHASE!!!! CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com
Showing posts with label Sue Foley. Show all posts
Showing posts with label Sue Foley. Show all posts

Wednesday, September 11, 2024

Stony Plain Records artist: Sue Foley - One Guitar Woman - New Release Review

 I just had the opportunity to review the most recent release, One Guitar Woman, from Sue Foley and it's an acoustic solo release in tribute to female pioneers of guitar. Opening with Elizabeth Cotten's Oh Babe It Ain't No Lie, Foley on vocal and guitar delivers this classic blues track with clarity and nicely articulating Cotten's classic guitar styling. Mother Maybelle Carter's, Lonesome Homesick Blues is a nice showcase for Foley vocally and her Davis like turnarounds work really nicely on this track. Spanish styling on Foley and Lydia Mendoza composed, Mal Hombre, is really tasty and Foley singing in both Spanish and English really suits this track. One of my favorites on the release. Classical composition, Romance In A Minor is a beautiful addition to this set. Composed by Niccolo Paganini, this track is all feel. Very nice. Sister Rosetta Thorpe song, My Journey To The Sky is a really soulful composition and Foley does it justice with clean vocals and a minimum of guitar accompaniment. Elizabeth Cotten's most popular track, Freight Train is up next with Foley nicely demonstrating Cotten's widely recognizable guitar technique. Wrapping the release is possibly one of the most recognizable Spanish guitar compositions, La Malaguena, composed by Ernesto Lecuona. Foley does a really nice job with feel and articulation on this classic closer. It's notable to say all tracks on the release were performed on a nylon string flamenco Negra made by master luthier Salvadore Castillo. Really interesting release and a bit off the standard path for Foley but an enjoyable journey. 


View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening

Thursday, May 30, 2024

Guitar Woman Records artist: Sue Foley - Live In Austin Vol. 1 - New Release Review

I just had the opportunity to review the most recent release, Live In Austin Vol. 1, from Sue Foley and it's an energetic blues rocker. Opening with New Used Car, a straight up rocker, Sue Foley is locked and loaded on guitar and with her adept vocals she has it going. Backed by Jon Penner on bass, Corey Keller on drums and  Derek O'Brien on guitar this is a potent opener. On Willie Dixon's Howlin For My Darlin, Foley shows plenty of swagger. I really like her guitar work on this one, working with O'Brien with just the right blend of blues feel and sting. Jodi Williams' Hooked On Love with it's Latin rhythm is really nicely done. Foley grinds out the lead with double stops and flair and Keller's drum work sets a great pace. This is a tasty track with tasty riffs. Excellent! Little Son Joe's, Me And My Chauffeur Blues, really is a nice showcase for Foley on vocals. Low slung, Better, shows plenty of vocal swagger, it's boogie theme, reinforced by Penner sets a great blues groove and fanning guitar riffs give the track a cool rock edge. Wrapping the release is Cheap Tricks', High Roller with a solid drum pace and poppy feel. 

 
View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode 

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening

Wednesday, May 25, 2022

Stony Plain Records artist: The Duke Robillard Band - They Called It Rhythm & Blues - New Release Review


 I just had the opportunity to review the most recent release, They Called It Rhythm & Blues, by The Duke Robillard Band,  and it's another stellar performance by the Duke and his crew. Opening with swing blues, Here I'm Is, Chris Cote on lead vocal really does a nice job with excellent fluid guitar lead by Robillard, and solid backing by Bruce Bears on keys, Marty Ballou on bass, Mark Teixeira on drums and Doug James on sax. Fools Are Getting Scarcer, James really does a great job stepping out on bari and tenor sax solos over a hot R&B feel. Excellent! Kim Wilson takes the lead on Tell Me Why with his trademark vocals and solid harmonica work. Robillard's guitar lead is impeccable and the band is solid. John Hammond is up front on Homeless Blues with his delta based vocal and playing style. I really like Hammond and am glad to see him on this release. With distinctive drum work by Teixeira and piano by Bears, this track is one of my favorites. Freddy King's Someday After Awhile, is a real showcase for both Cote and Robillard with exceptional vocal lead and plenty of room for Duke to stretch. Very nice. Kim Wilson does a rework on Guitar Slim's Things I Used To Do, The Things I Forgot To Do,  and Wilson works it nicely. Duke's guitar soloing really captures the styling of Slim and the piano work of Bears is spot on, with reinforcement by James and Mark Earley on sax. Very cool. Wrapping the release is hot instrumental jam, Swingin' For Four Bills, featuring really nice front work by Duke, Sue Foley and Mike Flanigin.  This is a super track and great closer for Robillard on this newest release. 


