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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Wes Starr. Show all posts
Showing posts with label Wes Starr. Show all posts

Monday, November 25, 2024

Mark Hummel - True Believer - New Release Review

 


I just had the opportunity to review the most recent release, True Believer, from Mark Hummel and it's chocked full of smoking blues. Opening with Chicago style blues track, High Time For The Devil, Oscar Wilson on lead vocals leads the way with solid pace and force, and Mark Hummel on harmonica really shines. Bob Welsh on piano adds a perfect glisten to the track, backed by Randy Bermudes on bass, Billy Flynn on guitar, and Wes Starr on drums. Great opener. Otis Rush's slow blues, Double Trouble, is terrific with Junior Watson getting hot and heavy on guitar, and Hummel shining on lead vocal and harmonica. With Kedar Roy on bass, Brett Brandstadt on piano, Jack Sanford on sax, and Starr on drums, this is my favorite track on the release.  Peter Green's Stop Messin' Round is a great shuffle and Hummel really gets in the slot on vocal. Watson has the lead on guitar again and his phrasing is excellent, backed by Roy, Brandstadt, Sanford and Starr. Little Walter's The Toddle, is a great track and features Hummel front and center on harmonica. With Watson on guitar, Roy on bass and Brandstadt on piano, this is a nice changeup in the mix. Wrapping the release is Shufflin' Days featuring Joe Beard on lead vocal and guitar and showcasing Hummel on harmonica.  With Billy Flynn on guitar, Bob Welsh on piano, Randy Bermudes on bass and Starr on drums, this is an excellent closer. 



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Wednesday, August 7, 2024

VizzTone /SWMAF Records artist: John Primer and Bob Corritore - Crawlin' Kingsnake - New Release Review

 I just had the opportunity to review the most recent release, Crawlin' Kingsnake, from John Primer & Bob Corritore and it's a full house, blues release. Opening with Take A Message, John Primer on lead vocal and guitar starts off this dynamic shuffle. Bob Corritore steps up pretty quickly on harmonica with great Chicago style blues chops that he's well known for, adding a nice solo by Jimi Primetime Smith on guitar, and joined by Bob Stroger on bass, Anthony Geraci on piano and Wes Starr on drums. Super opener. Willie Dixon's Down In The Bottom is up next with a cool bass line by Stroger and potent piano rhythm by Geraci. Primer's vocals are solid and Corritore trades solos with Primer and Smith adding nice balance. John Primer's shuffle, Hiding Place has a really great feel with vocal swagger by Primer and a driving guitar/ piano feel. Corritore lays out a real nice harmonica solo and Primer's solo nods to Elmore James. One of my favorite tracks on the release is BB King's Chains and Things with it's more soulful bluesy approach. Primer's vocals are always terrific and Geraci's piano really adds nicely to the mix. Corritore lays down a soulful harmonica solo and Geraci matches it with a beautiful solo of his own. Primetime and Primer are both solid blues guitar players adding nicely. Jimmie Lane's blues rocker, You're The One has a really nice rhythm pairing Primer on vocal and guitar with Corritore who sails on harmonica. This tracks stands out nicely with an additional guitar solo by Primetime. Magic Slim's Gravel Road has a driving Chicago feel with Primer singing in the slot. Corritore chides Primer on harmonica as he belts out the melody and Smith lays down a real nice rocky blues solo. Wrapping the release is Muddy's, Feel Like Going Home with a solid jam. Primer on lead vocal and slide, trades riffs with Geraci on piano and Corritore again showcasing some of his excellent soulful playing. Geraci rolls in nicely with traditional blues piano improvisation presented nicely and Primer on slide adds a lot of grease. Strong closer. 


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 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening

Monday, April 25, 2016

Electro-Fi Records artists - Golden State Lone Star Blues Review - New Release Review

I just received the newest release from the Golden State Lone Star Blues Review, and it's terrific! This all-star band opens with Gatemouth Brown's loping Texas style blues, Midnight Hour, featuring Mark Hummel on lead vocal, Anson Funderburgh and Little Charlie Baty on guitar, RW Grigsby on bass and Wes Starr on drums. This track is a great opener with reinforcements by Eric Spaulding and Jack Sanford on sax. Billy Boy Arnold's, Here's My Picture, is up next and Hummel takes a super sweet harp break during a break in the primarily Latin rhythm track. Prove It To You is a cool swing blues track with Hummel driving the train on vocal, a nice walking bass line by RW Grigsby and tight drums by Wes Starr. Little Charlie hits the strings with a slick guitar solo and Hummel's phrasing is top notch. Slow NO style blues, Cool To Be Your Fool, features beautiful piano interplay by Jim Pugh and a solid bass line by Grigsby. Very nice! Lowell Fulsom's, Check Yourself, has a real nice vocal and piano swing and tight drum snap from Starr. Hummel bears down on the harp for one of his finest features on the release. Funderburgh takes center stage with some of his trademark riffs giving the track a real hot sound. Excellent! Mose Allison's, Stop This World, has a nice easy jazz feel and Hummel's vocals blend nicely with organ work by Pugh. Guitar and harp riff trading is clean and sparkling. Shuffle track, Take A Chance, has some choice drum riffs and with Hummel leading on vocal and harp, Funderburgh and Pugh each stretching. Very cool. Lucky Kewpie Doll has a beach rock sound and Baty really lays out some cool riffs. Pugh lays in some nice piano work as well over a solid rockin' beat. Pepper Mama opens with a really hot guitar riff by Funderburgh. Hummel's vocals blend nicely with Pugh's piano work but it's Anson's turn to shine and his guitar riffs on this track are top notch. Lee Allen's Walking With Mr. Lee is a smooth shuffle and a great showcase for Hummel on harp. A cool walking bass line from Grigsby, keys by Pugh and tight drums by Starr round out the track. Detroit Blues is a cool loping blues number with vocal harmony. Hummel takes this track to task with solid red hot harp tone making it one of my favorites. Jimmy McCracklin's, Georgia Slop, has an upbeat R&B feel with great sax work on the bottom and rock drums. Grigsby drives a great bass line on this one and Hummel breaks loose for another super solo (Stilladog... this one's for you). Excellent! JB Hutto number, Dim Lights is up next with a super swagger and Hummel sets a good pace on vocal and harp. Funderburgh plays cool under the track with traditional riff and Baty hit the slide with fire in his eyes. Very super! Wrapping the release is End Of The World, an absolutely excellent blues track highlighted by Pugh's piano work, Hummel's vocals, Baty's, JL Hooker like guitar riffs and tension building sirens etc over basic drums and bass by Grigsby and Starr, peppered with harp. This is an excellent release with more joint contributions and only a few individual blow out solos making it walk like a silent giant.

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