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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Terry Robb. Show all posts
Showing posts with label Terry Robb. Show all posts

Tuesday, June 4, 2019

Terry Robb - Confessin' My Dues - New Release Review

I just had the opportunity to review the most recent release, Confessin' My Dues, by Terry Robb, and I really like it. Opening with Butch Holler Stomp, a smoking hot finger pickers delight, Robb, regarded as one of the top finger picking blues guitarists shows why! Excellent opener! On, It Might Get Sweaty, Robb is joined by Dave Captein on bass and Gary Hobbs on drums for a funkier blues number with a definite jazzy edge. Robb literally smokes the fretboard with Captein and Hobbs holding the bottom solid. Very nice. In the pure blues vein, Darkest Road I'm Told, has strong blues runs and solid vocals by Robb. My favorite track on the release, Three Times The Blues explores the T Bone Walker style of blues with deep feeling, excellent runs and solid phrasing, backed by Captein on bass and Hobbs on drums. Very nice.  Title track, Confessin' My Dues has a great country blues feel with a springy rhythm and confident phrases. In Rev Gary Davis style, Death Of Blind Arthur, is a cool blues floating between traditional Davis country style and rag style. Very nice. Wrapping the release is Blood Red Moon with it's blend of modern and traditional styling. Robb is an excellent craftsman and musician and this is an excellent release showcasing his craft.



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Wednesday, June 29, 2011

Mean Old World- Terry Robb


Considered one of the top acoustic blues guitarists on the West Coast, Terry Robb is also an inventive and ever-evolving American primitive master. As an heir to the late, great John Fahey’s musical legacy, Robb is an established icon in a pantheon that includes Robbie Basho, Leo Kottke, Peter Lang, John Renbourn, and Stefan Grossman.

Because American primitivism, a transitional style that ranges between country blues and early 20th century string-band music, is often nuanced by dissonance and minor tunings, it is sometimes considered esoteric and obscure, appealing only to a musically intellectual elite. But Robb has distinguished himself by redefining this complex finger-picking style, using popular and traditional genres to open up and make this approach accessible to the general music-loving public.

Robb is that rare talent, a musician’s musician and an enormously popular performer. Onstage, his fleet fingers, wry humor, and intense focus mesmerize audiences. The passionate artistry of a Terry Robb event – whether a solo acoustic performance or a high-energy show with his electric band – often leaves new and longtime fans with mouths agape.

With the release in 2005 of his critically-acclaimed solo album, Resting Place, recorded for Memphis’ renowned Yellow Dog Records label, Robb has increasingly gained national attention. In his music-savvy hometown of Portland, Oregon, Robb is a celebrity in high demand as a performing and studio guitarist, and as a bandleader, composer, arranger, producer, and teacher. With years of real-world musical experience in his gig-bag, Robb brings this expertise to his most recent role as head of the Northwest’s new recording label, PsycheDelta Records.
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