View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Thursday, October 28, 2021

Stony Plain Records artist: Sue Foley - Pinky's Blues - New Release Review

 I just had the opportunity to review the most recent release (October 22, 2021), Pinky's Blues, from Sue Foley and I think it's her best yet! Opening with title track, Pinky's Blues, Foley digs in on guitar, establishing that this is a going to be a blues guitar release right up front. Her riffs are stinging and relentless. Angela Strehli's blues strut, Two Bit Texas Town has a great aggressive, Willie Dixon feel featuring Foley on vocal and with vicious SRV like riffs,  Jon Penner on bass, and Chris Layton on drums. One of my favorite tracks on the release is Southern Men and it's story telling format. Foley not only does a great job on vocal  but with bends and a lot of vibrato, really whammy's this track. Excellent! Another Strehli penned track, Say It's Not So really works nicely with rich vocals and double stopped rhythm work by Foley. Here soloing throughout is really nicely phrased and emotional. Excellent! Clarence Gatemouth Brown's Okie Dokie Stomp is killer with all of the zest in Gate's original. Folley is really rocking the house here and you better bet I'm rocking! Robert Nighthawk's Someday is another terrific cover of a Chicago style blues. Foley's vocals are really solid but her guitar stretching is fresh and gripping. Tell me you aren't stomping your heel. Wrapping the release is Willie Dixon's When The Cat's Gone The Mice Play. Foley sells this one to the max with sweet vocals and fleet fingered riffs. One of the best traditional style electric blues releases that I have heard this year end to end. Excellent! 


View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Monday, August 23, 2021

VizzTone Label Group artist: Gabe Stillman - Just Say The Word - New Release Review

 I just had the opportunity to review the most recent release, Just Say The Word, from Gabe Stillman and it's a solid blues release. Opening with slide exdplosion, Give Me Some Time, Gabe Stillman on guitar and vocal really gets it rockin. With Elmore James like flair, Stillman really ramps it up, backed by Colin Beatty on bass, Ray Hagen on drums, Taylor Streiff on B3 and the Texas Horns doing the rest. Excellent opener. R&B flavored, Let It Go, gives Stillman a chance to not only show his wares vocally but excellent guitar phrasing. No Time For Me has a lumbering pace and Stillman turns up the gain for a saturated tone on his guitar to grind over the full tone of Streiff's B3. This track has more rock but in the tone of a ZZ Top like jam. Very cool. Ballad, Heartbreak Makes A Sound, is a mellow, radio track, with solid vocals and guitar by Stillman, Streiff on piano and with a nice sax solo by Mark Kazanoff. Anson Funderburgh and Sue Foley take turns on shuffle, No Matter What You Wear and Foley joins Stillman on vocal.  Susquehanna 66 is a hot jazz like shuffle with some smoking harmonica work by Greg Izor and some really hot guitar work by Stillman. Excellent! Soul track, I'll Take Care Of You really shows off Stillman's soul prowess, cradled in a keyboard bed and capped off with a solid guitar solo. Very nice. Wrapping the release is See BT Blues, an excellent blues number with a jagged rhythm, cool. unconventional double stops and perfect B3 and drums accents. This is an excellent closer for an excellent release. 


View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Wednesday, November 28, 2018

Sue Foley, Crystal Shawanda, Jenie Thai, Harry Manx & Steve Marriner, Earle & Coffin to perform at Maple Blues Awards





Sue Foley, Crystal Shawanda, Jenie Thai, Harry Manx & Steve Marriner, Earle & Coffin to perform at Maple Blues Awards


Raoul Bhaneja hosts Koerner Hall National Blues Gala February 4

Montreal’s Guy Bélanger to host lobby afterparty "Winner’s Circle Jam”





(Toronto) – The Toronto Blues Society has announced the performers who will grace the stage at Koerner Hall in Toronto for the 22nd annual Maple Blues Awards gala and concert, to be held on Monday, February 4th, 2019.

Heating up the cold February night will be performances from some the of the hottest Canadian blues artists including, Steve Marriner of MonkeyJunk with Harry Manx, guitarist/singer-songwriter Sue Foley, who is nominated in six categories, Jenie Thai, who is nominated for Piano/Keyboard Player of the Year, blues-belter and Female Vocalist of the Year nominee Crystal Shawanda and Newfoundland’s New Artist of the Year nominees Earle & Coffin.

The evening will also feature a performance from Raoul Bhaneja, actor and bandleader of Raoul & The Big Time, who will be hosting the gala for the fourth time. Providing the MBA’s musical background and theme, The Maple Blues Band also accompanies all the special guests who perform as part of that special night.
The Maple Blues Band has been a cornerstone of the annual Maple Blues Awards Ceremony in Toronto since 1999. This world-class, eight-member group includes some of Canada’s highly respected blues musicians, all of whom are multiple Maple Blues Award winners and nominees including Gary Kendall, Teddy Leonard, Lance Anderson, Chris Murphy, Al Lerman, Pat Carey, Jim Casson, and Howard Moore. Following the not-to-be-missed gala event is the popular afterparty and jam, hosted by Montreal’s Guy Bélanger.

