Gulf Coast Records artist: Chris BadNews Barnes - BadNews Travels Fast - New Release Review

 I just had the opportunity to review the most recent release, BadNews Travels Fast, from Chris BadNews Barnes and it's solid set of rock and blues rock. Opening with radio style rocker, and title track, BadNews Travels Fast, BadNews Barns on lead vocal leads the way with a tight guitar lead by Kenny Greenberg, driving bass lines by Tommy MacDonald, and Tom Hambridge snapping tight on drums. Ace harmonica player, Jimmy Hall who led his own band, Wet Willie and worked quite a bit with the honorable Jeff Beck really makes a nice contribution here. Excellent opener. True Blues is a cool, upbeat blues track along the lines of Thrill Is Gone. Not sure most would pick up on it, but it really does have some searing guitar riffs by Walter Trout. Driving rocker, BluesBaller Baby calls on Mike Rojas on keys to do the heavy lifting with Barnes on this one and he really does a fine job. Kenny Greenberg rips hot guitar solo on this one and Max Abrams sails on sax making it a definite hot spot in the release. Wrapping the release is cool rocker, Mushrooms Make Me A Fun Guy with it's spoken vocal lines and rock stroking guitar rhythm. Rojas uses electric piano to carry the counter melody and MacDonald and Hambridge hold the bottom tight. This is a fun release. 

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Crosscut Records artist: Franck L. Goldwasser - Who Needs This Mess!!?? - New Release Review

 

I just had the opportunity to review the most recent release, Who Needs This Mess!!??, from Franck L. Goldwasser and it's a thick slice of blues. Opening with with a solid blues number, Don't Give Up On Me Baby, Franck Goldwasser on vocal and guitar follows a SBW vamp and with strong vocals and really nice guitar work really gets things going. Backed by Ralph Carter on bass and Johnny Morgan on drums, this is a strong opener. Skwurley is a real cool instrumental with excellent slide work by Goldwasser matched with R.J. Mischo. Excellent! Playing off of a "Green Onions" skeleton, Diskum Baab Uleh Shun is another instrumental with plenty of room for Mischo on harmonica to trade riffs with Goldwasser on guitar over the solid bottom of Carter and Morgan. With a zydeco feel, Sobbby Doggy Boogy is a fun track with a great tempo, driven by Goldwasser on guitar and slide. Pure Chicago on If I Could Holler with Goldwasser on vocal and a constant harmonica vamp throughout. Traditional Waters' style instrumentation fits nicely with this track. Another Morganfield influenced track, Dumb and Dangerous has a vital rhythm with Goldwasser on Waters influenced slide style and foot stomp drum. With it's Atkins style guitar rhythm, Razzmazazz is a real nice track with Goldwasser showcasing his finger picking style. Closing the release is slow blues, Bleedin' Heart with Goldwasser breaking loose on electric blues, floating on the full organ backing of Jim Pugh. This is a real nice blues track with Goldwasser digging deep on vocal and taking no prisoners on guitar. This is a real nice closer for a solid release. 

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Forty Below Records artist: Sugaray Rayford - In Too Deep - New Release Review

 I just had the opportunity to review the most recent release, In Too Deep, from Sugaray Rayford and it's chocked full of R&B style blues. Opening with funky, Invisible Soldier, Sugaray Rayford is upfront with his powerful voice, backed by Rick Holmstrom on guitar, Drake Hunkikaid Shining on keys, Taras Prodaniuk on bass, Matt Tecu on drums and a powerful horn section consisting of Aaron Liddard on trumpet and Tom White on trombone. I really like the slinky bass line on No Limit To My Love  blended with the subtle guitar lead of Eamon Ryland and vocal backing by Gia Ciambotti and Eric Corne. Very nice. Please Take My Hand is a really warm vocal track with sonic roots in field hollers or work songs. Nicely paired vocal backing by Rayford and Corne sets the lead vocal off nicely. My favorite track for radio play is One with it's smooth bottom and rich vocal. I like Prodaniuk's bass line on this one and the violin and cello work of Eric Gorfain and Richard Dodd. Wrapping the release is Booker T style United We Stand, with it's funky bottom and high stepping beat. Steve Cropper like guitar riffs from Holmstrom and punchy horns from Finch and White make this a solid closer. 

