I just had the opportunity to review the most recent release,
Traveling Man, from
Watermelon Slim and it's quite good. Recorded Live at The Blue Door in Oklahoma City in 2016, these recordings capture the authenticity and focus of Slim's work. The first set, recorded on September 24, opens with
Blue Freightliner, Slim on resonator slide guitar and vocal captures the spirit of the original delta blues. Deliberate, foot stomper,
Northern Blues is one of my favorites with a great little guitar dun and perfect balance. Very nice! Substituting harmonica for guitar on
Jimmy Bell, Slim shows another facet but the sound is still pure and all delta. Very cool. Wrapping the first set is
Holler #4, a stripped down blues track with a skeletal framework set by slide resonator and pure hollering blues vocals. Solid closer. Set 2 (disc 2) was recorded at The Depot on February 28 and opens with a more commercial track,
Let it Be In Memphis. Slim carries the melody of this more certain melody with ease , accenting the edges with lightning slide play. Traditional blues track,
John Henry has a great fleet pace and short turn around slide riffs accent the track nicely. A particularly cool track in this second set is
Devil's Cadillac, a eerily bluesy ballad. Not only is the story great but Slim's slide technique gives a minor tone and feel. Excellent! Wrapping the release is
Dark Genius, a straight forward folk track with a blues overtone. This is a really solid set of tracks and definitely a show I'm happy to gear.
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