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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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Showing posts with label Victor Wainwright & the Train. Show all posts
Showing posts with label Victor Wainwright & the Train. Show all posts
I just had the opportunity to review the most recent release, Memphis Loud, by Victor Wainwright & The Train and it's spicy. Opening with Mississippi, a cool party song with a kaleidoscope of musical tones including Wainwright on vocal and keys, Billy Dean on drums, Terrance Grayson on bass, Pat Harrington on guitar, Mark Earley on sax, Doug Woolverton on trumpet, Dave Gross on percussion, Mikey Junior on vocal, Reba Russell on vocal, Stephen Dees on vocals, Patricia Ann Dees on vocals, Gracie Curran on vocals and Peanut Reed on vocals. Title track, Memphis Loud is a real locomotive with instrumental horsepower. With Wainwright really hitting the electric piano and Earley and Woolverton pushing the horns, this track has a massive opening. Smoothing into a Louisiana flavored, country tinged, track, Sing, Wainwright and Dave Gross really work the vocals. Quieting down to a real nice ballad, Disappear, Wainwright shows his strong vocal feel with a nicely crafted undercarriage of piano, drums and bass. With a slick guitar solo by Gross over the organ and piano work of Wainwright, this is a really nice track. Golden Rule is one of my favorite tracks on the release with it's complex rhythm pattern, almost like a Frank Zappa basis with warm vocals by Wainwright and Harrington who also lays in a real nice unstructured guitar solo of his own. Certainly one of the most memorable tracks on the release is South End of a North Bound Mule with it's clever lyrics and it's swampy, funky rhythm. With great vocals, some real nice guitar riffs by Harrington and Greg Gumpel and the vocal work of Wainwright and Reba Russell, this is a great track. Another fun track is My Dog Riley with super New Orleans style piano and horns and of course great horn and vocal backing. Wrapping the release is soulful ballad, Reconcile which, with the rich vocal styling of Wainwright and a strong guitar solo by Gumpel is a super closer.
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I just had the opportunity to review the most recent self titled release, Victor Wainwright and The Train and it's rockin. Wainwright on lead vocal and keys pushes a nice duel with guitarist Pat Harrington, on Healing, backed by Billy Dean on drums and Terrance Grayson on bass. Also adding a nice bit of oomph are Mark Earley on sax and Doug Woolverton on trumpet. Nice opener. Train is a hot boogie woogie track with Wainwright really driving hard on vocal and piano. Woolverton and Earley fill nicely and Reba Russell's vocals are super. Excellent track. Soulful, Dull Your Shine is a really nice track that puts me in mind of D'Angelo with a suspenseful approach to the song and super vocals. Also of particular note on this track is a sweet guitar solo by Greg Gumpel. Blues with a distinct R&B feel, Thank You Lucille, is possibly my favorite track on release featuring some of Wainwright's best vocals on the release and Monster Mike Welch handling the lead guitar spot, backed by Reba Russell, Nick Black and Patricia Ann Dees on vocal. Boogie Depression is another driving boogie with super piano and excellent slide work by Harrington. Nice! Foot stompin rocker, Righteous really gets that tent revival feeling going with a solid bottom, powerful vocal by Wainwright, super slide work by Harrington, and vocal backing by Russell. Very cool. Rocking boogie, I'll Start Tomorrow is a real mover with cooking piano and organ, tight drums, a great sax solo by Earley and punchy trumpet work by Woolverton. Another track with strong slide lead by Harrington is Sunshine. His slide work is inspired and fat, soaring into the music nicely. A track, seemingly built around his excellent slide lead, a real keeper. Wrapping the release is gospel styled, That's Love To Me, with it's rich melody, organ and soulful vocals by Wainwright. Subtle but nice acoustic guitar by Jeff Jensen adds nicely and solid lead guitar by Harrington adds depth for an excellent closer to a really strong release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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Victor Wainwright & The Train On U.S./Canadian Tour
In Support of New Self-Titled Album (Ruf Records)
Perform Locally with The Train Horn Section: THE BANK &
BLUES
Thursday/Friday, March 29/30
(Record Release Party Both Nights)
(Daytona, FL) - Multiple award-winning
boogie-woogie blues pianist-vocalist Victor Wainwright kicks off his 2018 U.S./Canada
