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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, From My Soul, by Marcel Smith and it's sopping with soul. Opening with I'm Coming Home to You, a cool, traditional soul tune that could literally come from the 60's with it's excellent lead vocal by Marcel Smith, background vocals by The Sons of the Soul Revivers and featuring Kid Andersen on guitar, Mike Rinta on trombone, D'Mar Martin on drums, Endre Tarczy on bass, Jim Pugh on keys, Aaron Lington on sax, and John Worley on trumpet. Very cool. Wake Me When It's Over is one of my favorites on the release with it's perfect melody, lightly applies backing of Tarczy on bass, D'Mar on drums and a vibraphone solo by Andersen supporting the lush vocals of Smith. Drunk is a tight R&B track with hot percussion by Jon Otis, a brassy trombone solo by Rinta, and sassy horn work by Worley all tied together by Smith's magnetic vocals. Nothing Left To Burn really moves with terrific vocals by Smith and excellent guitar work by Andersen, all over the solid bottom of D'Mar and Tarczy and Rinta, Lington and Worley. Very nice. Smith does a real nice duet with Lisa Leuschner Andersen on My Heart Told A Lie, a soulful track with plenty of radio appeal. Wrapping the release is Barry Gibbs' classic track, How Can You Mend a Broken Heart performed live. Smith's vocals are rich and soulful, backed by Andersen and Pugh applies the heat on organ really making this a powerful, gospel like closer. Really nice release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Backbone, by Deb Callahan and it's solid with lots of sting. Opening with high steppin', What I'm Workin For, singer songwriter, Deb Callahan hits hard with plenty of attitude. With Allen James on guitar, Tom Walling on drums, Danny Schogger on keys, Jay Davidson on sax, Steve Jankowski on horns and Charlene Holloway on backing vocals, a lively opener. With a punchy bass line by Garry Lee and strong guitar lead by James on Big Girl Pants, Callahan really carves a moving funky rock track. Very cool. Slinky, A Few New Tricks, really showcases Callahan's vocals nicely. With Walling and Lee holding down the bottom, James adds in just the right amount of lead guitar to make this track my favorite on the release. James also shines with a melodic guitar solo on Danger Zone, a definite radio choice for the release and one that should gather solid attention. Callahan really gets in the slot on Don't Tread On Me with a funky bottom by James, and perfect backing vocals by Holloway. A strong weave of James on guitar, Ken Ulansey on sax and Jankowski on horns make this track another favorite. Wrapping the release is blues rocker, Anytime You Want with it's shuffle rhythm and guitar vamp. This is a real enjoyable release for a seasoned vet.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, His-Story, from Greg Sover and it's a cool blues rocker. Opening with Dark House, Greg Sover on lead vocal, bass, harmonica and guitar is joined by Jim Salamone on drums and guitar, Kyle Perrelli and Brad Hinton on understated wailing lap steel guitar. Cool opener. Slow blues, Temptation, has a real nice feel with some of Sover's best vocals on the release. Backed up by David Uosikkinen on drums and Kenny Aaronson on bass this track sets a nice bluesy pace for the release. Jimi's Manic Depression retains it's original driving rock feel. Sover does a real nice job on lead guitar holding down Jimi's riffs with Billy Cox cooking the bass and Tom Walling pounding the drums. Strong. Song 28 has a clear root in Hendrix and it's overdriven rock feel. Sover's guitar riffs are screaming and Najashi Rasheed on on drums really tows the line backed by Aaronson on bass. Wrapping the release is Remember, a straight up rocker with a catchy melody. Sover on vocal and lead guitar working with Jake Booker on rhythm guitar, Cox on bass, Tom Walling on drums and Billy Cannon on congas keep it close to home for a solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Subsequent Ruins, from Jason Blake and it's aggressive, stimulating and inventive. Opening with Obsolete Perception, a blend of prog, metal and fusion, it features Jason Blake on Warr guitar and Marco Minnemann on drums. With it's Fripp like lead guitar and over guitar with heavy distortion, driven by Minnemann with excellent drumming this track is electrifying. Follow (Emanated Hook), is another track with changing complex time signatures, Blake on guitar creates a cool, ambient background slowly morphing into a crisp guitar track. Very cool. False Streets of Entanglement follows in the KC prog footprints with excellent inciteful precision. I really like Minnemann's drum approach adding infinite depth to this work. Wrapping the release is A Bleak Outcome with it's more flowing feel and more commercial/rock sound. Blake and Minnemann maintain a slow burn on this one with a bit of synth in the mix. I really like this album and it's approach. Also, the artwork on the cover and in the liner notes by Hajo Muller is off the hook cool.