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VizzTone Label Group artist: Bob Corritore & Friends - Spider In My Stew - New Release Review

 I just had the opportunity to review the most recent release, Spider In My Stew, from Bob Corritore and Friends and it's terrific. Opening with Tennessee Woman, Corritore on harmonica is joined by Oscar Wilson on vocal, Tony Tomlinson on guitar, Shea Marshall on piano and sax, Patrick Skog on bass and Alan West of drums and percussion. A solid Chicago style track with a Latin beat, this is a solid opener. Moving into a full on romp, Sugaray Rayfield has the lead on vocal on Big Mama's Soul Food, backed by Kid Ramos on guitar, Blake Watson on bass and Marty Dodson on drums. Great vocals by Rayford, Corritore's always always fine harmonica work and saucy guitar work by Ramos give this track real zing. Diunna Greenleaf is upfront on Don't Mess With the Messer and with a snappy drum beat by Andrew Guterman and hot sax work by Doug James, this track is strong. Lurrie Bell delivers really inspired lead vocal and guitar on title track Spider In My Stew with Bob Margolin and Corritore's lower octave harmonica work is terrific. Excellent! Johnny Rawls leads with vocal and guitar on Sleeping With The Blues and it's sensitive BB King approach is rich. Why Am I Treated So Bad is one of my favorites on the release featuring Francine Reed on lead vocal. Her voice is unmistakable and with brother Michael on backing vocals, Corritore soloing on harmonica, Ramos and Johnny Main on guitar, Mike Hightower on bass and Brian Fahey on drums, the deck is stacked for best track on the release. R&B track, Look Out features Alabama Mike on lead vocal with Junior Watson on guitar, Fred Kaplan on piano, Corritore on harmonica, Kedar Roy on bass and Andrew Guterman on drums ramping up the release for the big closer. Wrapping the release is a great rendition of Bob Dylan's I Shall Be Released again featuring Francine Reed. Joined by brother Michael, Ramos and Main on guitars, Hightower on bass and Fahey on drums, this is a strong closer for a really strong release. 

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VizzTone Label Group artist: Bob Corritore & Friends - Do The Hip-Shake Baby! - New Release Review

I just had the opportunity to review the most recent release, Do The Hip-Shake Baby!, from Bob Corritore & Friends and I really like it. Corritore usually sticks pretty close to traditional Chicago style blues but not on this one. He's mixing it up but the mix is great. Opening with Shake Your Hips, Mighty Joe Milsap is upfront on vocals and they are rich and powerful. With Alan West on drums and percussion this track has a swampy rhythmic feel and Corritore's harp work is used like a sharp knife carving in essential riffs. Very nice. Alabama Mike leads on Gonna Tell Your Mother, a classic R&B track with Johnny Rapp and LA Jones on guitar, Adrianna Marie on bass, Fred Kaplan on keys and Brian Fahey on drums. With sassy backing vocals and a slick guitar solo, this track is swinging. Bill "Howl-N-Madd" Perry gets down, slow and gritty on You Better Slow Down. Corritore has his harp singing on this one over the classic guitar riffs of Perry and Rapp. Very nice. Up tempo shuffle, Trying To Make A Living features Sugaray Rayford upfront with Junior Watson on flat laid out guitar and Kedar Roy on bass. Corritore tees up another super solo giving this track that extra spark. Jimi "Primetime" Smith  sings I Got The World In A Jug in simple Chicago styling. Corritore stretches a bit on this one but as always, contains not dominating the show. Wrapping the release is Rayford again upfront on Keep The Lord On With You! This song is rich in vocal and meaning with excellent vocal, harp and with the excellent addition of Kid Ramos on guitar joined by Marty Dodson on drums and Blake Watson on bass. This is an excellent closer for a very strong release. 