Canadian blues fans can vote for nominees online in the eligible categories until December 1st, at 11:59 pm Pacific Standard Time. Register at www.mapleblues.ca.

The Maple Blues Awards will be held on February 4th, 2019. The gala event is considered to be the premier blues event of the year.  Tickets for the Maple Blues Awards are available online at rcmusic.com or at the Koerner Hall box office (The Weston Family Box Office, located in The Royal Conservatory building at 273 Bloor Street West, Toronto) or by phone at (416) 408-0208. TBS Charter Members can benefit from the ongoing exclusive pre-sale and purchase best available seats for a discounted price, $35.

Koerner Hall is The Royal Conservatory’s 1,135-seat performance venue. It is beloved for its architectural beauty and architectural acoustic excellence. Since opening, it has hosted hundreds of concerts and events reaching more than one million individuals around the world. Koerner Hall is celebrating its 10th anniversary season in 2018-19. To learn more or purchase tickets, please visit rcmusic.com/performance. 



Friday, March 16, 2018

Stony Plain artist: Sue Foley - The Ice Queen - New Release Review

I just had the opportunity to review the most recent release, The Ice Queen, from Sue Foley and I think it may be her best yet. Opening with Come To Me with Charlie Sexton joining on vocal and slide guitar, Foley adds a little funk to her already bluesy deal with Chris Maresh on bass, Chris Layton on drums and Kyle Thompson on maracas. Run has a country 2 step feel and Foley really drives this one with her ambitious guitar rhythm. Slow blues and title track, The Ice Queen, shows Foley at her purest with George rains on drums and Billy Horton on bass. Her riffs are right off a Hooker release and her vocals are simple and direct. Very nice. Shuffle track, The Lucky Ones features Jimmie Vaughan trading lead vocal and guitar riffs. With the addition of Mike Flanigin or organ, the track has an additional dimension and Foley's guitar riffs play nicely against Vaughan's. Billy Gibbons joins on Fool's Golds and his vocals really work great with Foley's. his solo work is always distinctive and effortless giving this track a nice sparkle. Blues ballad, If I Have Forsaken You is the strongest melodic track on the release giving it solid radio potential and Vaughan's distinctive playing style and tone shine. An updated cover of Bessie Smith's Send Me To the 'Lectric Chair is cool and fun. With Spanish and classical influences, The Dance highlight's Foley's acoustic guitar proficiency and also adds nicely to the overall texture of the release. Wrapping the release is Carter family's Cannonball Blues, again only Foley on acoustic guitar and vocal. This is a real nice closer for a totally enjoyable release.



View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Thursday, November 30, 2017

Stony Plain Records Signs Acclaimed Canadian Roots Guitarist/Singer Sue Foley and Will Release Her Label Debut CD, "The Ice Queen," March 2, 2018







Stony Plain Records Signs Acclaimed Canadian Roots Guitarist/Singer Sue Foley and Will Release Her Label Debut CD, The Ice Queen, March 2, 2018



Special Guests on New Disc Include Jimmie Vaughan, Z.Z. Top’s Billy F Gibbons and

Charlie Sexton



EDMONTON, AB – Stony Plain Records announces the signing of acclaimed Canadian roots guitarist/singer Sue Foley, and will release her label debut CD, The Ice Queen, on March 2, 2018.



Produced by Mike Flanigin, who also plays organ on the new disc, The Ice Queen was recorded at Firestation Studios in San Marcos, Texas. Joining Sue Foley as special guests is a trio of legendary Texas guitarslingers – Jimmie Vaughan, Z.Z.Top’s Billy F Gibbons and Charlie Sexton - as well as a host of other Lone Star State all-stars, including Chris “Whipper” Layton (formerly of Stevie Ray Vaughan and Double Trouble) and George Rains (drums), Derek O’Brien (guitar), Chris Maresh and Billy Horton (bass) and The Texas Horns: John Mills, Al Gomez, Jimmy Shortell, Randy Zimmerman and Mark “Kaz” Kazanoff.



I’m extremely excited to be working with Holger Petersen and Stony Plain Records,” Sue Foley says about the new CD. “Holger is one of the most knowledgeable ‘real music’ people in the business. Stony Plain is known to put out great music and I know The Ice Queen has found her home.”



