Henry Gray & Bob Corritore - Cold Chills - New Release Review

 I just had the opportunity to review the most recent release, Cold Chills, from Henry Gray and Bob Corritore and it's a heaping serving of Chicago blues. Opening with Cold Chills, Henry gray is upfront on lead vocal and piano and Corritore has great tone and fullness. Backed by Bob Margolin on guitar, Johnny Rapp on guitar, Chico Chism on drums and Pops McFarlane on drums, this unit is tight. Fats Domino's Don't You Lie To Me is a great track for Gray with natural piano spotlight and Corritore is mic'd forward in the mix which I really like. John Brim gats the mic on slow blues, Moonlight Blues, also taking the lead on guitar with Corritore on harmonica, Paul Thomas on bass, and Chism on drums. This track has a great feel and balance. Eddie Taylor Jr leads the way on guitar and vocal on Going Away Baby with Corritore on harmonica, Illinois Slim on on guitar, Brian Fahey on drums, and Bob Stroger on bass. Very nice. Gray is back on piano on Mother - In - Law Blues featuring Robert Jr Lockwood on guitar and Chism on drums, Rapp on guitar and Mario Moreno on bass. In the slot, solid. Tail Dragger is upfront on Hurt Your Feelings and Johnny Burgin adds tasty lead guitar. With Slim on guitar, Fahey on drums and Stroger on bass, deep Chicago blues. Jimi "Primetime" Smith is at the mic on You For Me a cool shuffle track with a nice lope. Gray and Corritore really shine on this track with Troy Sandow on bass and Marty Dodson on drums. Chief Schabuttie Gilliame does an outrageous job on lead vocal on boogie, Javelina Jamboree with Burgin smoking the guitar and great piano riffs by Gray. Backed by Moreno on bass and Chism on drums, this is my favorite track on the release. Wrapping the release is slower blues, Going Down Slow with Gray back on lead vocal and piano and chilling guitar riffs by Rapp. This is an excellent closer for a really strong traditional Chicago blues release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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VizzTone Label Group artist: Bob Corritore & Friends - Don't Let The Devil Ride! - New Release Review

I just had the opportunity to review the most recent release (releasing today), Don't Let The Devil Ride!, from Bob Corritore & Friends and it's super. Opening with Willie Buck's shuffle track, Went Home This Morning, Bob Corritore on harp joins up with Willie Buck on lead vocal, Mojo Mark on guitar, Troy Sandow on bass and Brian Fahey on drums for a solid opener. On Little Walter's Tell Me Mama, Oscar Wilson is on lead vocal and Corritore lays out a real nice harp solo with Priimetime Smith on guitar, Henry Grey on piano and Johnny Rapp on guitar. Alabama Mike has the lead on Laundromat Blues and with really expressive lower octave work from Corritore, particularly nice soloing from Atkinson on guitar and strong piano work from Welch making this one of my favorites on the release. Corritore original, Fork In The Road, features Oscar Wilson on vocal, with Henry Grey on piano and Johnny Rapp on guitar with Corritore in in mostly a strong supportive role choosing cool riffs over long solos...his general trademark. Bob Welch's rockabilly guitar riffs on Lovey Dovey Lovey One set the stage and Corritore sails on harp. Another terrific track. Particularly strong vocals by Alabama Mike set title track, Don't let the Devil Ride! with complimentary guitar work by Danny Michel. Willie Mae features the vocal and guitar work of Bill "Howl-N-Madd" Perry and with it's Latin rhythm, it simmers. George Bowman has the lead on I Was A Fool with Chris James adding tasty texture on guitar. Wrapping the release is Thundering and Raining featuring Tail Dragger on lead vocal, Grey on piano and Bob Stroger on bass. Rockin' Johnny Burgin and Corritore balance guitar and harp nicely for a solid ending to a real cool release.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Howlin' At Greaseland - Various Artists - New Release review