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Forty Below Records artist: Sugaray Rayford - Somebody Save Me - New Release Review

I just had the opportunity to review the most recent release, Somebody Save Me, from Sugaray Rayford and it's cool, dark and funky. Opening with The Revelator, Rayford is trudging into dark country. With an ominous bass line by Taras Prodaniuk, punctual guitar work by Rick Holmstrom, and cool trumpet by Mark Pender, with additional work by Sasha Smith on keys, Ron Dziubla on sax and Richard Rosenberg on trombone as well as a voodoo sounding choir made up of Eric Corne, Brittany Gael Vaughn, Brittney S. Wheeler, Gabriel M. Newman, J-Blake White, &Terika Jefferson. R&B track, You and I has an excellent melody with full horn section compliments of Pender, Dziubla and Rosenberg making is a solid radio track. One of my favorites on the release is I'd Kill For You, Honey, with a super moving blues bottom featuring a super bass line by Prodaniuk, Eamon Ryland on slide and Eric Corne on harp complimenting Rayford's excellent vocals. Soul ballad, Somebody Save Me, is another excellent showcase for Rayford's vocal sensitivity with backing vocals by Carol Hatchett and Roberta Freeman. Smith lays in an interesting keyboard solo and smooth backing by Eric Gorfain on violin and Richard Dodd on cello add warmth. Wrapping the release is Dark Night Of The Soul with not only power vocals but with a heavy bottom and dynamic harp work by Corne. Hot closer for a strong release.

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Sugaray Rayford Delivers Vintage Soul & Blues on New Release

Sugaray Rayford Brings Vintage Soul Vibe to New Album Somebody Save Me out on Forty Below Records, March 1st

On March 1st, Forty Below Records will release Somebody Save Me, the new studio album from soul blues singer, Sugaray Rayford. On the album’s opening track, “The Revelator”, Rayford forcefully sings, “I’m a freak of nature / I ain’t no honey bee / I’m an unknown creature / The like you’ve never seen” At 6’5” and 300 pounds, this cigar chompin’ ex-Marine with a voice like a force of nature holds court in any room he enters. Possessing a magnetic personality, and an old school vocal style that echoes Muddy Waters, Otis Redding and Teddy Pendergrass, Rayford is also a stellar dancer with moves reminiscent of the Legendary James Brown.   Somebody Save Me is an ambitious album that slides gracefully between the new blues of Gary Clarke Jr. and Fantastic Negrito, the rock & soul stylings of The War & Treaty, and the vintage Daptone vibe of the late Charles Bradley and Sharon Jones, bringing a fresh take to classic sounds.   The album was written and produced by Forty Below Records founder Eric Corne. Best known for his work with blues legends John Mayall and Walter Trout, Corne and Forty Below have also launched the careers of several talented new artists, such as Sam Morrow, Jaime Wyatt and KaiL Baxley. A number of mainstays from Corne productions feature strongly here including guitarist Rick Holmstrom (Mavis Staples), bassist Taras Prodaniuk (Dwight Yoakam), drummer Matt Tecu (Jakob Dylan), keyboardist Sasha Smith (Sam Beam), guitarist Eamon Ryland (The Happy Mondays) and the horn section from Late Night with Conan O’Brien, Corne recorded the bulk of the record live and the chemistry of the performances infuses the songs with a spontaneity and raw emotion.   The ten songs on the album explore contrasting themes of darkness and light. There is social commentary like on “Time to get Movin’” “The mansions on the hillside / Look down on homeless camps / While we’re caught in the crossfire / Lookin’ for the exit ramps.” There are several love songs, including two gorgeous soul ballads, “My Cards are on the Table” and “Somebody Save Me”, the Stax inspired “You and I” and the more Motown leaning “Is it Just Me”, “She could bring peace / To the Middle East / They'd be ready to sign / Free the worst villain / From the tightest prison / And have the warden waving goodbye.”   The album is full of inspired arrangements with several unexpected twists and turns; like the John Barry (James Bond) inspired bridge of “Angels and Devils”; the wobbly 1950’s inspired keyboard solo and lush strings of the title tracks, recorded with The Section Quartet (Ryan Adams, Father John Misty); and the gospel choir, shape-shifting keyboards and dramatic horns of “The Revelator” which seamlessly blends blues, soul and jazz with a hint of reggae. But at the center of it all is Sugaray Rayford’s commanding voice, tying it all together.   With his 8-piee crack band and personal charm, Rayford’s live shows are quickly becoming re-known for their high-energy and celebratory nature, with Rayford whipping the crowds into a frenzy, like a Gospel Preacher, in the studio and in person, Sugaray Rayford is developing a reputation as a force to be reckoned with and an artist to watch in the coming years.     www.sugarayrayford.com

