Deguello Records artist: Jeff Pitchell - Brown Eyed Blues - New Release Review

 I just had the opportunity to review the most recent release, Brown Eyed Blues, from Jeff Pitchell and it's a lot of fun. Opening with thumping rocker, Now You Know, Jeff Pitchell on lead guitar and vocal sets a finite reference. With grinding guitar tone and solid bass line from John O'Boyle and Ephraim Lowell on drums, this is a powerful opener. Boogie, Wait, is driven by an aggressive bass line by Mike Nunno and Mike Levesque on drums. Pitchell really gets the track rocking with strong vocal lead and great guitar riffs, backed by Colin Tilton on sax, Dan Fontanella on piano, and John Robinson, Theresa Wright and Linda Ransom on backing vocals. Pop rocker, When We Kiss, has a light finky beat and features Duane Betts on guitar, adding the twin lead guitar closely associated with the famous Allman Brothers band. Jay Vernali on piano and organ, Tommy MacDonald on bass and Tom Hambridge on drums make this the radio choice for the release. Latin flavored, Stay While The Night Is Young, features some of Pitchell's best vocals and Santana like Mesa Boogie overdrive. With Nunno on bass, Mike Levesque on drums, Nick Longo on drums, Ivan Santiago on percussion, Kevin Berry on percussion, Bruce Feiner on keys and Vic Steffens on percussion, this is a cool track. Cool shuffle, When It All Comes Down. is one of my favorite tracks on the release, with Pitchell playing call and response with his vocal and guitar. With solid bass and drum backing this track just hits nicely in the slot. Wrapping the release is another Latin flavored track, Welcome To The Beat with Pictell on lead vocal, guitar and bass and Bill Holoman on  drums, keys sax and trumpet, backed by Jim and Gloria Pitchell on vocal. Solid closer. 

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Nola Blues Records artist: Matt Guitar Murphy - True Blues Brother - The Legacy of Matt "Guitar Murphy" - New Release Review

 I just had the opportunity to review the most recent release, True Blues Brother- The Legacy of Matt "Guitar Murphy" by Matt Guitar Murphy and it's a great assemblage of music that Matt was working on at the time of his death in 2018 featuring music by artists he either played with or influenced along with some special guests. Opening with Matt's Boogie, Murphy leads the way on this instrumental with  a super guitar rhythm /solo lead and joined by Bruce Bears on organ, Ricky "King" Russell on guitar, Bob Worthington on bass and Fran Christina on drums. Solid opener. Deadric Malone's I Feel Alright Again is a super shuffle featuring Brian Templeton on vocal, Nick Adams on guitar, Collin Tilton on tenor sax, Johnny Juxo on keys, Dean Cassell on bass and Christina on drums. Christine Ohlman really belts out the lead on Something's Got a Hold On Me, and Etta James favorite, with Cliff Goodwin and Russell on guitar, Worthington on bass and Christina on drums. Phil Diiorio is upfront on vocal on Willie Dixon's I Can't Quit You Baby and James Montgomery on harmonica adds really nice balance. Troy Mercy takes a different approach on his bluesy guitar solo that adds nicely to the track. Disc 2 opens with Matt's Shuffle and Murphy strolling on guitar. A cool organ solo by Bruce Bears leads to a real nice laid back solo by Murphy. Willie Dixon's, Evil, is a real nice contribution with Craig Rawding on lead vocal and some stellar guitar work by Bob Margolin, Jerry Portnoy on harmonica, Chuck Leavell on piano and Christina on drums. Memphis Slim's Lonesome, has a great feel with Christina on vocal and drums, Duke Robillard laying down some hot riffs, Greg Piccolo on sax, Al Copley on piano and Marty Ballou on bass. Joe Beard is upfront on vocal and guitar on Muddy's Let Me Hang Around with Chris Beard on guitar, Billy Boy Arnold on harmonica,  bass and Kenny "Beedy Eyes" Smith on drums. Very cool. Wrapping the release is Beard on guitar and vocal and Arnold on harmonica on You Wasn't Doin' Too Bad, a really stripped down, delta style blues. This is an excellent closer for a solid release. 

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Gulf Coast Records artist: Chris BadNews Barnes - BadNews Travels Fast - New Release Review

 I just had the opportunity to review the most recent release, BadNews Travels Fast, from Chris BadNews Barnes and it's solid set of rock and blues rock. Opening with radio style rocker, and title track, BadNews Travels Fast, BadNews Barns on lead vocal leads the way with a tight guitar lead by Kenny Greenberg, driving bass lines by Tommy MacDonald, and Tom Hambridge snapping tight on drums. Ace harmonica player, Jimmy Hall who led his own band, Wet Willie and worked quite a bit with the honorable Jeff Beck really makes a nice contribution here. Excellent opener. True Blues is a cool, upbeat blues track along the lines of Thrill Is Gone. Not sure most would pick up on it, but it really does have some searing guitar riffs by Walter Trout. Driving rocker, BluesBaller Baby calls on Mike Rojas on keys to do the heavy lifting with Barnes on this one and he really does a fine job. Kenny Greenberg rips hot guitar solo on this one and Max Abrams sails on sax making it a definite hot spot in the release. Wrapping the release is cool rocker, Mushrooms Make Me A Fun Guy with it's spoken vocal lines and rock stroking guitar rhythm. Rojas uses electric piano to carry the counter melody and MacDonald and Hambridge hold the bottom tight. This is a fun release. 