Sue Foley is the only female member of the famed “Jungle Show,” featuring Billy Gibbons, Jimmie Vaughan, Mike Flanigin and Chris Layton, which became one of the hottest tickets in Austin in 2016. Soon after playing two sold out shows at Austin City Limits Live 3TEN Club in December, Foley entered the studio with her Texan pals and began laying down tracks for the new album. She will return to Austin for more of “The Jungle Shows” on December 26 and 27 at Antone's.



Recorded throughout 2017, The Ice Queen represents Foley’s full circle journey – her return to the roots of her career in Austin with producer Mike Flanigin. The album was recorded with her long-time friends and collaborators Vaughan, Gibbons, Layton, Sexton and others, as well as members of the Tedeschi Trucks and Gary Clark Jr. bands.



“When I was a teenager I idolized Jimmie Vaughan and Billy F Gibbons,” Foley says. “They're both legends now so this feels like an historical event (at least it does for me). And I grew up sitting at the feet of players like George ‘Big Beat’ Rains, Derek O'Brien and The Texas Horns. I spent many nights watching Charlie Sexton and the Arc Angels with Chris Layton. I learned and grew more musically in my years in Austin than at any point in my life. The fact that all these mega talented musicians have graced my album is beyond anything I hoped for. I am still pinching myself.”

                                                                                                                                    

A flood of inspiration and themes can be found on each of the tracks – ranging from lost love, anguish, and struggle to release, forgiveness and rebirth.  Mostly recorded live in the studio, Foley’s emotional vocal delivery, conviction, accessible yet inspired lyrics and intrepid guitar playing are all laid out, bare and raw for the songs to reveal.



Opening with the radio friendly, funky, swamp-meets Bo Diddley beat of “Come to Me,” The Ice Queen also features the upbeat and rollicking tracks “Run,” “The Lucky Ones” (a duet with Jimmie Vaughan) and “Gaslight.” There are several bluesy and soulful tracks, including “81,” “The Ice Queen,” (with its menacing John Lee Hooker vibe in tone and substance), “Fool's Gold” (featuring Billy F Gibbons on vocals and harmonica), “If I Have Forsaken You” (with the horns sounding echoes of the great Bobby “Blue” Bland), and a cheeky, guitar-heavy cover of Bessie Smith’s “Send Me To The ‘Lectric Chair.” Foley also provides some more mellow and unexpected songs on The Ice Queen with the jazzy “Death of a Dream,” the flamenco-blues hybrid “The Dance” (which showcases her acoustic guitar work) and a beautiful cover of the Carter Family’s “Cannonball Blues.”



Sue Foley is a multi-award-winning musician and one of the finest blues and roots artists working today. She is a veritable triple-threat of musical talent as a guitarist, songwriter and vocalist. As with many blues women of the past, Foley has a long history of defying convention, and being a positive role model for aspiring, young female musicians.



She has been working professionally since the age of 16, and by the age of 21, Foley had relocated to Austin, Texas, and began recording for Antone’s, the esteemed blues label and historic nightclub that helped launch the career of Stevie Ray Vaughan and many others. In the two decades that have followed, Sue Foley has been busy touring and recording steadily, all while toting her signature pink paisley Fender Telecaster. In 2001, she won the prestigious Juno Award (Canadian equivalent of the Grammy) and also holds the record for the most Maple Blues Awards in Canada and has earned three Trophees de Blues de France. She has also garnered several nominations at the Blues Music Awards from The Blues Foundation.



The Ice Queen represents Sue Foley’s indefatigable commitment to her craft, and her transparency with the journey that birthed her, further proving that you can’t keep a good blueswoman down, particularly when she is The Ice Queen.


Tuesday, December 31, 2013

Chance of Rain - Peter Karp & Sue Foley

Gifted singer-songwriter, guitarist, pianist and American troubadour, Peter Karp, is a master songsmith with an art for spinning true-to-life emotions, humor, and candor. With an upbringing that was equal parts southern Alabama and the swamps of New Jersey, Karp¹s music is fueled bythe Yankee-Rebel juxtaposition. He first caught national attention with help from Rolling Stone guitarist Mick Taylor who recorded and toured with Karp on his first label release "The Turning Point." Karp further established himself on the national scene as a critically acclaimed songwriter, and accomplished guitarist and pianist with the release of his Blind Pig debut entitled "Shadows and Cracks." On the road across the U.S. and Canada, Karp repeatedly transfixes his live audiences. Critics compare his songwriting to John Hiatt and John Prine, with impressive guitar and slide licks infused by his love of Freddie King and Elmore James. Peter Karp personifies the amorphous Americana sound,seamlessly blending blues and roots music with a high sense of entertainment. Sue Foley is considered to be one of the finest blues and roots artists working today. Born to a working class family, Sue spent her early childhood moving from Canadian town to town with her mother. At sixteen, she embarked on her professional career. By twenty-one, she was living in Austin TX and recording for the legendary blues label, Antone¹s Records. Her first release, "Young Girl Blues," quickly established her unique talents as a blues guitarist and songwriter. Throughout the 90¹s she took to the road with her paisley Telecaster and honed her craft, working and sharing the stage with such artists as BB King, Buddy Guy, Lucinda Williams and Tom Petty. After moving back to Canada, Sue won the prestigious Juno Award for her critically acclaimed CD "Love Coming Down" as well as seventeen Maple Blues Awards.  