Shining Stone Records artist: Anthony Geraci - Why Did You Have To Go - New Release Review

I just had the opportunity to review the most recent release, Why Did You Have To Go, from Anthony Geraci, and it's rich. Opening with R&B title track, Why Did You Have To Go, Sugar Ray Norcia is upfront on lead vocal backed by Michael Mudcat Ward on bass, Marty Richards on drums, Sax Gordon on sax, Doug Woolverton on trumpet and with stellar guitar styling by Monster Mike Welch and piano wizardry by Anthony Geraci. Excellent opener. Bluesy ballad, Angelina, Angelina is really strong with really nice piano work by Geraci and lead vocals by Sugaray Rayford. Welch is back again with signature tone, backed by Willie J Campbell on bass and Jimi Bott on drums. Very nice. Soul track, Two Steps Away From The Blues, features Michelle "Evil Gal" Willson on lead vocal with warm piano and B3 work by Geraci. Norcia is back on vocal and harp on Time's Running Out, an easy shuffle, joined by nice pace piano work by Geraci and the strong guitar accents by Ronnie Earl. One of my favorite tracks on the release is Baptized In The River Yazoo with Willie J Laws on piano duet with Geraci. The piano work here is terrific. Another track with dazzling piano is Too Many Bad Decisions with Dennis Brennan on lead vocal and Welch on guitar. Slow blues, My Last Good-Bye digs in deep with Norcia on vocal and harp. Piano tension and guitar excellence (by Earl) really gives this track edge, making it another of my choices for the release. Wrapping the release is jazzy A Minor, Affair with Troy Gonyea and Geraci leading the foundation of the track which features nice trumpet and sax solos by Wooverton and Beadle and a flight fingered guitar solo by Kid Ramos. Excellent closer for a strong release. 

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VizzTone Label Group artist: Bob Corritore & Friends - Don't Let The Devil Ride! - New Release Review

I just had the opportunity to review the most recent release (releasing today), Don't Let The Devil Ride!, from Bob Corritore & Friends and it's super. Opening with Willie Buck's shuffle track, Went Home This Morning, Bob Corritore on harp joins up with Willie Buck on lead vocal, Mojo Mark on guitar, Troy Sandow on bass and Brian Fahey on drums for a solid opener. On Little Walter's Tell Me Mama, Oscar Wilson is on lead vocal and Corritore lays out a real nice harp solo with Priimetime Smith on guitar, Henry Grey on piano and Johnny Rapp on guitar. Alabama Mike has the lead on Laundromat Blues and with really expressive lower octave work from Corritore, particularly nice soloing from Atkinson on guitar and strong piano work from Welch making this one of my favorites on the release. Corritore original, Fork In The Road, features Oscar Wilson on vocal, with Henry Grey on piano and Johnny Rapp on guitar with Corritore in in mostly a strong supportive role choosing cool riffs over long solos...his general trademark. Bob Welch's rockabilly guitar riffs on Lovey Dovey Lovey One set the stage and Corritore sails on harp. Another terrific track. Particularly strong vocals by Alabama Mike set title track, Don't let the Devil Ride! with complimentary guitar work by Danny Michel. Willie Mae features the vocal and guitar work of Bill "Howl-N-Madd" Perry and with it's Latin rhythm, it simmers. George Bowman has the lead on I Was A Fool with Chris James adding tasty texture on guitar. Wrapping the release is Thundering and Raining featuring Tail Dragger on lead vocal, Grey on piano and Bob Stroger on bass. Rockin' Johnny Burgin and Corritore balance guitar and harp nicely for a solid ending to a real cool release.