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Quarto Valley Records artist: Tom Hambridge - Blu Ja Vu - New Release Review

 I just had the opportunity to review the most recent release, Blu Ja Vu, from Tom Hambridge, and it's potent set of blues rock tracks with plenty of gusto. Opening with Ain't It Just Like Love, Tom Hambridge joins up with Buddy Guy on vocal, (Hambridge on drums and Guy on guitar) with bass by Tommy MacDonald, Kevin McKendree on on keys and featuring an explosive guitar solo by Guy. Strong opener. Rob McNelley on lead guitar really gets things cranking on Wear You Out with a driving beat and solid vocals by Hambridge. Shuffle, Blues Don't Care, features Kingfish on guitar and vocal and this track has great style. Hi power Brother John Boogie features harmonica superman, James Cotton with Glenn Worf on bass, Chuck Leavell on keys, and of course Hambridge on drums. Excellent! Another great boogie, Get Out Of Town features McKendree on vicious keys and Hambridge on vocal. Very cool. Stripped down blues, Johnny Winter, features excellent slide work by McNelley, Hambridge on drums and vocal and MacDonald on bass. Wrapping the release is End Of The Line, a laid back boogie with Hambridge on vocal and drums, nicely dresses with relaxed guitar riffs by McNelley. This is a solid closer for a really enjoyable release. 

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Delmark artist: Dave Weld & the Imperial Flames - Nightwalk - New Release Review

 I just had the opportunity to review the most recent release, Nightwalk, from Dave Weld & the Imperial Flames and the man knows how to boogie. Opening with Mary Who, Weld on lead vocal and guitar gets into a cool JL Hooker groove, backed by Harry Yaseen on piano, Kenny Pickens on bass, and Jeff Taylor on drums. One of favorite tracks on the release is slide guitar loaded, Red Hot Tabasco featuring Weld on lead vocal and slide over a Latin beat. With Tom Hambridge on drums and Tony Carpenter on percussion this track is caliente. I really like Now She's Gone with Graham Guest on B3, and featuring Bill Branch on harp and Weld with some of the wildest slide work on the release. Very cool! Donde Vas is another Latin flavored track featuring Monica Myhre on lead vocal and with Weld adding some key lead guitar work and a fat sax solo by Rogers Randle, Jr. backed by spicy brass work by Kenny Anderson on trumpet and Bill McFarland on trombone. Uptempo, Loving You is another solid boogie with plenty of Weld's notorious slide work, fueled by Pickens, Taylor and Yaseen. Wrapping the release is an extended mix of Mary Who, a solid groove with Weld fueling the band as they jam on for over 7 and a half meeting. Solid closer for an enjoyable release. 

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Memphis International Records artists: The Dinallos - The Dinallos - New Release Review

 

I just had the opportunity to review the most recent self titled release by The Dinallos and it's interesting and diverse. Opening with a cool instrumental, All The Ponies Go 'Round (Danny's Lullaby), Michael Dinallo on guitar, Jim Gambino on keys, Dave Jacques on bass, Justin Armaral on drums, and Mike McAdam on guitars create a very inviting opener. The track has a beautiful lushness to it, with a simple yet creamy guitar harmony. Very nice. Folk rocker, Lemonade, features Annabel Dinello on lead vocal in harmony with Juliet Simmons Dinello creating a Breeders like vocal sound with some cool Nashville style guitar picking. Very cool. Country flavored, Purgatory Road features a solid duet between Juliet and Will Kimbrough. With a contemporary turn around and inclusive of Aaron Till on fiddle and Gambino on accordion, this is a promising radio track. Nothing to Lose But the Blues has a retro early 60's surf feel with a cool rhythm. You Got Nothing on Me is a solid ballad featuring Juliet on lead vocal with really lush backing vocals by Ann McCrary, Regina McCrary and Alfreeda McCrary Lee. Very nice. Wrapping the release is another instrumental, The Long Goodbye, with lead guitar melody, piano by Gambino and a snappy drum beat by Amaral under a swaying R&B style structure. This is a real nice composition and one that nicely ties the release together. Solid outing. 

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Tommy Z - Plug In & Play - New Release Review

 

I just had the opportunity to review the newest release Plug In & Play, from Tommy Z and I really like it. Opening with Pumpin' (Let's Have Some Fun), a full bodied texas blues shuffle, Tommy lets the riffs roll off of his fingers like molasses.  His riffs are sweet, fat and juicy and his phrasing is solid. With Tom Scime on keys pumping up the fullness, Tommy really lets it fly and  David Hulett on drums and Dave Herr on bass, this is a really solid opener. Slow blues, Please Come Back To Me, is one of my favorites on the release with strong vocals by Tommy and controlled lead work that is really effective at raising the tension, balanced with Scime's organ work. Very nice. Title track, Plug in And Play has Rolling Stones or LS style attack on a driving rocker. Tommy MacDonald's bass playing and Tom Hambridge on drums have this track anchored and Z's vocals work great with his guitar swagger. Scowler has a strong radio melody and solid vocal blending by Z over a heavier more contemporary rock guitar tone giving it broader commercial appeal. Wrapping the release is Sticky Lips is a cool, jazzy number with a deep groove. A walking bass line by Dave Herr and light drums by Hulett under the rich organ work of Scime and the rich lead guitar work of Z makes this and excellent closer. 