Spring/Summer Tour in support of just-released album Victor Wainwright
& the Train (Ruf Records), with a Record Release Party at The Bank & Blues,
701 Main St., two big nights, Thursday, March 29 and Friday, March 30.
Showtime: 9:00pm each night. Tickets: $48., Reserved Tickets (include new
CD); $38., (General Admission) each night. Info: (386)
252-9877 or visit https://daytonabeachmainstreet.com/venue/the-bank-blues-club/.
Also joining Wainwright and his band onstage: Star horn players, Doug
Woolverton (trumpet) and Mark Earley (alto, baritone sax).
~Victor Wainwright: What The Media Is Saying~
"Wainwright serves as an electrifying guide to a good
time-spinning tales, telling his listeners how to beat the blues, and
meticulously conjuring raw soul and energy out of his acoustic piano. He
displays a sharp sense of humor and a knack for storytelling... every
track is
brilliant."
LIVING BLUES
"Victor Wainwright is a world champion piano player,
two times over! Not only is Victor one of the greatest blues piano
players in the business, he’s also a world class-entertainer and
vocalist."
BLUES REVUE
“Savannah, GA native Victor Wainwright is all about
boogie-woogie piano, deep soul, and a voice that recalls Dr. John at his
best. He is a blues star, a tremendous player.”
CHICAGO BLUES GUIDE
"Victor Wainwright, winner of this year's Pinetop
Perkins Award at the BMA's, is a force to be reckoned with on a piano. He
IS honky-tonk and boogie, with a dose of rolling thunder. Wainwright's
playing is simply beautiful madness."
It had to be a train. The name of Victor
Wainwright's new band - and the sleeve image of their debut album - is
also the most fitting of metaphors. In music folklore, the train might
have associations with the freight-hopping bluesmen of yore, but with
this restless boogie-woogie innovator stoking the furnace, this latest
project is a charging locomotive - surging forward, crashing through
boundaries of genre, sweeping up fresh sounds and clattering headlong
past the doubters.
As the man himself hollers in the ivory-pounding
title track: "If you wanna boogie get aboard this train/Get yourself
a ticket or get out of the way..." At a sweet-spot in his career,
where most established stars would rest on their laurels, Victor
Wainwright & The Train instead rips up all that has gone before. The
twelve tracks are originals in every sense, written by Wainwright,
pricking up ears in a sterile music industry and stretching the concept
of roots in bold directions.
"I wanted to write this new music mostly on my
own," Wainwright explains, "as it was coming and speaking to
me. I believe that for roots music to grow, and reach out to new
audiences, we have to push it forward." The result is an album that
walks a tightrope between scholarly respect and anarchic irreverence.
You'll hear Wainwright twist boogie-woogie tradition on barrelhouse
thrillers like "Healing" and "Boogie Depression,"
both driven by his visceral piano style. But you'll also hear him
fearlessly explore the gamut of genre, from the Latin flavours and New
Orleans horns of "Wiltshire Grave," to the mellow
near-psychedelia of "Sunshine." It's a musical cocktail served
up by Wainwright's inimitable gravel-flecked vocal.
His words can be hilarious, as on "I'll Start
Tomorrow," on which he postpones his doctor's clean-living advice.
But they can also be heartfelt, on the gospel-tinged kiss-off of
"That's Love To Me". "I've tried to write songs that
remind us to love ourselves," explains Wainwright. "It doesn't
matter who voted for who, what your religion is, who you love..." On
this white-knuckle ride, only The Train could keep the material on the
tracks. "I ended up with a hit-squad of downright amazing musicians
that shared my curiosity for all corners of the roots genre. We wanted to
capture how we feel performing, right smack-dab on this record, and I
believe we've done that. Now I just try to keep up."