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Dockside, from Jonah Tolchin and it's bluesy, gritty and steamy. Opening with swamp funky, Blues With A Feeling, Jonah Tolchin has a great vocal for this stripped down blues style. His guitar riffs are electric and with Nic Coolidge on bass, and Terence Higgins on drums, this is a terrific opener. Save Me (From Myself) has a cool rhythm and excellent vocal interplay between Tolchin and Marley Munroe with guitar accents by Tolchin. Very nice. Chavonne Stewart is featured on lead vocals on soulful, Too Far Down with a laid back instrumental backing including Chris Joyner on keys. Tolchin's guitar lead really sets the track off nicely with critical guitar accents. Ragged blues track, Suffering Well features a really nice guitar solo by Luther Dickinson and strong vocals by Tolchin. Excellent. Wrapping the release is slow blues, Lucille giving Tolchin a real nice opportunity to stretch out a little on guitar. This is a really cool release with a lot of grit and just the right amount of polish.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Swinging Sunset, by Anthony E. Nelson Jr. and I really like it. Opening with Eddie Haywood's, Canadian Sunset, tenor sax player Anthony E. Nelson, Jr. is bopping. With Kyle Koehler on B3 and Cecil Brooks III on drums, this track is humming. Nelson has a rich tone and fluid, soulful lines and the full B3 backing lets his horn sail. Excellent opener. Latin rhythm sets the stage for Uno Mas Por Roberto, written for Nelson's uncle Bob who is fluent in Spanish. On Stanley Turrentine's, Minor Chant, Nelson sets the melody before breaking into a lively exploration of on sax and Koehler follows Jimmy Smith's lead with a great solo of his own. Very cool. On Johnny Griffin's, Mildew, Nelson really get things going with rapid fire riffs. Jamming. Spinning up one of Sonny Rollin's favorites, Three Little Words, Nelson is really driving, showing a real feel for the style. This is great! Wrapping the release is original track, Last Call (For Gryce) written in honor of Tommy Gryce. With it's bluesy underpinnings, this track gives Nelson a super opportunity to get down and squeeze the notes from his sax. This really is a strong closer for a really cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Savoy, from Taj Mahal and it is a radical departure from his earlier releases with blues related jazz tracks from the earlier part of the past century. Opening with Ellingston's, Stompin' At The Savoy, Taj Mahal lays back and swings on vocals surrounded by period correct vocal backing by Carla Holbrook, Leesa Humphrey and Charlotte McKinnon. The band is tight with Erik Jekabson on trumpet, Mike Rinta on trombone, Sheldon Brown on clarinet and sax and a strong sax solo by Charles McNeal. Danny Caron on guitar, Ruth Davies on bass, John Simon on piano and Leon Joyce Jr. on drums. On Gershwin's Summertime, Mahal pushes the pace up and with a simple rimshot by Joyce and swinging vocal by Mahal, this track is cool. Lincoln Adler really lays out a strong sax solo and Caron on guitar hits the guitar just right backed by Jekabson on trumpet and Brown on sax. Possibly my favorite tack on the release. Maria Muldaur joins Taj on Baby It's Cold Outside with a nice duo between Evan Price on violin and Jekabson on trumpet. Louis Jordan's, Caldonia really hits this set nicely with Taj on harmonica and vocal and terrific trombone solo by Rinta and sax solo by McNeal. Excellent. Wrapping the release is One For My Baby with Taj really laying back in the slot and letting the soul ooze out. Caron lays in an excellent bluesy guitar solo with rich trumpet, Trombone, bass clarinet and sax by Jekabson, Rinta, Brown and McNeal respectively. Very fine.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Ridin', from Eric Bibb and it's a good one. Opening with Family, Bibb really has it going here. With a cool bass line creating an apprehensive sense and his rich vocals and great backing vocals, this is an excellent opener. Shuffle, The Ballad of John Howard Griffin, featuring Russell Malone, has a cool slickness with jazzy guitar chords and lead. With a tall tale, this track is introspective and positive. Country style blues, Call Me By My Name features Harrison Kennedy, on vocal and guitar trading with Bibb. This is a strong track reviewing the slave plight of human recognition. Wrapping the release is Church Bells, a cool acoustic guitar outro backed by fiddle and bass. Bibb has his own style and his own theme and that's what makes him Bibb. Very nice.