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Superstar Records artist: Tom Hambridge - The Nola Sessions - New Release Review

I just had the opportunity to review the most recent release, The NOLA Sessions from Tom Hambridge and it's got real feel. Opening with Easy flowing, Blues Been Mighty Good To Me, Hambridge has lead vocal and of course drums backed by superstar Allen Toussaint on piano, max Moran on bass and Wendy Molten on backing vocal. Smooth opener. On Bluz Crazy, Hambridge has a distinctive slap on the snare that I really like and the lope of the track is further enhanced by John Fohl on guitar with Tommy MacDonald on bass and Kevin McKendree on piano. Very nice. Sonny Landreth's Slydeco guitar on This End Of The Road gives the track a real nice edge on a John Hiatt style track. Great two stepper. With real New Orleans style, I Love Everything has a great melody and sense of rhythm. With Shance Theriot on guitar, Calvin Turner Jr. on bass, David Torkanowsky on piano, McKendree on B3, SaRachael on backing vocals and The Naughty Horns this track rocks! Landreth is back again on Little Things, funky New Orleans style blues rocker. Gotta love his slide work and Hambridge really works the skins over. Very nice! Save Me has a cool country rock flavor and strong melody with outstanding backing vocals by The McCrary Sisters and super punchy horn work by The Naughty Horns. Wrapping the release is Faith, a quiet acoustic track featuring Hambridge on vocal, with Fohl on guitar, macDonald on bass and Nathaniel Smith on cello. This is a really nice closer to a very enjoyable release.

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Silvertone/RCA Records artist: Buddy Guy - The Blues Is Alive And Well - New Release Review

I just had the opportunity to review the most recent release, The Blues Is Alive and Well, from Buddy Guy and it's strong. Opening with A Few Good Years, Buddy Guy pleads in song for continued good years to remain but his vocals are smooth and his guitar as vibrant as ever. Joined by Tom Hambridge on drums, Rob McNelley on guitar, Kevin McKendree on B3 and Willie Weeks on bass, this hits home. Shuffle track, Guilty As Charged shows a strong romp attitude and you can see that gold tooth glistening as Buddy shouts out guilty and fans his guitar wildly in one of his frantic guitar explosions. Very nice. Cognac, is a real nice 12 bar number featuring not one but two legendary guest guitar players, Keith Richards and Jeff Beck who along with Guy give this track real teeth. Richards' riffs are always standout and Beck's style is remarkable and an absolute signature. Excellent! Title track, The Blues Is Alive And Well is a great R&B fused track with Weeks' instinctual bass work leading the way. Guys' vocals are rich and pure and the backing by the Muscle Shoals Horns (Charles Rose on trombone, Steve Herrman on trumpet, Doug Moffet on tenor sax and Jim Hoke on bari sax really add depth to Guys personal guitar style. Very solid. Soul ballad, Blue No More features James Bay and Guy trading vocal and guitar lead. Smooth as silk and blue as can be, this track is a great radio track. Digging in the funk, Whiskey For Sale shows a side you don't often see but a great side it is. With McNelley on slide, Guy tearing up the lead and the McCrary Sisters on backing vocals this track may be one of my favorites on the release. Slow blues, You Did The Crime is classic Buddy Guy with terrific vocals and guitar, fat slide from McNelley and Mick Jagger on harp. With that rumbling bass line that I like to think as classic Buddy, Old Fashioned, is a great track with Guy conjuring up the notorious Buddy Guy guitar tone and riffs. The Muscle Shoals horns really pump up the volume and McKendree's B3 fills out the sound. Excellent! When My Day Comes is still another great track with Buddy on full throttle with expressive vocals and lead vocal and tight pointed drumming by Hambridge. Sonny Boy Williamson's Nine Below Zero sits solid in the Chicago sound with classic lines and riffs. Guy grew up in this stuff and knows just how to dress it right. His soloing is fresh, expressive and meaningful. Excellent! Boogie track, Ooh Daddy is a hard driver with Weeks leading the way and Buddy shows nothing but vitality with youthful yelps and pounding riffs. Super. Wrapping the release is End Of The Line and Milking Muther For Ya. Guy does it big time smooth band with horns honking and great guitar tone. Continuing his theme of nearing the end of his time, Guy shows no signs here to slowing or losing his fine talents as some of his predecessors have done. He ties into this last track his little ditty that he often sings in concert about the girl who tries to milk the bull. I've seen Buddy many times and he's always a great performer. My hopes are that he still has many more years to come. Excellent release!

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Casey James: Strip It Down - New Release Review

I just had the opportunity to review the most recent release, Strip It Down, by Casey James and it's quite good. Opening with blues rocker, All I Need, Tommy MacDonald sets a Ray Manzarek style bass groove and Casey James on lead vocal and guitar takes the bait. His vocals are gritty and his guitar tone is warm and rich. Backed by Kevin McKendree on Wurlitzer, Tom Hambridge on drums and Ron McNelley on rhythm guitars, this is a band made in heaven. Two stepper, Bulletproof, has a great feel and Delbert McClinton joins on vocal giving it great style and screaming harp work gives it great edge. Hurt Me More has a real nice Texas lope where McKendree's dancing key work nicely compliments James' vocals and guitar riffs. Very nice. Pat Buchanan's harp work sets the tone for Latin flavored blues number, I Got To Go with a great sound. Hambridge's tight rhythm patterns drive this track, McKendree's B3 solo adds color and James guitar soloing and vocals are top notch. Little Willie John's, Need Your Love So Bad, is one of my definite favorites on the release showcasing James' vocal style and providing just that right forum for an expressive guitar solo. Excellent! With a taste of R&B, James steps forward on strong radio track, Different Kind Of Love with a solid melody, joined by Wendy Molten on backing vocals and potent horn work by the Muscle Shoals Horns. Very nice. McKendree opens Makin' Up, a potent rocker, with a rolling piano riff and they're off to the races. A definite foot stomper, and excellent piano/guitar exchange make this another of the favorite tracks on the release. Wrapping the release is Fight You For The Blues, a raw blues number with James on lead guitar and McNelley on slide giving the track real grit. McDonald's bass lines and McKendree's B3 work add to the tension and Hambridge's perfect accent drumming really kick it. Super closer.