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

Thursday, September 5, 2013

Vote for the Blues Blast Music Awards!

blindpigrecords.com
 BLUES BLAST MUSIC AWARD VOTING ENDS TOMORROW
Blues fans can vote for their favorites
Tomorrow, Saturday, August 31st, is your last chance to vote for the 2013 Blues Blast Music Awards.  Voting is open to anyone who is a Blues Blast magazine subscriber. Subscriptions are FREE and an automatic part of the voting process on the website. To see the list of nominees and to hear songs by the artists nominated, please click HERE.   To cast your ballot, please click here: VOTE.
Blind Pig artists are well represented on the ballot:
THE CASH BOX KINGS
- Blues Band of the Year
- Traditional Blues Album  (Black Toppin')The Cash Box Kings have been extolled by no less an authority than Charlie Musselwhite for their uncanny ability to faithfully capture the essence of post-war 1950's Chicago and Memphis blues while adding their own bravado, energy, and freshness to the mix.  In a review of their latest release,  Black Toppin', Living Blues magazine said, "Straight from the golden era of the blues comes the new album from Chicago's Cash Box Kings, featuring an impressive line-up of A-list blues players. A great record by one of the best blues bands in the land, Black Toppin' is a dancing and listening pleasure." 

SENA EHRHARDT
- Sean Costello Rising Star
- Song of the Year ("Dreamin' or Dyin'")
The buzz and the critical acclaim for this young singer has been steadily growing since the release of her debut album Leave the Light On, which won the 2012 Blues Blast Music Award for "New Artist Debut Release."
  Reviewing her latest release, All In, Living Blues said, "Sena Ehrhardt's voice cannot get any more powerful, range-defying, and throwback cool. Truly one of the most dynamic young voices any genre has seen in a long time."  "Dreamin' or Dyin,'" a track from the new release, is nominated for "Song of the Year."  For a limited time, a free download of the track is available HERETo see a video of Sena and her dad (and her band's guitarist) performing an acoustic version of the song, please lick HERE

SOUTHERN HOSPITALITY

- Blues Band of the Year
- New Artist Debut Release  (Easy Livin')
- Sean Costello Rising Star (Victor Wainwright)Led by a trio of young virtuosos, (Damon Fowler on lap steel, JP Soars on guitar, and Victor Wainwright on keyboards), Southern Hospitality has crafted a highly compelling mix of Southern soul, rootsy rock, and swampy blues with echoes of Muscle Shoals and Macon.  Their debut release, Easy Livin,' was produced by Tab Benoit, who said, "Damon, Victor, and JP are the future of roots music."  At the Blues Music Awards in May, Victor Wainwright was named the winner of the prestigious "Pinetop Perkins Piano Player Award."
PETER KARP & SUE FOLEY
- Song of the Year ("Analyze'n Blues")The "Song of the Year" nominee, "Analyze'n Blues," is a track from Beyond the Crossroads, the latest collaboration between these two noted singer-songwriter guitarists.  For a limited time, you can get a free download of the song (and other new Blind Pig tracks) by clicking HERELiving Blues said of the album, "As all of the songs demonstrate, great songwriting is even better with great musicianship..an inventive and buoyant collection of quality songs with great blues feeling."  To watch a new video of Peter and Sue performing "Analyze 'n Blues," please click HERE.
DEANNA BOGART
- Female Blues ArtistRecognized for her dazzling keyboards, soulful saxophone, smoky vocals and cut-above songwriting, Deanna Bogart is also perennially popular for engaging her audience with her firecracker stage performances.  The multi-award-winning  musician combines the best of boogie-woogie, contemporary blues, country and jazz into a splendid blend she calls "blusion."  Critics loved Deanna's latest release, Pianoland, which spotlights her considerable keyboard skills. Blurt said,"Once in a rare while an album comes along that just captures you with its beauty, creativity and magic. Pianoland is a masterpiece of blues healing. At times listening to this album is like listening to Coltrane or Monk for the first time."
JOHN NÉMETH
- Male Blues ArtistSince bursting onto the scene in 2007, John Németh has wowed critics and audiences alike with his riveting vocals and harmonica prowess.  Winner of the 2010 "Most Outstanding Blues Singer" Living Blues Award, Németh has established a reputation as a singer and entertainer of the highest order, racking up five Blues Music Award nominations this year.  His latest Blind Pig release, Name The Day!, is another timeless slice of American music.  Drawing on the classic blues, soul, and R&B influences that inform his stunning vocal style, John's spine-tingling vocals echo the toughness of James Brown and the tenderness of Solomon Burke.  
Blues Blast Music Award winners will be announced at ceremonies held at Buddy Guy's Legends in Chicago on October 31, 2013.
For more information visit www.blindpigrecords.com.

