I was informed this morning by Curley's son that Curley has passed. I am very sorry to hear this. Here is another notice of Curley's passing from Patrice Villastrigo:
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I just had the opportunity to review the most recent release, Sun Prints, from Matt Booth and it's a stimulating sonic adventure. Opening with In Tongues, Peter Varnado on drums and Matt Booth on bass lay down a strong rhythmic theme, joined by Steve Lands on trumpet and Sam Taylor on tenor sax creating an ever building intensity, anchored by Oscar Rossignoli on piano. Strong opener. Ice Bear has a crisp, glistening feel with tight drum work by Varnado and a great bass line by Booth. Lands creates a really nice melodic theme on trumpet and Taylor sails on tenor sax. Very nice. You Came Along has a progressive drum, bass, piano anchor with a stimulating feel and Lands and Taylor exchange soloing on trumpet and sax making for on of my favorite tracks on the release. Wrapping the release is Happenstance, an intricate track with whirling piano, sax and trumpet and articulate drums and guitar. A fruitful closer.
I just had the opportunity to review the most recent release, A Town We Painted Blue, by Christopher Lockett and it's a solid gumbo of folk, blues country and Americana. Opening with title track, A Town We Painted Blue, Christopher Lockett on vocal and rhythm guitar sings a folk tune with strong violin work by Scarlet Rivera and Kitten Kuroi on backing vocal. I really like the pedal steel work on Bob "Boo" Bernstein on Santa Ana Winds Are Good For Cryin', a cool folk rocker with Fernando Persomo on drums behind Lockett and Kuroi on vocal. Death Ain't Nothin'/No Mercy is a cool blues structured track with a powerful guitar riff by Perdomo and terrific vocals by Lockett and Kuroi. I like Lamp Posts with it's Americana structure, spartan rhythm, pure vocals by Lockett and Kuroi and sweet violin work by Rivera. Lockett pulls out his blues harmonica on Down By The Riverslide, a cool harmonica jam backed by Perdomo on drums. Wrapping the release is another American style rocker, Long and Troubled Road, with a solid melody and vocals by Lockett and Kuroi. I think that this release is quite interesting and has it's own flavor.
I just had the opportunity to review the most recent release, Backstage Pass Live!!!, from Judy Sings The Blues and it's has great kick. Opening with Help Me, a blues rocker with plenty of swagger, Judy Mangini on lead vocal and percussion really takes control. Joined by Jan Zukowski on bass, Ray Lombardo on drums and featuring some potent guitar work by Lin Doughten and Brian Cunningham on sax, this is a tight opener. Rocking boogie, Guess I Was Wrong, has a firm droning bass line by Zukowski and a tight drum beat by Lombardo leaving a great platform for Mangini's vocals, and sweaty guitar soloing by Doughten and a soulful sax solo by Cunningham. Very nice. Soul track, Come Over Here really showcases Mangini's vocal style and the band with it's moving rhythm sets a terrific feel. Cunningham on sax sets the bluesy moody and Doughten rips a real nice guitar solo giving the track real teeth making it one of my favorites on the release. Wrapping the release is blues rocker, 52 Years with a driving drum rhythm and rock guitar riffs. Cunningham breaks loose a saucy sax solo with Mangini closing the set.
I just had the opportunity to review the most recent release, Just Wanna Have Fun, from Mike Goudreau Band and it's a swinging blues release. Opening with Don't Wanna Go To Work, Mike Gougreau on lead vocal and guitar leads the way with Dany Roy on trumpet responding to his call, backed by Norman Lachapelle on bass, Richard Irwin on drums and Paul Shrofel on keys. A cool shuffle, this track gives Goudreau plenty of space to run the frets. Solid opener. With a nice lope, How Can I Change Your Mind, really hits the slot. Singing just behind the beat, Goudreau gives the track a real laid back feel and Shrofel on keys lay out a sweet solo of his own. Rockin blues, Big Black Dog, plays nicely with Goudreau putting out some of his best vocals and crisp guitar riffs over the funky rhythm of Shrofel on keys and Irwin on drums. With a light, easy pace, Happy Since You're Gone, is a jazzier piece with Goudreau crooning and nice muted trumpet and flute by Roy. Next up is Come Home Baby with a great swing, featuring some of Goudreau's best guitar riffs and Guy Belanger on harmonica. My favorite track on the release is Au Revoir Not Goodbye with a slow bluesy pace. With stinging guitar riffs and smooth vocals by Goudreau and warm keys by Shrofel this track is a real standout. Wrapping the release is trumpet led, Hoppin The Blues, with jazzy guitar riffs by Goudreau and organ riffs by Shrofel. Roy stands tall with a great blues laden sax solo for a solid instrumental closer.