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Blind Pig Records artist: Altered Five Blues Band - Charmed & Dangerous - New Release Review

I just had the opportunity to review the most recent release, Charmed & Dangerous, from Altered Five Blues Band and it's quite good. Opening with title track, Charmed & Dangerous, a funky blues track, powerhouse lead singer, Jeff Taylor is off to  great start. Lead guitarist, Jeff Schroedl is on top with a modern day Albert King style flair joined by Mark Solveson on bass, Tom Hambridge on drums and Raymond Tevich on keys these guys pack a powerful punch.   and Hambridge as always sets great pace. An excellent opener. On shuffle track, Mint Condition, Trevich sets a great sound on organ and Schroedl's Texas style blues riffs are spot on. With a nod from Howlin' Wolf, On My List To Quit absolutely struts. Taylor is on top of his game with solid vocals and Schroedl's riffs are crisp. Out of the gate like "Mad Dogs", Gonna Lose My Lady is a strong blues rocker. One of my favorite tracks on the release Cookin' In Your Kitchen, gives Schroedl a super opportunity to show his chops and he does a nice job. Taylor's vocals are strong and soulful with a super bass line from Solveson. Another of my favorites, is bluesy ballad Eighth Wonder, with it's warm melody, super lead vocals and balance. This track is my absolute choice for radio airplay. Three Alarm Desire has a great boogie beat powered by bass player Solveson. and Hambridge on drums. Scorching double stops by Schroedl gives the track real heat. Wrapping the release is low slung shuffle track, Look What You Made Me Do, with great balance by Tevich on keys and slick jazzy guitar work by Schroedl. Showing the best vocals on the release Taylor makes this a fine closer for a super release.

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Hurricane Ruth Records: Hurricane Ruth - Ain't Ready For The Grave - New Release Review

I just had the opportunity to review the most recent release, Ain't Ready For The Grave, from Hurricane Ruth, and it's powerful. Opening with Barrelhouse Joe's, a solid boogie, Hurricane Ruth on lead vocal is joined by Reese Wynans on piano, Tom Hambridge on drums, Michael Rhodes on bass, Pat Buchanan and Rob Mc Nelley or guitars. Taking it down, Far From The Cradle, has great blues bones with expressive vocals, excellent piano work by Wynans and super guitar work under the lead. Southern style blues rocker, Estilene, has a great beat and smoking guitar riffs.  A really hot drum riff by Hambridge and Rhodes bass lines really set the pace on Beekeeper. It's cool rhythmic flow makes this one of my favorites on the release. A funky bass/drum line set a super beat for Cheating Blues, a cool track with expressive vocal phrasing and a real nice guitar solo. Very cool. Shuffle track, Let Me Be The One has a cool pace, cool vocals and flashy guitar riffs giving it real spunk. Wrapping the release is Yes I Know, with really nice gospel tones. Who better than the mighty McCrary Sisters and Wendy Moten to give this track that gospel vocal anchor. An excellent closer for a real solid release.

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Ruf Records artist: Mike Zito - Make Blues Not War - New Release Review

I just had the opportunity to review the most recent release, Make Blues Not War, from Mike Zito and it's crazy good! Opening with blues rocker, Highway Mama, this track gives you that take no prisoners attitude with a driving beat courtesy of Tom Hambridge who absolutely blows it up on drums and Tommy MacDonald on bass, Mike Zito on lead vocal and guitar, Rob McNelley on guitar and Water Trout on guitar. Trout plays some really hot riffs and Zito absolutely scorches the strings. Excellent opener. Wasted Time is up next with a great lumbering Texas lope, Zito lays down stuff that would make SRV proud, with intensity and feel. Very nice! Redbird is a heavy footed, rocker with strong vocals. Solid bass lines from MacDonald positively drive this bus and it's rolling hard. Talk about intensity, Crazy Legs has it x 10. This track is on fire and running hard with excellent drum work by Hambridge and super guitar tone. Zito really turns on the heat on this one literally setting the thing on fire. Wow! Slowing it way down, title track, Make Blues Not War has the characteristics of delta blues and early electric Muddy Waters. Jason Ricci is down on this track and he and Zito really dig in on this one with harp and slide fanning the flames. Very nice. On The Road has some funk with really sweet organ work from Kevin McKendree and stirring some of the funkiest guitar riffs that I've heard since David Spinozza hit "Right Place Wrong Time". Sure to be an instant favorite on the release is Bad News Is Coming, a slow, low down blues with excellent guitar phrasing and hard luck soulful vocals. Excellent!! Detroit style rocker, One More Train, has a really nice feel with excellent vocals, super slide work from Ricci and great piano work from McKendree making it my pick for radio track that should hit hard. Girl Back Home is a quiet ballad with rich slide work making it a standout on feel alone. Chip Off The Old Block features Mike's son, Zach on guitar over a basic 12 bar setup. Zach shows his stuff which is quite cool and with McKendree on piano and Mike on vocal and guitar, a real solid track. Ballad, Road Dog is another sure radio track with a super melody and strong construction. McKendree's organ, Hambridge's tight drum work and Zito's vocals and somber guitar work, ala BB King give this track excellent grip. Love it! Wrapping the release is Route 90, a Chuck Berry style track featuring an excellent piano solo by McKendree over a great bass line by MacDonald. Zito digs in at the bottom of the fretboard and with his own super vocals and southern style make this track a great closer. I don't think I'm going out on a limb very far saying that this will be one of the top 10 releases I'll hear this year and moving Zito to the top of the list of bands I hope to see this year. Excellent!!