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Motel Mississippi, from Tony Holiday and it's quite good. Opening with Rob & Steal, a contemporary take on the sound of thumping drums and floating guitar riffs that I associate with Hill Country music. Tony Holiday on vocal, A J Fullerton on guitar, Dave Gross on guitar, Aubrey McCrady on guitar, Victor Wainwright on keys, Terrance Grayson on bass, and Lee Williams Jr. on drums, this is an excellent opener. With a classic Willie Dixon bass line by Grayson, and a modern mix, Trouble is really a cool track. Holiday's vocals are strong and harmonica by Jake Friel, wild keyboard soloing by Wainwright and eccentric guitar riffs really add a lot spice to this track. Very nice. Asie Payton's Nobody But You has a great southern R&B feel (think Polk Salad Annie) with smooth vocals and choppy guitar riffs contrasting with windblown slide guitar. Very cool. Wrapping the release is Yazoo River with it's Lousiana rhythm. Holiday and Friel mix it up on harmonica with a solid bass line by Grayson making this a solid closer for a strong release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Third Degree Gravity, by Eric Heideman and it shows strong songwriting and execution. Opening with I Didn't Do It, a rocking boogie, Eric Heideman on lead vocal and guitar gets the track moving with Victor Wainwright on vocal and and keys, Michael Bram on drums and Matt Raymond on bass. Solid rocking opener. With Latin beat, You're Pushing Me, is snare heavy with Bram setting the pace and excellent vocal by Heideman and cool guitar riffs by JW - Jones. Howlin' Wind has a real nice melody and solid acoustic slide work by Heideman giving the track an eerie bluesy feel. My favorite track on the release is Say You Mean It Baby with a bluesy framework and strong vocals by Heideman, over the powerful piano work of Wainwright and articulate guitar phrasing by Heideman. Very nice. Wrapping the release is Turn Out Fine, a radio oriented ballad with a sweet melody. Accompanied by slide resonator and Dave Gross on organ and percussion, this is a solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent self titled release from the Pacific Jazz Group and it's a cool new set of west coast style jazz tracks. Opening with Bernie Miller's, Bernie's Tune, Dred Scott on piano sets the pace with quickly formed solo lines with strong reinforcement by John Wiitala on bass. Eric Crystal steps up on tenor sax with an aggressive solo of his own making this a strong opener. On Gerry Mulligan's Line for Lyons, Crystal lays out the groundwork on sax and Scott taking the first solo on piano. Sharing the center stage, they create a uniform feel with great musical balance. Another Mulligan track, Nights At The Turntable, gives Crystal the opportunity to really stretch. He has real full tone and his phrasing really works with the band. Scott on piano takes a cool stroll giving the track a lighter feel but maintaining that Mulligan swing. Wrapping the release is Utter Chaos and Crystal gives it the full treatment with deep raspy tones and fat upper register work. Excellent closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Recipe For The Blues, by Lady Adrena and it's a solid blend of soul, rock, blues and R&B. Opening with Blues Chose Me, Lady Adrena on vocal and guitar gets things going with a strutting track featuring power vocals and tight guitar riffs over keys and thumping drums. Stinging guitar riffs lead the way on Traveling Woman with great vocals by Adrena and drums and bass highlighting the strutting nature of the track. Very cool. Shuffle track, No Ring No Thang really has a moving bass line and Adrena with solid key work behind the vocal harmony. A cool guitar solo punches up the track and a nice piano solo adds nicely as well. Wrapping the release is slow, blues ballad, Recipe For The Blues, and Adrena digs deep for the grittiest of her vocals on the release. With understated guitar work, warm organ and nicely stated piano, this is a cool closer for the release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, What Key Is Trouble In?, from Nick Schnebelen and he on top of his game. Opening with blues rocker, Ten Years After, Fifty Years Later, my man Alvin Lee is called to mind with it's driving power and effortless rocking. Nick Schnebelen on lead vocal and guitar really understands this style and doesn't copy Lee but has his energy with his own riffs and melodies. A great rocking blues. On title track, What Key Is Trouble In?, Nick really hits the R&B groove along the lines of Wilson Pickett, with excellent Albert King like guitar riffs. This is an excellent track with plenty of room to move. Backed by Cliff Moore on bass, Adam Hagerman on drums, Red Young on keys and Aaron Mayfield on organ, this is a tight band. Shuffle track, Pain Aside, has a real nice feel and showcases Nicks vocals nicely. With Moore's tight bass line and inventive blues attacks from Nick, this is a really cool track. Driving boogie, Jonny Cheat, will defy you to sit still without bobbing your head or squirming. This is BFG hot and one of my favorites on the release. I really like the swamp funky feeling of Throw Poor Me Out with