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Swing Suit Records artist: Mick Kolassa - Double Standards - New Release Review

I just had the opportunity to review the most recent release, Double Standards, from Mick Kolassa and it's packed full of stars and blues standards. Opening with Willie Dixon's 600 Pounds of Heavenly Joy, Kolassa is joined by Sugaray Rayford on vocal with solid Latin rhythm by James Cunningham on drums. With Kolassa on guitar and vocal, Bill Ruffino on bass, Chis Stephenson on organ, and Colin John on guitar, very solid opener. Heather Crosse joins on lead vocal for another Dixon hit, I Just Want To Make Love To You. With her sultry vocals and Eric Hughes on harp, this is a real cool track. With it's jazzy club feel, Annika Chambers really shows on Fever. Her vocals are rich and deep caressed in a warm bed of Jensen's guitar tone. Alice Hasan's violin contributions to Tas Cru and Kolassa's rework of Jimmie Cox's Nobody Knows You When You're Down And Out is really nice. Another particularly warm spot is Erica Brown's vocal lead on Dixon's Spoonful. Jensen lays down a real nice guitar section on this track as well. Another Latin influenced track, Early In The Morning, features David Dunavent on guitar. Stylistic and cool. The most guitar intensive track, Outside Woman Blues really gives Jeff Jensen the opportunity to show off on guitar and he does a real nice job. Wrapping the release is Ain't Nobody's Business featuring excellent vocals by Chambers, Gracie Curran, Erica Brown and Jeff Jensen. This is a super closer for a real solid release benefitting the Blues Foundation's HART Fund and Generation Blues programs.

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Blue Elan Records artist: Janiva Magness - Blue Again - New Release Review

I just had the opportunity to review the most recent release, Blue Again, from Janiva Magness and she taps a number of blues classics. Opening with I Can Tell, Magness has the place rockin' and Kid Ramos shows some trademark riffs backed by Matt Tecu on drums, Gary "Scruff" Davenport on bass, Zach Zunis and Garrett Deloian on guitar and Arlan Schierbaum om keys. On Al Kooper's, I Love You More Than You'll Ever Know, Magness digs deep for some of her most soulful vocals on record. Kooper being an organ player, this track leaves plenty of space for Schierbaum and he uses it nicely complimented by tasty guitar soloing. Magness teams up with Sugaray Rayford for an vibrant R&B duet on If I Can't Have You. Joe Hinton's I'm Tired Of Walking with crisp, Freddie King/Eric Clapton like guitar work. Very nice. Nina Simone's slinky,   Buck is a cool track with snappy, SRV like guitar riffs and TJ Norton on harp. Wrapping the release is funky blues rocker, Pack It Up. Magness is in the slot with super vocals, really nicely backed by Schierbaum on electric piano and low key guitar soloing by Zunis. Nice closer for a solid release. 

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THE BLUES FOUNDATION 2016 BLUES HALL OF FAME INDUCTION AND 37TH BLUES MUSIC AWARDS SET FOR MAY 4 AND 5