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Cleopatra Records artist: Kenny Neal - Bloodline - New Release Review

I just received the newest release, Bloodline, from Kenny Neal and it has strong blues and R&B roots. Opening with country blues influenced, Ain't Gon Let The Blues Die with it's Elvin Bishop/country flavored gospel flavor. This track is off and running with Kenny Neal on slide guitar and lead vocals, Tom Hambridge on drums, Tommy Macdonald on bass and Syreeta, Tyrell, Jazzy, Brine', Kaydence Bates, Tahj Mosby and Darien Neal as well as the McCrary sisters. Title track, Bloodline, has a deep groove with a funky bottom and Kenny on lead vocal and harp. Cool loping Plain Old Common Sense is one of my favorite tracks on the release with great guitar work, supeer vocal phrasing, nice piano lines and strong horn backing from Quentin Ware on trumpet, Billy Huber on trombone, Tyler Summers on sax and Dana Robbins on sax. Very cool. On Willie Nelson's Funny How Time Slips Away, skillful piano work and crafty vocals give this track the weight of a serious R&B/country ballad. Coming out with horns blazing, Keep On Moving, has a funky R&B feel and the electric key work of Lucky Peterson is a perfect setting for strong soloing by Kenny. With tight horn work by Ware, Huber, Summers and Robbins. With it's BB King style phrasing, I Go By Feel, is a real cool track along the lines of The Thrill Is Gone with soulful vocals by Kenny and nice horn work by Ware, Huber, Summers and Robbins. Kenny takes a relaxing guitar solo that has really nice grip. R&B style, I'm So Happy, is really a super horn track with prime radio vocals by Kenny and crew. Blues Mobile is an uptempo shuffle with Kenny leading the way on harp. Kevin McKendree on piano and Ware, Huber, Summers and Robbins on horns give this track a bright feel and Kenny's vocals are super. With a much more acoustic feel, I Can't Wait, has Kenny way upfront on vocal and harp with Steve Dawson on Weissonborn, Bob Britt on guitar, John Lancaster on keys and Hambridge on percussion. Really digging in on an R&B feel, Real Friend, has a super Wilson Pickett kind of feel with Kenny on vocal, Ware, Huber, Summers and Robbins on horns. Ware takes a smooth trumpet solo followed by a soulful sax solo that really sits nicely. Neal's own guitar solo is tight and warm giving the track a cool Memphis feel. Wrapping the release is Thank You BB King, a track that could be right out of BB's song book with BB vocal and guitar phrasing styles. Kenny of course puts his own spin on the guitar work making and with Peterson on organ, this a super wrapper for a cool release.



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Aquinnah Records artist: Arlen Roth - Slide Guitar Summit - New Release Review

I just received the newest release, Slide Guitar Summit, from Arlen Roth and it definitely lives up to all the pre hype. Roth, well known for his own guitar styling, especially on the tele with the likes of Roy Buchanan and Danny Gatton, has put together a group of the best known slide players on the planet for a full blown celebration of all things slide. Opening with Do What's Right, Roth teams up with Jack Pearson on vocal and slide guitar as well as Tom Hambridge on drums and backing vocal and Tommy MacDonald for a country two step rocker. This track moves along nicely with lead and harmonic sliding... a terrific opener. Robert Johnson's Dust My Broom is next featuring Lee Roy Parnell on vocal and slide and adding Kevin McKendree on piano. With the feel of Elmore James and a nice thick slide texture, this track is hot. McKendree adds significantly to the mix with hot piano riffs. Much like a live recording, Parnell and Roth take turns on lead slide making for a hot track. Clarinetist Acker Bilk wrote this next track, Stranger On The Shore, and performed it on clarinet in the early 60's. It has since been performed by a number of artists including the Beatles but none quite as sensuously as this take by Cindy Cashdollar on lap steel with just a touch of Hawaiian flare. Beautiful. Sonny Skies features Sonny Landreth and Roth joined only by Eddie Denise on upright bass. A jazzy track with Roth's signature sound, this is a great showcase for tow of today's masters to team up and show how it's done. Jackie Breston's Rocket 88's features Johnny Winter on slide (his last session) along with Roth on slide and lead vocal. Scott Spray and Tyger MacNeal join on bass and drums respectively. A bright toe tapper, the two guys blend nicely and Roth pulls out some of his trademark riffs making this a particularly cool track. Lowell George's Dixie Chicken gets the full Little Feat treatment with Tommy MacDonald on bass, Kevin MacKendree on piano, Hambridge on percussion. Leroy Parnell takes the lead vocal and shares slide with Roth. I don't know about my readers, but there are a few places that you need to tread lightly and Lowell George territory is one of them. I think that these guys did a great job of paying tribute and MacKendree really did a nice job on Bill Payne's work as well. Excellent! Jimmy Ninino brings the first delta style acoustic track with only he and Roth and their guitars on Poor Boy Blues. Possibly my favorite track on the release. Following with Laura Nyro's And When I Die made popular by Blood, Sweat and Tears again only Vivino and Roth on acoustics. Keeping it simple and playing it pure country blues style gives it a new life. Jimmie Rodgers' Peach Pickin' Time In Georgia features Roth on lead vocals and Greg Martin joining him on slide. McKendree takes a real nice piano bar on the track but the release is about sliding and in country 2 step style, the boys do bring it! Paradise Blues is a simple quiet guitar ballad with nice Les Paul like harmonics and Hawaiian style blending. Rick Vito and Roth blend their guitar vocals nicely for a really pretty instrumental track. Cindy Cashdollar is back on lap steel again on Steel Guitar Rag and Roth this makes two. A simple instrumental track with just a twist of country styling shows the chops of these two guitar super stars. Smokey Robinson's ballad, You Really Got A Hold On Me is delivered nicely with Roth and Vito playing the lead and harmony on slide with no vocals. This is a great track and these guys give it new life in this instrumental form. Roy Byrd's Her Mind Is Gone features the incredible David Lindley on lead vocal and lap steel, joined by Roth on lap steel. Everyone knows that Lindley is one of the best guitar players on the planet and especially creative on lap steel. This is a great little blues addition from the masters, jamming together in one of the tightest acoustic blues jams in a while. Wrapping the release is Roth and Greg Martin on Amazing Grace with Hambridge and Tommy MacDonald. Nicely done and heartfelt it is a really clean and creative ending to a long awaited tribute to slide guitar featuring today's modern masters. Very nicely done.