I just had the opportunity to review the most recent release, Howlin' At Greaseland, from Kid Andersen's Greaseland Studios and it's strong. This all-star tribute release to Howlin' Wolf features many of today's greatest blues players. Opening with Meet Me In The Bottom, Alabama Mike is upfront on lead vocal backed by Rick Estrin on harp, Alex Pettersen on drums, Bobby Yamalov on bass, Kid Andersen on guitar and slide and Lorenzo Farrell on piano paving a wide path. On Smokestack Ligntnin', John Blues Boyd has the mic, joined by Rockin' Johnny Burgin and Kid Andersen, Joe Kyle Jr. on bass, Estrin on harp, D'Mar on drums and Jim Pugh on piano. Very nice. Howlin' For My Darling features Terry Hanck on sax and vocals, backed by Johnny Cat Soubrand on guitar, Andersen on bass, Pettersen on drums and Pugh on piano. Both Hanck and Soubrand stretch a bit instrumentally adding nicely to the tight groove.  Tail Dragger is upfront on I'm Leaving You and Aki Kumar's harp work stands out nicely, with a crisp guitar solo by Burgin, backed by Vance Ehlers on bass and June Core on drums. Henry Gray is on top on Worried Life Blues, one of my favorites on this release. His vocals and piano work are very real backed by Patrick Rynn on bass, Chris James on guitar. Shuffle track, Riding In The Moonlight, features Boyd on lead vocal, Andersen and Rockin' Johnny on guitars and Estrin on harp. This is a super track giving each featured artist space to take a whack. Very nice. Lee Donald belts out Forty Four with Andersen on piano, Soubrand on guitar, Kumar on standout harp, Phillips on bass and Core on drums. Another of my favorites on the release is Don't Trust No Woman with Tail Dragger on vocal Burgin on guitar and Kumar on harp. Gritty and tasty. Gray and Andersen play a simple duet on Little Red Rooster which is quite powerful with Gray's gripping vocals and piano styling. Wrapping the release is Spoonful with Boyd on vocal with stinging guitar riffs by Burgin and Andersen. This is a solid release of Burnett originals, performed in authentic style. Very cool.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Chicago Blues Extraveganza - Rhythm Room - Phoenix Arizona - Excellent Concert Review

Bob Corritore, one of the top Chicago blues harp players on the planet today and owner of the Rhythm Room in Phoenix, AZ brought a terrific concert to town last night and I was fortunate enough to be in attendance. Corritore, a native of Chicago moved to Arizona over 30 years ago and is such a part of the blues music fabric here that he is sometimes taken for granted by locals. Making routine appearances here around his own recording and touring schedule he often becomes a complimentary musician to guests in his own house. His instrumental release, Taboo is certainly one of the best contemporary blues harp releases that I have heard. Last night, hosting a great group of Chicago musicians, Corritore took the stage with Eddie Taylor Jr. (guitar and lead vocal),Illinois Slim (guitar) and Brian Fahey (drums).

This was a terrific set of straight up Chicago blues showing just how good Taylor is both as a lead singer and blues guitarist and giving Corritore the opportunity to really shine.This initial set was maybe 6 -10 songs and was extremely well received. Exceptional bassist and vocalist Bob Stroger joined the group on bass and lead vocals. Stroger is an exceptional performer who stands out as a musician when in a back up role but as a leader really takes control. Having performed with Eddie King, Odie Payne, Otis Rush, Sunnyland Slim, Willie Big Eyes Smith and Carey Bell, he knows how to do his business and he took control. This was a short but powerful set with Strogers queezing solid gutsy blues from this set of excellent musicians.

This probably isn't a secret to any of my daily readers but I was especially here to see Rockin' Johnny Burgin. Johnny took the stage like wild fire playing two dynamic tracks from his most recent release, Greetings from Greaseland which is exceptional. I had only seen Johnny on video, backing others such as Tail Dragger on his DVD Live At Rooster's Lounge and on Youtube so I was extremely anxious to see him in person. This guy has his own style of guitar playing and is a really super singer. Now don't go off half cocked thinking I'm saying he's Stevie Ray Vaughn or Joe Bonamassa. He's Johnny Burgin and he takes his craft seriously, playing the rocking edge of the Chicago blues and doing it with dynamic style. Burgin only played two tracks as a band leader/lead vocalist, but I've been to concerts where there weren't two songs that I enjoyed as much as these two tracks so don't take that lightly.
Next up was ninety year old Henry Gray has played with a literal who's who of blues including Sonny Boy Williamson II, Homesick James, Robert Lockwood, Jr., Billy Boy Arnold, Muddy Waters, Johnny Shines, Hubert Sumlin, Lazy Lester, Little Walter Jacobs, Otis Rush, Buddy Guy, James Cotton, Little Milton Campbell, Jimmy Rogers, Jimmy Reed, and Koko Taylor.  I reviewed his most recent release with Corritore, Blues Won't Let Me Take My Rest and his appearance in person was dynamic and memorable. His vocals are solid and his piano playing inspiring. His style to my ear is somewhat similar to one of my favorites, Booker T Laury and his set as a leader was really great as well.