Friday, March 29, 2013

Blues In D Natural / Queen Bee - Sue Foley

Sue Foley (born March 29, 1968, Ottawa, Ontario, Canada) is a Canadian blues singer and guitarist. Foley has been writing and playing professionally since 1984. She has recorded ten albums, for both Antone's Records and Shanachie Records. She has spent over fourteen years on the road as a bandleader, lead vocalist, guitarist and manager of her own band. In addition to her own touring, she has also shared the stage with blues musicians, such as Back Alley John, B. B. King, Buddy Guy and John Lee Hooker. Her initial career began in Ottawa, Canada, at the age of sixteen where, in addition to solo work, she sang with the Back Alley John Revue. Foley sent a demo tape of herself to Clifford Antone's label (Antone's Records) in 1990. Impressed, the record label arranged an audition for the guitarist. She moved to Austin, Texas and soon signed a recording contract with Antone's. Foley appeared on the bill at the 1992 San Francisco Blues Festival. In 2000 Foley won a Juno Award for Best Blues Album for Love Comin' Down. Her 2007 album, Time Bomb (2007), features two other female blues players, Deborah Coleman and Roxanne Potvin. The opening title track, "Time Bomb", an instrumental where all three women take turns laying down leads, on the next nine songs the women trade off taking lead vocals and guitar duties of every third song until they come together again on the final track "In The Basement".

 If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Friday, April 27, 2012

Karp/Foley release #1 on national radio chart!

blindpigrecords.com
"BEYOND THE CROSSROADS" #1 ON BLUES RADIO CHART

Beyond The Crossroads, the brand new release from Peter Karp and Sue Foley, jumped into the top spot on the Roots Music Report's blues chart, which is compiled from radio airplay reports.

http://mailman.305spin.com/users/blindpigrecords/images/KarpFoley5146e.jpg
The album of twelve brilliantly crafted original compositions is the latest collaboration between the two acclaimed singer-songwriter guitarists. It's a followup to their ground breaking 2010 song cycle, He Said She Said, which was #1 on the Roots Music chart for six weeks.

To hear samples from the new album or to view a video of the pair performing one of the songs, "More Than I Bargained For," please click HERE.
Radio: Peter Robinson radio@blindpigrecords.com 773-772-0043
Publicity: Debra Regur
pigpress@blindpigrecords.com 415-550-6484
For more information visit www.blindpigrecords.com.

Wednesday, April 11, 2012

New Pinetop Perkins & Karp/Foley titles from Blind Pig!

blindpigrecords.com
NEW RELEASES FROM BLIND PIG RECORDS!
Noted roots music label Blind Pig Records will release new titles on April 17th by beloved blues piano icon Pinetop Perkins and the dynamic performing and songwriting duo of Peter Karp and Sue Foley.
PINETOP PERKINS "HEAVEN" (AVAILABLE ON CD and LP)

If there is a heaven - and God knows there ought to be for those blues musicians of The Delta who endured grievous deprivation and suffered countless indignities yet brought joy to so many - Pinetop Perkins is certainly there. It is unquestionably a little slice of heaven for us to hear Pinetop once again on this previously unreleased after-hours set of masterful music.

http://mailman.305spin.com/users/blindpigrecords/images/Pinetop5145e.jpg

The beloved dean of blues piano players and three time Grammy winner passed away last year, just four months shy of his 98th birthday. Heaven captures a beautifully intimate 1986 studio performance by Pinetop when he was "only" seventy three, and still at the peak of his powers. He performs solo on all but four tracks.

The self-taught master pianist is in magnificent form, delivering thundering chords and glissandos, rolled chords, trilled notes, complex metrical substitutions, sly musical quotes - and of course his trademark lightly swinging boogie woogie. His strong, rough-edged voice conveys an authority that is complemented by a subtle playfulness and vulnerability. On this album, his vocals are supplemented by recently-recorded contributions from Willie Smith on "Sitting On Top of the World" (believed to be Smith's last recording, as he passed away in September 2011) and Otis Clay, who captures the sweet agony of "Since I Fell For You."