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Brad Hatfield - For A Change - New Release review

I just received the newest release, For A Change, from Brad Hatfield and it's got quite a sting. Opening with That's My Home, a blues rocker, Hatfield handles lead vocals and Bob Britt is hot on guitar. Kevin McKendree (keys), Tommy MacDonald (bass) and Tom Hambridge (drums) round out the package. This track brings to my mind the late great Bill Perry, too soon gone. Back Door Scratchin' has a funky under tone but it's really blues with edge and again love Hatfield's vocals and Britt's guitar work. Excellent! On easy shuffle track, Behave Yourself, it's McKendree who shines instrumentally with really nice piano work and Britt's solo work had a bit more of an acoustic feel. Smarter Than I Was has a heavier rock feel , still with a blues base. I grinding rhythm and swirling guitar riffs proliferate this track. Very cool. Devil On Both Shoulders is a country rock 2 stepper led by Hambridge on drums and the slide work of Britt. Hatfield has plenty of swagger, heavy bottom by MacDonals and prominent piano work of McKendree gives this track plenty of roll. So Much, So Little has a real nice bluesy feel with Hatfeld on both lead vocal and harp. With hot drum work from Hambridge, this is one of the coolest tracks on the release. Slow blues number, Never Finished Nothin' allows Hatfield to show his soulful side and Britt throws down some absolutely excellent guitar riffs. MacDonald sets the course with a strong bass line and again McKendree's piano work is stellar. Excellent! Good Love After Bad is a cool boogie track with a sound of modern Cream with organ. Quite a nice track. Drink, Drank, Drunk has a has a super cool boogie rhythm and a great pace that keeps you moving in your seat (or more). Britt puts together an unusual guitar solo really emphasizing the country nature of the track (by juxtaposition) and the keyboard rhythm is cool. Title track, For A Change, has more of a casual "radio" feel with an easy to like melody and warmly matched instrumental accompaniment. Swamp Poker is another track with plenty of kick. An easy country feel, say like Lay Down Sally, with simple guitar riffs makes it universally appealing. McKendree really kicks the last track, Burbank's Boogie off with an incredible piano roll. Hatfield kicks it into gear sounding like a new era Little Richard. Not only vocally but pn harp, Hatfield is on fire. This is a great track to wrap up the release. Super release with a lot of something for everyone!  

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Guitar Master Dudley Taft Is "Screaming in the Wind" on Latest CD, Coming May 20 from American Blues Artist Group; New Album of Blues-Rock Produced by Grammy-Winner Tom Hambridge Features Special Guest Reese Wynans on Keyboards

Guitar Master Dudley Taft Is Screaming in the Wind on Latest CD, Coming May 20 from American Blues Artist Group

New Album of Blues-Rock Produced by Grammy-Winner Tom Hambridge Features Special Guest Reese Wynans on Keyboards

CINCINNATI, OH – Blues-rock guitarist Dudley Taft announces a May 20 release date for his new CD, Screaming in the Wind, on his American Blues Artist Group label. The new album was produced by Grammy-winner Tom Hambridge, best-known for his work with Buddy Guy, Susan Tedeschi, George Thorogood and Johnny Winter, and recorded at The Switchyard and Rendering Plant in Nashville, as well as Taft’s new Muchmore Studio in Cincinnati. The new recording facility is part of the house and property Dudley recently purchased from legendary guitarist Peter Frampton.     

The new CD features a dozen songs, most of which are originals penned by Dudley Taft, including several co-written with Tom Hambridge (who also plays drums on a couple tracks) and Richard Fleming, plus scintillating covers of songs by Skip James (“Hard Time Killing Floor Blues”) and Freddie King (“Pack It Up”).