the rat a tat drumming by Hagerman, and Jackie Lydon style vocals by Nice. His percussive guitar lead really hits this track perfectly. Wrapping the release is People Worry About Me, another track with that honest TYA sound> Nick's vocals are strong over a thick wall of sound. His guitar riffs are outrageous, almost like screams in pain, giving this track a terrific intensity that I love. Excellent closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Blues Is Calling Me, from Leonard "Lowdown" Brown and it's a soulful blues release. Opening with R&B style track, Juke Joint, Brown on vocal and guitar with a good bass line and light drum rhythms. It has a smooth soulful delivery and certain radio appeal. French Quarter Woman is a cool soul tune that literally glides. Brown's vocals are terrific and with a solid bass line, this track could be right off of a 60's soul release. Based on a Sonny Boy Williamson riff, Blues Make Me Feel Good, is a really nice track with the bass line dictating not only the tempo but the overall feel with Brown alternating back and forth on guitar and vocal. This is one of my favorite tracks on the release. Title track, Blue Is Calling Me, has a more contemporary, R&B feel with a very danceable rhythm. Wrapping the release is Mississippi Fred McDowell's, You Gotta Move. Brown puts a cool, low slung spiritual styling to it making it a great closer for this cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Keep On Moving, from Deuce 'n a Quarter and it has a little bit for everyone. Opening with Swinging At The Blues, a cool shuffle, features Brian Peters on lead vocal and harmonica and he has a great voice. With crisp riffs by Keith Colbert on guitar, Andre Scott on drums, Martin O. Brown on bass and Brandon Adams on keys, this is a solid opener. I like rocker, Same Old Blues with it's blend of garage band rock and blues. Colbert's guitar work is really a strong anchor on this track and it's format makes it a good candidate for rock radio. Boogie, All She Wrote really chugs along with Peters on lead vocal and solid harmonica soloing. Kenny Neal adds guitar work and Brown's bass work really sets the pace. Sun Kissed Wheat is a standout track on the release with it's Delta styling and showcasing Peters' harmonica and vocals. Very nice. Wrapping the release is ballad, Why with Peters on lead vocal strongly showcased over a bed of piano rich organ work by Tim Dvorkin. Colbert shine with a cool, melodic guitar solo making this track the likely choice for mainstream blues oriented radio listeners.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Commitment, from Jae Sinnett's Zero To 60 Quartet and it's strong. Opening with Takin' It There, this release comes alive with Randy Brecker upfront on trumpet, with Jae Sinnett really bringing it on drums. This track is vital with excellent sax work by Steve Wilson, Terry Burrell on bass and piano by Allen Farnham on piano. Excellent opener. Laying back in 3/4 time, Brecker lays out the beautiful melody of Simone, with a light and tight backing by Farnham and Sinnett. With Burrell keeping a firm hand on the groove, Farnham takes a nice very stretch on piano with Brecker closing the loop on trumpet. Very very nice. Muhammara's Dance is an excellent showcase for Sinnett with it's ultra funky drum work. Farnham further enhances the percussive nature of the track with a really cool piano interlude and Brecker's trumpet soloing really is strong. Excellent track. Wilson's sax interpretation of Bernard Ighner's Everything Must Change is really inciteful providing it a meaty thoughtfulness that I haven't heard on this track. Farnham continues with an introspective piano solo making this one of my favorites on the release. Wrapping the release is De Saudade/Jobim No More Blues with it's infectious Latin rhythm. Burrell and Sinnett really get the action moving and Brecker takes the top with a bright trumpet lead. Countered by Farnham on piano he really takes the Latin spirit and keeps it rolling. This is a high spirited closer for a really strong release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Blue House, from Marc Ciprut and it's really cool mix or rock, R&B and jazz. Opening with Roll It Out, Marc Ciprut on guitar leads the way, joined by Jeremy Manasia on Wurlitzer, Etienne Lytle on organ and Tommi Rautiainen on drums creating a soulful Al Green feel with fluid guitar lead. Nice opener. Shaggy has a contemporary funk feel with Jimmy Haslip on bass, and Jon Cowherd on Wurlitzer and organ. Using a wah pedal, Ciprut creates a really nice groove with Haslip, Coward and Rautiainen working a great weave. Wrapping the release is Kiss You Again with varying time shifts and Ciprut playing it straight with Rauianinen and Lytle against Ciprut's own adverse bass line. Very cool closer for a solid release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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