Finally Tail Dragger took the stage, or the entire room as the case was, singing to and hugging most everyone in the room. Kneeling, crawling and growling the entire way, Tail Dragger lived up to every show of his that I have ever seen. Check out my review of his most recent release, Stop Lyin' from 2013. Burgin, who is a now regular with Dragger had some super opportunities to fan the flames and although careful to never take over the show, was super hot gasoline on the smoking fire. Needless to say this was an exceptional show. If you have the opportunity to see this line up, do it. It won't happen too many times and clocking in at over 3 hours, you get way more than your monies worth!  Oh, and Rockin Johnny has some terrific hot blue t shirts. If you know the Bman, you know he's all about the blue (s) so don't be afraid to ask Mr Burgin. They are very affordable and really cool. Mine's in the mail so don't be surprised to see me sporting one at the next blues show!

   

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

Chicago Blues Extravaganza This Friday at The Rhythm Room

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Delta Groove Music artist: The Henry Gray / Bob Corritore Sessions - Blues Won't Let MeTake My Rest - New Release review

I just received the newest release, Blues Won't Let Me take My Rest from Henry Gray and Bob Corritore. Featuring 10 previously unreleased out of 14 included tracks, this release features not only Gray and Corritore, but many other of the greats in recent blues history. Opening with Let's Get High, a great piano shuffle with Gray on lead vocal backed by Willie "Big Eyes" Smith on backing vocal and drums and Corritore on harp, this is a great opener. Gray's vocals on Blues Won't Let Me Take My Rest are a stark contrast to Clapton but this is real and Gray's piano with Corritore on shielded harp, Bob Margolin and Johnny Rapp on guitar and Chico Chism on drums, this sounds a lot like Muddy's band. New Orleans flavored boogie, I'm In Love Again features a cool harp riff by Corritore and hot guitar riffs by Rapp. Robert Jr Lockwood is featured on vocal and guitar on Robert Johnson's Ramblin' On My Mind, one of my favorite tracks on the release. Big Maceo's Worried Life Blues, feature Nappy Brown on lead vocal but Gray's piano work is solid and unmistakable. Gray is in top form on vocal on They Raided The Joint, joined by Kid Ramos on guitar, Corritore on harp, Paul Thomas on bass and Chism on drums. Very cool! Dave Riley takes the lead vocal spot on Ride With Your Daddy Tonight joined by Chris James on guitar, Yahni Yiley on bass and Eddie Kobek on drums. Corritore and Gray both do really nice jobs on this track making it one of the strongest instrumental tracks on the release. Lowell Fulsom's Trouble Blues, has a great feel with Rapp laying down some real nice slide over Gray's killer piano and vocal work. Excellent! Shuffle track, I'm Gonna Miss You, keeps Gray up front on piano and vocal. With extended harp work from Corritore, Steve Cushing on drum and, Paul Thomas on bass this track, Rapp steps up again with some pretty cool riffs on guitar. John Brim's That Ain't Right features Brim himself on the mic backed by Troy Sandow on bass and Big John Atkinson on drums. Corritore keeps up the heat but this track really shows how nicely Gray can hit the groove on piano. Ernest Lawler's Can't Afford To Do It has Gray back on lead vocal backed by Little Frank, Danny Michael and Big John on guitar, Sandow on bass and Brian Fahey on drums. One of the hottest tracks on the release is Boogie Woogie Ball, really giving Gray the open door to rock it and he really does. Corritore has strong continuity on harp throughout the track, Kirk Fletcher it tight on the beat with hot riffs backed by Patrick Rynn on bass and Brian Fahey on drums. Very cool! On laid back Honey Don't Let Me Go, Gray has the full focus with lead vocal and piano. Backed by Rapp on guitar, Thomas on bass and Cushing on drums, Corritore steps in for a nice harp solo balancing out the track nicely. Wrapping the release is BB King's She Don't Move Me No More featuring Gray on beautiful piano and lead vocal. I especially like Corritore's riffs on this track as well as Rapps tight guitar solos. Paul Thomas on bass and Chico Chism on drums round out the line up.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 