Blind Pig is also issuing Pinetop's album on a limited edition 180 gram audiophile LP, the first title the label's simultaneously released on CD and LP since 1990. And in Pine's memory, we also urge support of the Pinetop Perkins Foundation (www.pinetopfoundation.org).

PETER KARP & SUE FOLEY "BEYOND THE CROSSROADS"
http://mailman.305spin.com/users/blindpigrecords/images/KarpFoley5146e.jpg

Beyond the Crossroads marks the newest chapter in the collaboration between these two noted singer-songwriter guitarists. A high voltage, plank spankin', piano boogyin', slide guitar stompin', blues-rocking CD that showcases twelve brilliantly crafted and unique original compositions. It's a loud celebration of triumph over tragedy, optimism over despair and faith over hopelessness

It delivers on the promise of Karp and Foley's groundbreaking, critically acclaimed 2010 song-cycle, He Said She Said. That album hit the Top 10 on the Billboard Blues Chart and was #1 for 6 weeks on the national blues and roots music radio charts. Says Foley, "Beyond the Crossroads is a natural extension of what we started with He Said She Said in that we're writing songs with themes in mind. Positivity, renewal, absolution." Karp added, "These times are trying - in the heart and in the streets. Time to fire up the amps and blow heat."



Wednesday, April 4, 2012

Blind Pig Records Artists: Peter Karp and Sue Foley - Beyond The Crossroads - New Release Review


I just got a copy of the new recording, Beyond The Crossroads, by Peter Karp and Sue Foley. This is a happy go lucky blues cd with 12 self penned tracks that will likely see very broad interest. We're Gonna Make It is a blues themed song with Foley and Karp trading vocals over a strong melodic theme. Foley's vocals are particularly strong presented over the Swingadelic horn backed band. I also found particular enjoyment of Analyze'n Blues. Foley takes the lead on vocals again and there is a particularly cool saturated tube amp sound in the background that always gets me amped up. Karp takes a great resonator solo on this number that brings to mind old Little Feat and Lowell George. At The Same Time gets a little grittier and has a great trombone solo as a special treat. More Than I Bargained For is definitely the song that will hit the airwaves. It is strongly written and has a cool guitar hook. Resistance has a different flair with Foley using a talking type singing style contrasted against a full on soul singer background. Plank Spank is an all out chicken pickin slide blazin instrumental demonstrating both artists talents on guitar. You've Got A Problem is a great boogie to wrap up the set. Karp takes the lead on vocals each player gets a chance to give it a ride. Very cool

If you like your blues on the pop side this is a great choice!

If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

Thursday, March 29, 2012

Blues In D Natural / Queen Bee - Sue Foley


Sue Foley (born March 29, 1968, Ottawa, Ontario, Canada) is a Canadian blues singer and guitarist.
Foley has been writing and playing professionally since 1984. She has recorded ten albums, for both Antone's Records and Shanachie Records. She has spent over fourteen years on the road as a bandleader, lead vocalist, guitarist and manager of her own band. In addition to her own touring, she has also shared the stage with blues musicians, such as Back Alley John, B. B. King, Buddy Guy and John Lee Hooker. Her initial career began in Ottawa, Canada, at the age of sixteen where, in addition to solo work, she sang with the Back Alley John Revue.

Foley sent a demo tape of herself to Clifford Antone's label (Antone's Records) in 1990. Impressed, the record label arranged an audition for the guitarist. She moved to Austin, Texas and soon signed a recording contract with Antone's.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