I just had the opportunity to review the most recent release, Live In Europe, from the Scott Weis Band and it's a solid blues based rocker. Opening with Raise Your Hands, a solid rocker, Scott Weis on lead vocal and guitar really gets the show going. With Robert Kopec on bass and vocal and Roger Voss on drums, this is a great sound. On ZZ Top's Just Got Paid/Jesus Just Left Chicago, Weis on vocal and lead guitar gets that Gibbons grit and cruises into his well known shuffle. This is a great concert track and nicely developed. Pride and Soul is a strong track opening with stripped down guitar, vocal and tambourine. Growing as it develops, this track is a potent blues rocker. With a driving bass line by Kopec and tight drums by Voss, this is one of my favorites on the release. Sam and Dave's deep soul track, Something is Wrong With My Baby, is really developed nicely here with well blended vocal harmonies and an extended guitar solo by Weis. Funky, Bitch Please, breaks a nice groove and with a rolling bottom and relentless guitar riffs, this track really moves. Wrapping the release is Freddie King's Have You Ever Loved A Woman, with Weiss hitting stiff and hard on guitar. Spanning over 10 minutes, this is a great jam and a strong closer for this solid concert release.
I just had the opportunity to review the most recent release, Sundown Rising, from Denise La Grassa and it's a solid blues rocker. Opening with title track, Sundown Rising, Denise La Grassa onlead vocal and organ leads the way with a tight rhythm by Mike Gee on drums, and Steven C. Manns on bass and John Kregor on guitars and featuring Pierre Lacocque on harmonica. Solid opener. On Big Bill Broonzy's Key To The Highway, La Grassa gives the track a twist with a funky bottom, adding Stephen Ryan on guitar some real nice harmonica work by Lacocque. Charging rocker, Vision Of Good Rule Makers features some real nice guitar work by Ryan and La Grassa on vocal and organ and backing by the Nunn Sisters. My favorite track on the release is funky, Sweet Talk, with bluesy vocals by La Grassa, flashy guitar riffs by Ryan and strong bottom by Gee and Manns. Wrapping the release is easy shuffle, Loving For Love's Sake anchored by by Gee's tight drum work.
I just had the opportunity to review the most recent release, Happy Little Accidents, by Dominic Quarto and it's an energetic blues rocker. Opening with Wanna Good Time, Dominic Quarto is on lead vocal joined by Rip Carson on bass and excellent rockabilly guitar riffs and Jeff Taylor holding the rhythm in line on drums. Strong opener. In the slot, La Verne, has real swagger with Quarto on lead vocal, Bob Gothar and Carson on guitars, Taylor on drums, Jorgen Carlsson on bass and Tyler Nickeas, Daniel Fritts , Richard McGowen and Chris Edwards on backing vocals. With thunderous drums by Kenny Aronoff and a firm hand by Carlsson, Ely May rumbles. Quarto on vocal and Pettibone on guitar and harmonica, gives this track a definite 50's feel. With a country and western twist, Outlaw really has a great feel. With strong vocals by Quarto, Pettibone and Carson on guitars, and Taylor on drums, this is one of my favorites on the release. Closing the set is easy paced, country flavored, Song For Nick. Quarto sings it like it's his music base and with Gary Brandon adding tasty pedal steel work to Gothar's lead and Carson on bass, this is an excellent closer.