Delmark Records artist: Tail Dragger - Stop Lyin' - New Release Review

I just received the newest release of Tail Dragger's work, Stop Lyin' which was recorded in 1982 but never released, and I have to say I believe that it his best work to my ear. Opening with So Ezee, with Jimmy Dawkins on guitar and Little Mack Simmons on harp. A classic Chicago track, Burks really plays some nice riffs on harp and TD is in good form. Lafayette Leake is also a standout on piano on this track. Where Did You Go is a strong slice of "Smokestack Lightning" and a terrific track with solid vocals from TD. Ain't Gonna Cry No Mo is a terrific slower blues track featuring Johnny B Moore and Jesse Lee Williams on guitars, Willie kent on bass, Larry Taylor on drums and Eddie Jewtown Burks on harp. Solid harp and guitar work punctuate this track. Don't You Want A Good Man follows along the lines of Trouble No More and Moore shines nicely on this track. On classic TD track, My Head Is Bald, Jimmy Dawkins and Leake are again present with Little Mack Simmons on harp. Alabama Bound has a Elmore James feel featuring Moore on slide guitar. TD again shows how he got his reputation as a singer with a strong vocal outing. Another of my favorites on the release is Don't Trust Yo Woman, another track strongly affected by Wolf ... the strong rhythmic structure being accented by stinging guitar riffs. Please Mr Jailer has solid roots to Muddy and Moore again steps forward with some real nice guitar riffs. Stop Lyin', with a Muddy style gets a really great groove going and cool slide work from Moore. The release is capped by an interesting description of the immediate blues environment at the time. This is a cool release and certainly the most enjoyable Tail Dragger release that I have heard in a few years. If you like TD as a vocalist and you like Chicago blues, this is more than just another collectors only edition but a strong set to hear.  

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 

Vote Today For Your Favorite Delta Groove Artist

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	Voting is underway for the 2013 Living Blues Awards. It's that time of year again…time to vote for your favorite Delta Groove artists in the Living Blues Awards!Delta Groove artists have received a total of 6 nominations this year, including The Mannish Boys "Double Dynamite", Tail Dragger & Bob Corritore "Longtime Friends In The Blues", and Smokin' Joe Kubek & Bnois King "Close To The Bone" for Best Blues Album of the Year (New Recordings),Kirk "Eli" Fletcher for Most Outstanding Musician (Guitar), Bob Corritore for Most Outstanding Musician (Harmonica), and Elvin Bishop for Best Blues DVD of 2012 for "That's My Thing". Vote online and support your favorite Delta Groove artists. It's quick, simple, and easy to vote. All ballots must be received by July 15, 2013. Best Blues Album of 2012 (New Recordings) TAIL DRAGGER & BOB CORRITORE "LONGTIME FRIENDS IN THE BLUES" "One of the great personalities of Chicago blues is the unstoppable Tail Dragger, whose charisma fills up any room he plays in." - Bob Corritore "One day this boy (Tail Dragger) will take my place." - Howlin' Wolf "…a damn good harmonica player (Bob Corritore) with a lively sense of history." – Downbeat "If Phoenix, Arizona, had a blues mafia, then Bob Corritore just might be its resident godfather." – Living Blues Best Blues Album of 2012 (New Recordings) THE MANNISH BOYS "DOUBLE DYNAMITE" "With personnel ranging from duets up to horn-fired big-band charts, this quintessential backup band takes center stage on their way to deserved recognition as a premier blues group in their own right." – All Music Guide "…an infectious revival of both '40s jump and '50s to '60s Chess-like styles from a band that lives inside the music..." – Wall Street Journal "The Mannish Boys' dedication to preserving the past is matched only by their musical aptitude." – Living Blues Best Blues Album of 2012 (New Recordings) SMOKIN' JOE KUBEK & BNOIS KING "CLOSE TO THE BONE" "King's jazzy guitar work is the perfect foil to Kubek's more incendiary style. They are simply the best guitar tandem on the scene today." - Blues Revue "Potent, undiluted 100-proof Texas blues honed to a razor's edge." – Guitar One "I'm very excited to have them in the Delta Groove family. I'm blown away by their great songwriting and performances - a true Texas duo." – Randy Chortkoff (Founder and President of Delta Groove Music) Most Outstanding Musician (Guitar) KIRK "ELI" FLETCHER "Fletcher favors toothy Strat tones, stinging bends, and flurries of tight, staccato riffs that seem to pop from his fretboard like little firecrackers." - Guitar Player Magazine "Fletcher clearly has ensemble dynamics down, suggesting that his years as a sideman have been fruitful. But he's also unabashed as a bandleader, and his guitar work earns its prominence." - Blues Revue Magazine "Kirk Fletcher is a young man with a big reputation... he exudes class and style, knows all the classic licks but never resorts to mere copying, always with his own take in his trick bag." - Blues & Rhythm Magazine Best Blues DVD (2012) ELVIN BISHOP "THAT'S MY THING" (DVD) "Before Eric Clapton was old enough to shave, Elvin Bishop was hanging out in Chicago with the first generation of electric bluesmen." – Guitar World "Forever a crusader for fun blues and rock 'n' roll, Bishop gives his cherry red 1959 Gibson ES-345 a hug and places emphasis on his terrific slide guitar chops…" – Downbeat "…Bishop's muscular guitar provides the sets pulse, as his soulful slide ripples through R & B classics and rowdy blues alike." – Relix Most Outstanding Musician (Harmonica) BOB CORRITORE "An incredible harmonica player." – Hohner Harmonica's Easy Reeding Magazine "Corritore's taste in studio partners is matched by his musical execution." – Living Blues Magazine "…from party-time boogies to melancholy after-hours serenades, Corritore's got the Blues for you." – Omaha Reader "(Bob Corritore's) a damn good harmonica player with a lively sense of history." – Downbeat Magazine TO HEAR AUDIO CLIPS FROM ALL THE NOMINATED ARTISTS VISIT US ONLINE AT: WWW.DELTAGROOVEMUSIC.COM