In truth, Wainwright has always been an artist that
sets the pace. Born into a musical family in Savannah, Georgia, the
formative influence of his father's vocals and grandfather's rolling
boogie-woogie piano compelled him into a life of music. By 2005, he'd
announced his talent with solo debut, Piana' From Savannah, while
his central role in Southern Hospitality and partnership with Stephen
Dees in WildRoots has seen him ignite stages and stereos for over a
decade. Among his numerous accolades: In 2013 and 2014, Wainwright won
the 'Pinetop Perkins Piano Player of the Year' at the Blues Music Awards.
Also in 2013, his collaborative album, Easy Livin' , made the Top
10 in the U.S. Billboard Top Blues Album Chart.
"Looking back on your career is a tough thing to
do," he says. "Challenges are many, and frequent, but when you
get it together, it can also be extremely rewarding." A man of many
talents, Wainwright is a composer, producer, vocalist, piano player and
award-winning entertainer. A long-standing leader of the boogie-woogie
pack, he could refer you to his BMA and Blues Blast trophies, or a
catalog that has repeatedly hijacked the Billboard Top 10. But rather
than dine out on past glories, this questing artist would rather you
joined him for the ride ahead. "Of course, I still have songs on
this album that are just about kicking ass and taking names, like The
Train," he laughs. "But if you listen to the lyrics, what I'm
really saying is, we got to get on the train and move forward
together."
Victor Wainwright & The Train - Upcoming Live
Shows & Special Events
March 29/30 (Thur./Fri.) THE BANK AND BLUES
Daytona Beach, FL
March 31
(Sat.)
BRADFORDVILLE BLUES CLUB
Tallahassee, FL
April 1/2 (Sun./Mon.)
PARADISE BAR &
GRILL
Pensacola Beach FL
April 3
(Tues.)
BLUE BAMBOO ARTS
CTR.
Winter Park, FL
April 4
(Wed.)
ENGLEWOODS ON DEARBORN Englewood, FL
April 5
(Thur.)
BUCKINGHAM BLUES
BAR
Ft. Myers, FL
April 6
(Fri.)
THE BLUE
ROOSTER
Sarasota, FL
April 7
(Sat.)
FUNKY
BISCUIT
Boca Raton, FL
April 8
(Sun.)
SPRINGING THE
BLUES
Jacksonville Bch FL
April 18
(Wed.)
CANADIAN CORPS UNIT 44 HALL Thorhold, Ontario
April 20
(Fri.)
SALLE PROMUTEL ASSURANCE Montmagny Que
April 21
(Sat.)
SALLE
SAGUENAY
Saguenay, Que
April 23
(Mon.)
ROCKLAND
PUB
Rockland, ME
April 26
(Thur.)
LA
BASOCHE
Gatineu, Que
April 27
(Fri.)
SALLE SANCTUAIRE DE ST. JAX Monteal, Que
April 28
(Sat.)
LA
BASOCHE
Gatineu, Que
May 24
(Thur.)
TRALF
Buffalo, NY
May 25
(Fri.)
RUSTY
RAIL
Mifflinburg, PA
May 26
(Sat.)
MADAMS
ORGAN
Washington, CD
May 27
(Sun.)
ROOSTER WALK MUSIC & ARTS FEST Martinsville, VA
June 9
(Sat.)
GREELEY BLUES JAM FESTIVAL Greeley, CO
June 23
(Sat.)
RIVERFRONT BLUES FESTIVAL
Ft. Smith, AR
July 2
(Mon.)
NANTUCKET
DEAMLAND
Nantucket, MA
July 4
(Wed.)
BLUES IN THE
BARN
Kingfield, ME
July 5
(Thur.)
MUSIC
SERIES
Norwich, ME
July 10/11 (Tues./Wed.) MONT-TREMBLANT
BLUES
Mont-Tremblant Que
July 13
(Fri.)
KALAMAZOO BLUES FESTIVAL Kalamazoo,
MI
July 14
(Sat.)
LIGHTHOUSE BLUES FESTIVAL
Kincardine, Ontario