“Screaming in the Wind is my third solo effort and the first album I’ve done produced by someone outside the band. Several songwriting sessions in Nashville with producer Tom Hambridge and songwriter Richard Fleming helped the songs take shape before recording them,” says Taft. “It was refreshing to work with other great songwriters for the first time, and it gives Screaming in the Wind a different flavor.”

Taft’s regular band of John Kessler on bass and Jason Patterson drums is augmented by the addition of former Stevie Ray Vaughan keyboard player Reese Wynans on the sessions. “Reese plays some wicked B3 organ on the CD,” exclaims Taft. “He really shines on a bunch of the songs, elevating them to levels I never imagined. Check out his ripping solo on ‘The Reason Why’.”

Other special guests on Screaming in the Wind include the acclaimed McCrary sisters, who bring their smooth gospel harmonies to the song “Barrio,” while the Muscle Shoals Horn Section shines on “Pack It Up.”

“So far, I have done a Freddie King song on every CD, and this was no exception,” states Taft. “I love the funky vibe and tight arrangement of ‘Pack It Up.’ We poured gasoline on it and lit a match.”

The title track of the album started as a custom instrumental riff Taft did for the “American Blues Scene” website. “They told me it should be a song,” he recalls, “and I think it may have turned out to be one of the strongest on the album. Tom Hambridge and I worked hard to find the key imagery in the lyrics to tell the story.”

Speaking of instrumentals, Dudley Taft really cuts loose on the appropriately named track, “Red Line,” demonstrating why he’s been dubbed one of the hottest guitarists on the planet. Fans of classic ZZ Top riffs will be smiling from ear-to-ear when they hear Taft “spanking the plank” on that one.

“The riff from Skip James’ ‘Hard Time Killing Floor Blues’ got stuck in my head last year,” Taft remembers. “I thought giving it a Led Zeppelin ‘Black Dog kind of interpretation would make it fresh.”

The final song on the CD, “Say You Will,” has what Taft calls “an epilogue, where the gears shift and a David Gilmour influence surfaces, taking the listener off into oblivion. That was such a fun track to record!”

Dudley Taft’s last CD, Deep Deep Blue, released in May, 2013, received universal acclaim from fans and critics alike, including being named on several “best of” lists at the end of that year. He will support the new CD release with touring both in the U.S. and overseas, where he already has a European tour planned in May and June that will take him to the Netherlands and Germany.

To stream the track, “Hard Time Killing Floor Blues,” from Screaming in the Wind, click on this link: https://soundcloud.com/dudleytaft/hard-time-killing-floor-blues

For more information, visit www.dudleytaft.com

New West Records artists: Delbert & Glen - Blind, Crippled And Crazy - New Release Review

I just received the new release (June 18, 2013); Blind, Crippled And Crazy; From Delbert (McClinton) & Glen (Clark) and it's good rip roaring fun! Opening with the tongue in cheek, Been Around A Long Time, a great lyrical track with a bit of country and a bit of rock, The band is a who's who including Gary Nicholson on guitar, Tom Hambridge on drums, Bob Britt on guitar, Kevin McKendree and Bruce Katz on keys. This track is way sophisticated for "country music" but with a great country swing attitude it really is a fun track! Up tempo 2 stepper, Whoever Said It Was Easy, brings a smile to your face as it is obvious that D&G are having as much fun making this track as I am listening to it. A slick country pickin guitar solo sets off nicely in the middle of the track but this is really all about the singers and this is entertainment. Oughta Know, featuring Anson Funderburgh, has a real Texas lope to it and of course lots of really tasty guitar. This is a great track that happens to feature great guitar licks by the master. World of Hurt has a real solid strut to it and a slick guitar solo accenting a really cool vocal arrangement. Someone To Love You is another great rocker featuring D&G's voices in tandem and hot little guitar riffs sprinkled throughout. Sure Feels Good is a laid back track again showing the magic of D&G's voices together. A nice harp solo by McClinton on this track breaks the duet and leads to individual vocal bridges. Steel guitar work on this track also gives it a bit of a country flair. Peace In The Valley really starts to broach on funk sounding like a Billy Preston track. This is a happy go lucky track with individual lead singing, fat guitar riffs and cool funky piano filler. There is also a short slide solo on this track adding a bit more paint to an already colorful palette. Peace In The Valley is a great country rocker with driving guitar with piano pushing the vocalists to a higher level. I really like this track and rate it among the best on the release. Good As I Feel Today has a distinctive New Orleans sound and the vocal blend is great. I also want to mention that I especially like the piano work on this particular track. The final track on the release, If I Could Be Your Lover, is really different with a Spanish twist. Acoustic guitar backing as well as really nice nylon string guitar soloing played against beautiful violin work makes this a great finish to a really interesting new release.

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Silvertone/RCA Records artist - Live At Legends - Buddy Guy - New Release Review