Vote Today - Blues Music Awards - Delta Groove Receives 9 Nominations!

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	The nominees for the 34th Blues Music Awards have now been announced, and once again Delta Groove and its artists continue to make their presence felt. This year you can find our artists acknowledged in 9 categories including the prestigious Album of the Year, Traditional Blues Album of the Year, Band of the Year, and the Koko Taylor Award (Traditional Blues Female). The 34th Blues Music Awards will be Thursday May 9, 2013 at the Cook Convention Center in Memphis, Tennessee. Show your support for your favorite artists and releases by voting today! To register and become a member of The Blues Foundation and be eligible to vote for your favorite artists, please visit the Blues Foundation website at www.BLUES.org. 34TH BLUES MUSIC AWARDS - DELTA GROOVE NOMINEES ARE: THE MANNISH BOYS "DOUBLE DYNAMITE" (2 CDS) Album featuring Finis Tasby, Sugaray Rayford, Randy Chortkoff, Kirk Fletcher, Frank Goldwasser, Willie J. Campbell, Jimi Bott, and more! Special Guests: James Harman, Elvin Bishop, Mud Morganfield, Mike Finnigan, Jackie Payne, Rod Piazza, Kid Ramos, Junior Watson, Jason Ricci, and many many more! NOMINATIONS: - Album of The Year - Band of The Year - Traditional Blues Album of The Year "With personnel ranging from duets up to horn-fired big-band charts, this quintessential backup band takes center stage on their way to deserved recognition as a premier blues group in their own right." – All Music Guide "…an infectious revival of both '40s jump and '50s to '60s Chess-like styles from a band that lives inside the music..." – Wall Street Journal "The Mannish Boys' dedication to preserving the past is matched only by their musical aptitude." – Living Blues Magazine TRACY NELSON "VICTIM OF THE BLUES" & "THE BLUES BROADS" NOMINATIONS: - Koko Taylor Award (Traditional Blues Female) "Tracy Nelson isn't so much a singer as she is a force field — a blues practitioner of tremendous vocal power and emotional range." - Alanna Nash, Entertainment Weekly "…a bad white girl…" - Etta James, from her autobiography, Rage To Live "Tracy Nelson proves that the human voice is the most expressive instrument in creation." - John Swenson, Rolling Stone ELVIN BISHOP "THAT'S MY THING: ELVIN BISHOP LIVE IN CONCERT" NOMINATIONS: - DVD of The Year "Before Eric Clapton was old enough to shave, Elvin Bishop was hanging out in Chicago with the first generation of electric bluesmen." – Guitar World "Forever a crusader for fun blues and rock 'n' roll, Bishop gives his cherry red 1959 Gibson ES-345 a hug and places emphasis on his terrific slide guitar chops…" – Downbeat "It's impossible not to like Bishop (his lyrical persona is not just for show). He's always singing something lowbrow and uplifting..." – Chicago Sun Times "…Bishop's muscular guitar provides the sets pulse, as his soulful slide ripples through R & B classics and rowdy blues alike." – Relix BOB CORRITORE "LONGTIME FRIENDS IN THE BLUES" Album featuring Tail Dragger, Kirk Fletcher, and more! NOMINATIONS: - Instrumentalist-Harmonica "…a damn good harmonica player (Bob Corritore) with a lively sense of history." – Downbeat "If Phoenix, Arizona, had a blues mafia, then Bob Corritore just might be its resident godfather." – Living Blues Magazine "An incredible harmonica player." – Hohner Harmonica's Easy Reeding Magazine TERRY HANCK "LOOK OUT!" Album featuring Chris "Kid" Andersen, Johnny "Cat" Soubrand, and more! NOMINATIONS: - Instrumentalist-Horn "Terry Hanck is a fine vocalist, an amazing showman and my favorite sax player." – Elvin Bishop "Tenor sax player Terry Hanck sings like he blows — sweetly, with a touch of grit…" - Blues Revue "… he's one of the most formidable saxophonists in the blues and soul business." – Lee Hildebrand WILLIE J CAMPBELL Willie J. CAMPBELL (THE MANNISH BOYS) NOMINATIONS: - Instrumentalist-Bass JIMI BOTT (THE MANNISH BOYS) NOMINATIONS: - Instrumentalist-Drums Jimi Bott: The most nominated blues drummer in history…but no award yet! Vote in the Blues Music Awards and help Jimi finally win! Although this is his 14th nomination, Jimi Bott has YET to bring home the award. That is 14 nominations in the 18 years there has been a drummer category, and 12 in a row. His 14 nominations now make him the MOST nominated drummer in the history of the awards! That is more nominations than legendary drummers, Willie "Big Eyes' Smith (Muddy Waters) and Sam Lay (Howlin Wolf, Little Walter, Muddy Waters). But yet a lot of people still do not know who he is. My purpose of this is not necessarily to get you to vote for him, even though he truly is one of the most talented, deserving, and humble musicians around. It is to bring awareness of who he is and what he has done, for those of you who might not be familiar with him, so you can make an educated choice when it does come time to vote. Jimi has one of the most impressive resumes around as he has spent nearly three decades touring the world with The Fabulous Thunderbirds, The Mannish Boys, Rod Piazza, and Mark Hummel. He has over 70 recordings to his credit including William Clarke, Billy Boy Arnold, and James Harman. But this is not about his past resume…this is about what Jimi has done just THIS year! He recorded on numerous CD's including The Mannish Boys "Double Dynamite" which is nominated for three 2013 Blues Music Awards, and Smokin Joe Kubek and BNois King's "Close To The Bone". In 2012 he performed over 150 shows in the U.S. and Europe, including the 2012 Blues Music Awards Ceremony (Memphis, TN), Notodden Blues Festival (Norway), Zouk Mikael International Music Festival (Lebanon), Cazorla Blues Festival (Spain), Simi Valley Cajun and Blues Festival (Simi Valley, CA), and The Waterfront Blues Festival (Portland, OR). JIMI BOTT VOTING ENDS FRIDAY, MARCH 1ST 2013! TO HEAR AUDIO CLIPS FROM ALL THE NOMINATED ARTISTS VISIT: WWW.DELTAGROOVEMUSIC.COM