THE BLUES FOUNDATION 2016 BLUES HALL OF FAME INDUCTION AND 37TH BLUES MUSIC AWARDS SET FOR MAY 4 AND 5  Best in blues recording, songwriting, and performance to be celebrated at the Memphis' Cook Convention Center.  All six living Hall of Fame inductees will be in attendance MEMPHIS, Tenn. — On Thursday, May 5, 2016, the Blues Foundation will present its annual Blues Music Awards at the Cook Convention Center in downtown Memphis, Tennessee. The Awards are universally regarded as the highest accolade afforded to blues performers, and the awards ceremony is widely recognized as the premier event for professionals, musicians and fans from around the world. The mission of the celebration is to honor the rich cultural tradition of the blues by recognizing the past year’s outstanding achievements in performance, songwriting and recording.  On May 4, at the Halloran Centre for Performing Arts, the Blues Foundation will induct five legendary artists into the Blues Hall of Fame: Elvin Bishop, Eddy Clearwater, Jimmy Johnson, John Mayall, Memphis Jug Band, and Malaco Records' Tommy Couch Sr. and Wolf Stephenson. Elected by a select group of respected blues scholars and industry veterans, Hall of Fame inductees are recognized for their musical achievements and their contributions to blues history.  Leading this year’s award nomination count are James Harman with five, and Anthony Geraci and Sugaray Rayford, who each have four. Harman and Geraci will go head to head in three categories: Best Song, Best Album, and Best Traditional Blues Album. Harman’s gift for musical storytelling, combined with the soulful sound of his newest release, Bonetime, propelled him to a nomination as Best Traditional Male Blues Artist, and his strong musicianship set the stage for his nomination as Best Instrumentalist — Harmonica. Geraci's piano finesse led to a nomination for the prestigious Pinetop Perkins Piano Player award. Vocalist-songwriter Rayford is nominated for Contemporary Blues Album and Contemporary Blues Male Artist, as well as Best Song and the B.B. King Entertainer Award.  Cedric Burnside and Shemekia Copeland, 2016 Grammy nominees, each have three nominations here, as do Doug MacLeod, the Cash Box Kings, Victor Wainwright and Wee Willie Walker (see below for a complete list of nominees).  The five new Blues Hall of Fame inductees have all had long and influential careers that have elevated each to seminal status in the blues world. Elvin Bishop was honored with the 2015 Blues Music Awards for Song of the Year. Bishop and his fellow 2016 inductees Clearwater, Johnson and Mayall all have bodies of work spanning more than half a century, and each continues to create new music and perform for new audiences. The legendary Memphis Jug Band’s music crossed racial divides during the first half of the 20th century, and inspired countless musicians to follow in their footsteps.  For their behind-the-scenes contributions, Malaco Records partners Tommy Couch Sr. and Wolf Stephenson, who founded a Southern R&B empire that continues to be an influential force, are also Blues Foundation honorees this year.  This year’s literature entry into the Blues Hall of Fame is Jeff Todd Titon’s book Early Downhome Blues: A Musical and Cultural Analysis, which has been widely recognized as one of the most important analytical studies of the blues ever written.  The Blues Hall of Fame is also honoring several historic blues recordings: The classic Big Bill Broonzy/Memphis Slim/Sonny Boy Williamson album Blues in the Mississippi Night (Nixa, 1957: United Artists, 1959), and the vintage singles “Crazy Blues” by Mamie Smith (OKeh, 1920), “That’s All Right” by Jimmy Rogers (Chess, 1950), Billy Boy Arnold's “I Wish You Would” (Vee-Jay, 1955), “Blues Before Sunrise” by Leroy Carr and Scrapper Blackwell (Vocalion, 1934) and “Merry Christmas Baby” by Johnny Moore’s Three Blazers (Exclusive, 1947). The last disc, with Charles Brown on vocal and piano, is the first Yuletide song inducted into the Blues Hall of Fame.  The Memphis-based Blues Foundation is internationally renowned for its tireless efforts in preserving blues heritage, celebrating blues recording and performance, expanding worldwide awareness of the blues, and ensuring the future of this uniquely American art form. Founded in 1980, the Blues Foundation has approximately 4,000 individual members and 200 affiliated local blues societies, representing another 50,000 fans and professionals around the world.    The Blues Foundation’s signature honors and events — the Blues Music Awards, Blues Hall of Fame, International Blues Challenge and Keeping the Blues Alive Awards — make it the international capital of blues music. The recent opening of the Blues Hall of Fame Museum in Memphis, Tenn., now adds the opportunity for music lovers of all ages to interact with the music and its history.   