Monday, October 17, 2011

Sue Foley and Peter Karp Tour Info


Calendar

Oct
21
THE IRONWOOD Calgary, AB CA -
Please call for advance reservations (403)269-5581 (1429 9 Ave SE, Calgary, AB, T2G 0T4, CA) Get Directions
Oct
22
Flare and Derrick Community Turner Valley, AB CA -
(, Turner Valley, AB, CA) Get Directions
Nov
05
Simmons Center Duncan, OK US -
(800 Chisholm Trail Parkway, Duncan, OK, 73533, US) Get Directions
Nov
15
Neat Coffee Shop Embrun, ON CA $27.50
(, Embrun, ON, K0A, CA) Get Directions
Nov
17
Northern College Auditorium Kirkland Lake, ON CA -
(, Kirkland Lake, ON, P2N 3L8, CA) Get Directions
Nov
18
stephan leacock theatre keswick, ON CA -
(, keswick, ON, CA) Get Directions
Nov
19
Meaford Hall Arts & Cultural Centre Meaford, ON CA -
(12 Nelson St E, Meaford, ON, N4L 1N6, CA) Get Directions
Nov
26
Empire Theatre Belleville, ON CA $34
Tickets on sale Oct. 3 (, Belleville, ON, CA) Get Directions
Dec
01
River Run Centre Guelph, ON CA $34
Tickets on sale Oct. 3 (, Guelph, ON, CA) Get Directions
Dec
02
Showplace Performance Centre Peterborough, ON CA $34
Tickets on sale Oct. 3 (290 George St N, Peterborough, ON, K9J 6Y8, CA) Get Directions
Dec
03
The Grand Theatre Kingston, ON CA $34
Tickets on sale Oct. 3 (218 Princess Street, Kingston, ON, K7L 1B2, CA) Get Directions
Dec
04
Capitol Theatre Port Hope, ON CA $34
Tickets on sale Oct. 3 (20 Queen St, Port Hope, ON, L1A 2Y8, CA) Get Directions
Dec
10
Centrepointe Theatre Nepean, ON CA $34
Tickets on sale Oct. 3 (101 Centrepointe Dr, Nepean, ON, K2G 0B5, CA) Get Directions
Mar
08
Cafe-Theatre Les Beaux Instants Sorel, QC CA $28
(, Sorel, QC, J3P, CA) Get Directions
Mar
09
CENTRE CULTUREL DE BELOEIL Bel?il, QC CA $22
(Rue Richelieu, Bel?il, QC, J3G, CA) Get Directions
Mar
10
Eglise Sacre-Coeur Sainte-Therese, QC CA $25
(, Sainte-Therese, QC, LW6 930, CA) Get Directions
Apr
13
St. Clair Concerts Ashland, OR US -
Acoustic show! (Unitarian Church, Ashland, OR, 97520-2149, US) Get Directions
Apr
27
McNeese State University Lake Charles, LA US -
Public concert after a week-long residency of workshops. (, Lake Charles, LA, 70607, US) Get Directions
Jun
22
Blues Now Festival Basel, CH -
at Stadt Casino, Hans Huber Saal, Steinenberg 14 (, Basel, CH) Get Directions



Get Facebook support for your favorite band or venue - click HERE

Monday, June 20, 2011

Treat Me Right - Peter Karp and Sue Foley


Sue Foley (born March 29, 1968, Ottawa, Ontario, Canada) is a Canadian blues singer and guitarist.Foley has been writing and playing professionally since 1984. She has recorded ten albums, for both Antone's Records and Shanachie Records. She has spent over fourteen years on the road as a bandleader, lead vocalist, guitarist and manager of her own band. In addition to her own touring, she has also shared the stage with blues musicians, such as Back Alley John, B. B. King, Buddy Guy and John Lee Hooker. Her initial career began in Ottawa, Canada, at the age of sixteen where, in addition to solo work, she sang with the Back Alley John Revue.

Foley sent a demo tape of herself to Clifford Antone's label (Antone's Records) in 1990. Impressed, the record label arranged an audition for the guitarist. She moved to Austin, Texas and soon signed a recording contract with Antone's.

Foley appeared on the bill at the 1992 San Francisco Blues Festival.

In 2000 Foley won a Juno Award for Best Blues Album for Love Comin' Down.

Her 2007 album, Time Bomb (2007), features two other female blues players, Deborah Coleman and Roxanne Potvin. The opening title track, "Time Bomb", an instrumental where all three women take turns laying down leads, on the next nine songs the women trade off taking lead vocals and guitar duties of every third song until they come together again on the final track "In The Basement".
Get Facebook support for your favorite band or venue - click HERE


Monday, May 2, 2011

Queen Bee - Sue Foley


Foley has been writing and playing professionally since 1984. She has recorded ten albums, for both Antone's Records and Shanachie Records. She has spent over fourteen years on the road as a bandleader, lead vocalist, guitarist and manager of her own band. In addition to her own touring, she has also shared the stage with blues musicians, such as Back Alley John, B. B. King, Buddy Guy and John Lee Hooker. Her initial career began in Ottawa, Canada, at the age of sixteen where, in addition to solo work, she sang with the Back Alley John Revue.

Foley sent a demo tape of herself to Clifford Antone's label (Antone's Records) in 1990. Impressed, the record label arranged an audition for the guitarist. She moved to Austin, Texas and soon signed a recording contract with Antone's.

Foley appeared on the bill at the 1992 San Francisco Blues Festival.

In 2000 Foley won a Juno Award for Best Blues Album for Love Comin' Down.

Her 2007 album, Time Bomb (2007), features two other female blues players, Deborah Coleman and Roxanne Potvin. The opening title track, "Time Bomb", an instrumental where all three women take turns laying down leads, on the next nine songs the women trade off taking lead vocals and guitar duties of every third song until they come together again on the final track "In The Basement".
Get Facebook support for your favorite band or venue - click HERE