My Head Is Bald - Tail Dragger with Jimmy Dawkins and Lurrie Bell

James Yancy Jones, aka Tail Dragger, was born in Altheimer, AR, in 1940. He was brought up by his grandparents and was influenced as a child by the electric Chicago blues of Muddy Waters, Sonny Boy Williamson, and especially Chester Burnett, the Howlin' Wolf. Jones was a Howlin' Wolf devotee, right down to his deep, gruff voice. After moving to Chicago in the '60s, he began playing with blues legends on the West Side and South Side. It was Howlin' Wolf who gave Jones the title "Tail Dragger" because of his habit of showing up late to gigs. When Jones first appeared on the Chicago blues circuit he was known as Crawlin' James. A number of local West Side and South Side blues artists, including Hubert Sumlin, Carey Bell, Eddie Shaw, Mack Simmons, and Willie Kent, got their start playing in Tail Dragger's bands. American People The difficult lifestyle that contributes to many blues lyrics caught up with Tail Dragger in 1993 when he shot and killed fellow bluesman Boston Blackie, supposedly over profits owed from a show. Jones spent 17 months in an Illinois jail. Following years of playing juke joints and releasing a handful of singles, his first full-length disc, Crawlin' Kingsnake, was released in 1996. Three years later he returned with American People on the legendary Chicago blues and jazz label Delmark. My Head Is Bald: Live at Vern's Friendly Lounge followed in 2005 on Delmark, which also released a DVD of the show under the same title. If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

Henry Gray & Tail Dragger with Bob Corritore's Rhythm Room All-Stars

JAMES YANCY JONES, known as THE TAIL DRAGGER, is a long-time disciple of Howlin' Wolf; in fact, the Wolf gave James the moniker "Tail Dragger" emanating from one of the Wolf's now-classic songs. The Tail Dragger followed Wolf from club- to-club, watching and getting pointers from the larger-then-life Howlin' Wolf for more than 20 years. The Wolf allowed

"The Dragger" to perform his blues while Wolf took a break on weekend shows. Soon "The Dragger" was playing his own numerous club dates on the West and South Sides of Chicago.