Major funding is provided by ArtsMemphis and the Tennessee Arts Commission. The 37th Blues Music Awards is also sponsored by AutoZone, BMI, First Tennessee Foundation, Legendary Rhythm & Blues Cruise, Memphis Convention and Visitors Bureau, the Sierra Nevada Brewing Company and Sony Legacy Recordings.  HOF tickets are $100 each, reception at 5:30pm with ceremony beginning at 6:30 p.m. BMA tickets are $150 each, tables of 10 for $1500; a special pre-party will begin at 5:30 p.m.; the BMA begin at 6:30 p.m.. For more information, log onto http://www.blues.org; tickets and membership details are available at http://blues.org/blues-music-awards/2016-blues-music-awards/ # # # 37th Blues Music Award Nominees  Acoustic Album  Doug MacLeod - Exactly Like This Duke Robillard - The Acoustic Blues & Roots of Duke Robillard Eric Bibb - Blues People Guy Davis - Kokomo Kidd The Ragpicker String Band - The Ragpicker String Band  Acoustic Artist  Doug MacLeod Eric Bibb Gaye Adegbalola  Guy Davis  Ian Siegal  Album  Anthony Geraci & the Boston Blues All-Stars - Fifty Shades of Blue Buddy Guy - Born to Play Guitar James Harman - Bonetime The Cash Box Kings - Holding Court Wee Willie Walker - If Nothing Ever Changes  Band  Andy T - Nick Nixon Band  Rick Estrin & the Nightcats  Sugar Ray & the Bluetones  The Cash Box Kings  Victor Wainwright & the Wild Roots  B.B. King Entertainer  John Németh Rick Estrin  Shemekia Copeland  Sugaray Rayford  Victor Wainwright  Best New Artist Album  Eddie Cotton - One at a Time Igor Prado Band - Way Down South Mighty Mike Schermer – Blues in Good Hands Mr. Sipp - The Blues Child Slam Allen - Feel These Blues Contemporary Blues Album  Buddy Guy - Born to Play Guitar Eugene Hideaway Bridges - Hold on a Little Bit Longer Shemekia Copeland - Outskirts of Love Sonny Landreth - Bound by the Blues Sugaray Rayford – Southside  Contemporary Blues Female Artist  Beth Hart Karen Lovely Nikki Hill  Samantha Fish  Shemekia Copeland  Contemporary Blues Male Artist  Brandon Santini Eugene Hideaway Bridges  Jarekus Singleton Joe Louis Walker Sugaray Rayford  Historical Album  The Henry Gray/Bob Corritore Sessions, Vol. 1, Blues Won't Let Me Take My Rest on Delta Groove Records  Hawk Squat by J. B. Hutto & His Hawks on Delmark Records  Southside Blues Jam by Junior Wells on Delmark Records  Buzzin' the Blues by Slim Harpo on Bear Family Records Dynamite! The Unsung King of the Blues by Tampa Red on Ace Records  Instrumentalist-Bass  Charlie Wooten Lisa Mann Michael “Mudcat”  Ward Patrick Rynn  Willie J. Campbell  Instrumentalist-Drums  Cedric Burnside  Jimi Bott June Core Tom Hambridge  Tony Braunagel  Instrumentalist-Guitar  Anson Funderburgh  Kid Andersen  Monster Mike Welch  Ronnie Earl  Sonny Landreth  Instrumentalist-Harmonica  Billy Branch  Brandon Santini  James Harman  Jason Ricci  Kim Wilson  Instrumentalist-Horn  Al Basile  Doug James Kaz Kazanoff  Sax Gordon  Terry Hanck Koko Taylor Award (Traditional Blues Female)  Diunna Greenleaf  Fiona Boyes  Ruthie Foster  Trudy Lynn  Zora Young  Pinetop Perkins Piano Player  Allen Toussaint  Anthony Geraci  Barrelhouse Chuck  John Ginty  Victor Wainwright  Rock Blues Album of the Year  Joe Bonamassa - Muddy Wolf at Red Rocks Joe Louis Walker - Everybody Wants a Piece Royal Southern Brotherhood - Don't Look Back  Tinsley Ellis - Tough Love Walter Trout - Battle Scars Song  “Bad Feet/Bad Hair” written and performed by James Harman  “Fifty Shades of Blue” written by Anthony Geraci and performed by Anthony Geraci & the Boston Blues All-Stars  “Gonna Live Again” written and performed by Walter Trout  “Southside of Town” written by Sugaray Rayford and & Ralph Carter and performed by Sugaray Rayford  “You Got It Good (and That Ain’t Bad)” written and performed by Doug MacLeod  Soul Blues Album  Bey Paule Band - Not Goin' Away Billy Price & Otis Clay - This Time for Real  Jackie Payne - I Saw the Blues Tad Robinson - Day into Night Wee Willie Walker - If Nothing Ever Changes  Soul Blues Female Artist  Bettye LaVette  Dorothy Moore Missy Anderson Toni Lynn Washington  Vaneese Thomas  Soul Blues Male Artist  Frank Bey Jackie Payne  Johnny Rawls Otis Clay Wee Willie Walker  Traditional Blues Album  Andy T - Nick Nixon Band - Numbers Man Anthony Geraci & the Boston Blues All-Stars - Fifty Shades of Blue Cedric Burnside Project - Descendants of Hill Country James Harman - Bonetime The Cash Box Kings - Holding Court Traditional Blues Male Artist  Cedric Burnside Dave Alvin & Phil Alvin  James Harman Jimmy Burns John Prime