I just had the opportunity to review the most recent release, Empty Seats, from Richard Wilkins and it's a cool fusion of blues, rock and country. Opening with Duncan McGillvray, a traditional Scottish tune and leading directly into Coming In For A Landing, a country two stepper with a rock edge. Richard Wilkins on vocal, sax, bass and guitar is joined by Paul Brainard on guitar and lap steel, Brian Harris on piano, and Jimi Bott on drums. Rocking opener. I particularly like Rainy Sunday Morning with Wilkins and Rhonda Steele on vocals and cool, slide guitar by Wilkins and Ed Neuman on organ. Shuffle, Daylight Train, has a great feel, with Wilkins on vocal and Brainard on lap steel, and Joe McCarthy on brass. Crossroads Of Love is a cool rocker with edge. Wilkins keeps it raw with edgy vocals and stripped down guitar riffs and Bott keeps it tight. Jump track, Rock This House really moves with excellent guitar lead by Brainard and Wilkins and Neuman on piano. Wrapping the release is traditional track, Will Ye No Come Back Again with it's traditional boned but rocky sound. Featuring Wilkins on sax, and Bott on drums this is a solid closer.
I just had the opportunity to review the most recent release, Play Space, from Omer Leshem and it's fresh. Opening with world influenced, Twilight Hymn, Latin meets Mediterranean rhythms and Omer Leshem on tenor is blowing some warm melody. Joined by Naday Remez on guitar with a beautiful Spanish flavored solo, Moshe Elmakias on piano, Elam Friedlander on bass and Ben Silashi on drums this track is terrific. Cape Town Swag really moves with a stimulating bass line and tasty sax lead by Leshem. Elmakias evolves the melody nicely with imaginative piano exploration and Remez settles into a cool groove with Friedlander on bass and aggressive drumming by Silashi really cooks, making this one of my favorite tracks on the release. Framing in 3/4, Go You Maniac has a really flowing feel. With Lesham creating the melody and a nicely floating melody, and percussive sub melody, this track is really nicely done. Wrapping the release is Back Home, with a soothing, quiet melody, presented by Lesham on sax. With nicely blended bass, guitar and piano solos, this is a strong closer for a very pleasing release.
I just had the opportunity to review the most recent release, The Invisible Man, from Davy Knowles and it's a strong blues rocker. Opening with contemporary rocker, Good To Know Ya, Davy Knowles on lead and rhythm guitar and vocal lays down a solid track with hints of the Dickey Betts and twin guitar leads backed by Tod Bowers on bass and Mike Hansen. Tell Me What You Want Me To Be has a great back beat and a low slung rhythm. Knowles' vocals are tops and his guitar lead had plenty of spunk. Driving rocker, Running Out Of Moonlight, has strong radio appeal with compact guitar riffs and a memorable melody. Hansen and Bowers hold a solid bottom and Knowles cuts loose on lead with broad swath guitar intensity. Very cool. Heavy bottomed, No More To Weep, is my favorite track on the release with soulful vocals and bluesy guitar lead, accented by a solid bass hook and snappy drum work by Hansen. Wrapping the release is quiet ballad, Wonder You Are, with a strong melody, light backing and sweet, resonator slide work by Knowles. This is a solid closer for a real nice release.
I just had the opportunity to review the most recent release, If A White Horse From Jerusalem, by The CNY Jazz Orchestra and it's an interesting mix of Big Band, Coltrane with Jewish and Arabic scalar, rhythmic and harmonic materials. Opening with Ahava Raba, Eddie Severn, Scott Harrell, Rob Robson and Paul Merrill blazing on trumpets and the smooth sound of David Liebman on soprano sax and Charles Pillow on clarinet. The addition of Seth Carper, Mike Dubaniewicz, John Jeanneret and Frank Grosso on sax, Rick Montalbanl on piano, Spencer Phillips on bass and Larry Luttinger on drums for the full ensemble. Real Klezmer rhythm on Ki Lo Noeh / Maqam Saba Liebman and Luttinger set the pace with reed backing and trumpet and trombones (Bill Palange, Greg McCrea, Angelo Candela and Mark Anderson) create musical tension, then soloing over the tight rhythm of Phillips and Luttinger. Very cool. Bernstein's classic composition, Somewhere, is really lushly orchestrated and flows from the band. Liebman really lays it out there backed by flugelhorn and trombone for an excellent, warm romp. Grosso digs in nicely on Hip-Hop Shuffle with a lot of encouragement by Phillips on bass. Wrapping the release is Rogers and Hart's Where or When featuring Montalbano on piano solo with warm sax and horn backing and complimentary melodic lines. Solid closer for a real cool release.