TAIL DRAGGER is from Altheimer, Arkansas and during his formative years he saw Sonny Boy Williamson and Boyd Gilmore perform at house parties and country suppers. Dragger soon heard the records of Jimmy Reed, Muddy Waters and Elmore James and his musical tastes were set in stone.

Tail Dragger remains intensely loyal to his early influences. The Tail Dragger, by his own admission, sings only lowdown blues. "Lowdown blues is all I like...All I feel...and I sing what I feel," flatly states The Dragger. "Its's like I get into a trance when I sing the blues, I forget about everything else. Nothing else matters," concludes The Tail Dragger.
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Delmark Records artist: Tail Dragger - Live at Rooster's Lounge

The concert begins with Wolf's Louise and Dragger and the band are tearing it up. This is an authentic Chicago blues club with an authentic Chicago blues band playing! Louise shows great guitar solos by Rockin' Johnny Burgin and Kevin Shanahan as well as well as great harp work by Martin Lang. Next up is Big Joe Williams's Baby Please Don't Go. Dragger works the crowd as the band stays tight. Shanahan plays a cool older looking worn red 335 and Johnny what looks to be a tobacco burst Epi Emperor. Johnny plays particularly articulate licks and Lang's harp riffs are right on target. The video and sound quality is strong and you can almost smell the inside of this club (if you've ever been in a club like this). There's a dart board behind the drummer and stains on the ceiling tiles. The walls have the 4x8 luan mahogany paneling that was popular in the 60's running both horizontal and vertical. The walls are painted red elsewhere and you can see the inside of the toilet from the stage. This is the real deal. She's Worryin' Me, a Dragger original, finds Dragger crawlin on the floor and some nice raw slide riffs from Shanahan. Johnny takes a nice soulful solo and pulls some particularly cool vibrato bends out of his bag of guitar tricks. Stop Lying, another Dragger original, gives Lang the opportunity to lay down some nice harp riffs and Shanahan again some cool slide riffs. The entire band including Todd Fackler on Bass and Rob Lorenz on drums are tight. Keep It To Yourself, an old Sonny Boy Williamson tune, puts Dragger right in the crowd and gives Lang the opportunity to shine again. Johnny squeezes out some fluid runs that are brief but tasty. Be Careful, another Dragger original, gives the band another opportunity to play a slow number and again Shanahan steps up with some beefy playing. His style isn't scorching fast... it's deep and telling. I love his use of trem bends in contrast to Johnny's articulate blues run solos. Wander, another Dragger original, finds Jimmy Dawkins replacing Shanahan onstage. On Bought Me A New Home, another Dragger original, Johnny takes an extended solo and so does Shanahan. The style difference between these two men parallel Bloomfield and Bishop in Butterfield's band of a few decades ago. Each has his unique style and they are complimentary to each other behind a traditional Chicago blues band. Ooh Baby Hold Me, an old Wolf song, finds the crowd dancing and Dragger charming the women. John Lee Hooker's I'm In The Mood is next up and Johnny pulls out some old Hooker riffs on his guitar. Dragger even changes the timing on the song a few times as Hooker was know to do often when not overproduced. I like the authentic feel of this song in particular especially in Dragger and Johnny's presentations. Everything Gonna Be Alright, a Little Walter tune, is next up. Johnny uses a trill stroke to play the basic melody throughout and it gives the song a real great feel. Last Up Is Little Walter's Blues With A Feeling. Lang gets his harp talking right off of the bat. Dragger shows some of his best vocals on this last song and the band is tight.
There is also some story telling by Dragger as a bonus track which gives you some insight into his life and history.
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Delmark Presents :It Ain't Over - 55 Years Of Blues