I just received the newest Buddy Guy release, Buddy Guy Live At Legends, and its smokin! Released December 18, 2012 this release is going directly to my Bman's Best of 2012 releases. Buddy opens his set with a stew of frenzy fiery guitar riffs on Guy classic Best Damn Fool. Buddy, still the ultimate performer, has the crowd in the palm of his hands, just where he likes them! Buddy's playing is relentless shows all the fire of a young man. Marty Samson plays a nice extended piano interlude against Tim Austin's tight drums. Next up is Waters/Bo Diddley, Mannish Boy, and the pyrotechnics continue. Guy rolls right into Dixon,s I Just Want To Make Love To You. Buddy is chokin' the life from his strat and has it screaming for it,s mama! Guy,s voice is still in top form and you can hear his smile coming from the recording. Extensive use of scatter machine gun picking and wha is extremely effective in creating incredible energy. Up next is Buddy,s R&B classic, Skin Deep. Listening to Guy sing this track makes you extremely conscious how serious an issue this is and how deeply he feels the scars. On Damn Right I Got The Blues, Guy conjures up incredible passion using his stair step bending technique to open one of his contemporary blues favorites. Buddy punctuates each line with white hot guitar riffs. Guy's technique, tone and playing style is legendary and unmatched. If you've seen Buddy's show in recent years you've seen him do a medley of blues and guitar greats including John Lee Hooker, Eric Clapton and Jimi Hendrix. In keeping with tradition, Guy does a short entree of Boom Boom and Strange Brew and everything goes up in flames on Voodoo Chile, continuing into Sunshine Of Your Love. This wraps up the concert, but also included are three more bonus tracks starting with Polka Dot Love enforcing a strong grip on deep rich blues with Guy laying down some of his tastiest riffs in years. Coming For You, a Tom Hambridge, Delbert McClinton tune is an upbeat funky track which should see some serious airplay. The studio tracks include Tom Hambridge on drums, David Grissom on guitar, Reese Wynans on keyboard, Michael Rhodes and Tommy McDonald on bass and adding the Memphis Horns. Muddy Waters' Country Boy, the final track on this release is done in a dirty low down manner giving Guy one more opportunity to show his particularly rich vocals and soulful blues guitar riffs. This is not just another live CD from a major artist to capitalize on a few tracks but a serious clip of Buddy Guy today...at his best. I am thrilled to add this to my collection!
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 This video is not the same track as on thie new CD but used to represent Guy live in concert.

TOM HAMBRIDGE WINS BLUES BLAST MUSIC AWARD AS SONG OF THE YEAR FOR “LIVING PROOF”

TOM HAMBRIDGE WINS BLUES BLAST MUSIC AWARD AS SONG OF THE YEAR FOR

“LIVING PROOF”

DURING HIS PERFORMANCE AT THE AWARDS SHOW, TOM WAS JOINED ONSTAGE BY

BUDDY GUY

CHICAGO, IL – Musician and producer Tom Hambridge, whose latest CD, Boom!, continues to generate rave reviews and significant radio airplay, won the 2011 Blues Blast Music Award for “Song of the Year” in ceremonies Thursday night (October 27) at Buddy Guy’s Legends club in Chicago. Appropriately, Hambridge won the award for the title track he wrote on Buddy Guy’s hit album, Living Proof, which Tom also produced. Living Proof also won for “Contemporary Blues CD” and Buddy Guy won additional honors as “Male Blues Artist.” The entire show was broadcast live on radio station WGLT-FM and available on the internet.

Tom Hambridge, currently on tour as special guest with ZZ Top and Lynyrd Skynyrd, played his own show earlier that night in Rockford, Illinois, before driving to Chicago, where he promptly performed a short set at the awards show. Tom sang and played drums, accompanied by Buddy Guy band keyboardist Marty Sammon, as well as bassist Melvin Smith and guitarist Peter Galanis, treating the crowd to his songs, “Get Off,” from his Bang ‘n’ Roll album, and “Upside of Lonely” off his new CD. The crowd went wild when Tom then brought the legend himself, Buddy Guy, up onstage to sing “Let the Door Knob Hit Ya’” (which Tom co-wrote with Buddy) off his Living Proof album.

Since it’s release in late August, Boom! has generated tremendous critical acclaim for Tom Hambridge. Here’s a sampling:

“Boom! is a fun and well-crafted studio album that highlights the work of a solid group of musicians, the talent of a gifted singer/songwriter and a collection of memorable songs that may help Hambridge finally find the kind of commercial success as a solo artist that he has so often received as a producer and composer in the past.”

- J. Blake, American Blues News

“Roots rock is the new country and ex-Bostonian Tom Hambridge is the style's current MVP. That's a role he played for years in Beanburg, leading the redoubtable bar band T.H. & the Wreckage and playing drums for legends like Chuck Berry and Roy Buchanan. But after producing Susan Tedeschi's Grammy-nominated Just Won't Burn, he skedaddled to Nashville and raised the ante by climbing up the Americana charts with his solo discs, winning Grammies with Buddy Guy and co-writing massive hits for Keith Anderson, Gretchen Wilson, and other mainstream sharpies. On Boom!, Hambridge pokes every corner of his roots, rock, and blues bag, nailing down grinders like the six-string slider ‘Never Gonna Change’ and the clever heartbreaker ‘Upside of Lonely’ with the help of ringers from Delbert McClinton's versatile band. He also reclaims the stinger ‘I Got Your Country Right Here,’ which was a hit for Wilson. His voice has grown some growl and sprung a drawl, but both suit him well as he delivers these roadhouse anthems with double-shots of conviction.” - Ted Drozdowski, Boston Phoenix

“It just might be true that the best rock ‘n’ roll music today is coming out of Nashville, Tennessee, the home of country music. Tom Hambridge’s new CD, Boom!, makes a convincing argument for the truth to that statement. Boom! showcases Tom in all his disguises; first call studio drummer, outstanding vocalist, Grammy® Award-Winning Producer, ASCAP Award winning singer/songwriter, and Blues Music Award winner on multiple occasions. This is roots rock at its best, with its feet firmly spread all over the musical map of influence; blues, 60’s rock n roll, country, southern rock, and folk.” – Robert Carraher, The Dirty Lowdown