I opened the mail yesterday and found a real treat. I received a copy of the recording, It Ain't Over celebrating Delmark's 55 years in business live at Buddy Guy's Legends in Chicago. I have been in this club many many times and this would have had to be the blast of all blasts. The opening track finds powerhouse singer Zora Young doing some power funk with a backing band featuring Lurie Bell and Scott Cable on guitars, Roosevelt Purifoy on keys, Bob Stronger on bass and Kenny Smith on drums. Young's Till The Fat Lady Sings is a great opener for this show. Bell throws down some great blues riffs on the funk playing his 335 and as Purifoy starts to rap out the funk on the keys Young starts to channel the godfather of soul with some squeals that would make JB proud. The rhythm section on this band is remarkably tight and Cable gets in some hot riffs on his Strat. I notice three amps on stage throughout the night which appear to be a Brownface Vibroverb, a Pro Tweed and a Blackface Twin.
Next up is Jimmy Johnson who does two great songs; Cold Cold Feeling and You Don't Know What Love Is. Johnson's vocals are very strong and deliberate and grab you good. He also manages to squeeze some terrific blues solos out of what I have found to be in general a sterile guitar. It's like they say, Jeff Beck can play a toy guitar and it will still sound like Jeff beck. Well. this isn't a toy and Johnson knows how to play it really well. Johnson is backed by Dave Specter on guitar, Brother John Kattke on keys, Harlan Terson on bass and Marty Binder on drums. Kattke gets the opportunity to show his stuff on You Don't Know and Spector takes a cool second guitar solo on his Epi 335 with the mini pickups.
Aaron Moore takes the stage for two vocal/ piano numbers with Kenny Smith on drums. It's all about style and Moore delivers the goods on Wading In Deep Water and Why You So Mean To Me.
Little Arthur Duncan leads the next set of Pretty Girls Everywhere and I Got To Go of course featuring Duncan, ever the showman, on harp and vocals, Rick Kreher on Strat, Nick Moss on a JazzMaster, Bob Stronger on bass (Fender Jazz) and Kenny Smith on drums. I hadn't mentioned it earlier but Stronger is right in the pocket and always tight. Moss takes short crisp solos on each track.
Lurrie Bell is up next with Don't You Lie To Me and Reconsider Baby. Bell is joined by Purifoy, Stronger and Smith. He plays both pickups most of the time and seems to opt for more of a twangy single coil tone that really suits his playing style. (The more I watch this video the more I am impressed by Stronger's incredibly tight playing). Bell really digs in on Don't You Lie To Me and lays down a very cool shuffle solo. On Reconsider Baby Bells vocals are impressive and he has fattened up his tone somehow and really takes the 335 down. Some extremely impressive playing by Bell in choice not only of riffs and style but neck position for effect and dynamics.
Bell's crew stays on stage and they bring up Shirley Johnson to sing a terrific version of As The Years Go Passing By. Johnson has a great deep rich voice and Bell keeps stinging the tune with impeccable taste. Bell gets another chance to shine and he steps up. He is relentless on the 335 and squeezes every drop of blues out of it!
Eddie Shaw replaces Johnson with Bell and crew and rips onto the stage playing a great tenor sax into to For You My Love. He leads the band in vocals and Purifoy's presence is more prominent. Shaw blows some major league riffs and the place is hoppin. The Sun Is Shining, a great loping blues tune gives the band a great opportunity to stretch a little first with Shaw on tenor, then with Purifoy on keys and bell on guitar. This turns into a cool boogie jam.
Last up is Tail Dragger with the addition of Big D. on Harp, Kevin Shanihan on Strat for Tend To Your Business. Big D. takes a great swat on harp and the band lays back and lets TD have the floor. Bell takes a particularly articulate stretch on this track and Shanahan gets in a quick tasty shot of the blues. For the final track Tail Dragger does a great version of My Woman Is Gone. His vocals are impressive and the band is tight. Billy Branch joins on harp and blows out some terrific riffs.
This is a great show commemorating the 55th year of Delmark and the declaration of Delmark Records Day (March 7, 2008) in Chicago by Mayor Richard M. Dailey and the hard work done by founder Bob Koester of such a meaningful blues milestone.
Special features including a pretty insightful discussion of the history of Delmark, it's development and the blues. It's a great listen.
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Tail Dragger & Bob Corritore / Longtime Friends In The Blues makes a strong entry!

Tail Dragger & Bob Corritore collaborated on the powerful album Longtime Friends In The Blues which was just released last week on the Delta Groove label. With promotion just started 2 weeks ago this CD has been met with an initial wave of positive reaction. To see the first 15 glowing reviews of this CD click here. To see the Roots Radio Report for this week which debuts this CD at #17 click here. The CD has been listed in the the "Top 50 Breakthrough Recordings" in the Antiquarian Librarian which lists all musical genres! To see this listing click here. Tail Dragger and Bob will headline the Stompin' At The Savoy festival in Helsinki, Finland on April 14th. To see the beautiful poster for the festival click here. There will be an official CD release party on Thursday, June 7 at B.L.U.E.S. on Halsted in Chicago which BTW is the day before the Chicago Blues Festival. Features on Tail Dragger will appear in upcoming issues of Living Blues and IL Blues Magazines. Bob just did an interview on Jim and Diane on WCTG in VA, and both Tail Dragger and Bob interviewed with Matt Kacar at Artist Connection Podcast, and Mark Wade at A1Blues.com. Thanks to all the writers, reviewers, radio show hosts, bloggers, and fans for their support!
If you like what I’m doing, Like Bman’s Blues Report Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”