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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, Time To Say, from Sergio Pamies and it's a strong tribute to Chick Corea. Opening with Latin flavored release with title track, Time To Say, Sergio Palmies on piano joins with Dave Liebman on soprano sax developing a strong melody over the rhythm bottom held tight by Samuel Torres on percussion, Jimmy MacBride on drums, Miguel Fernandez on percussion and handclaps and Ricky Rodriguez on bass. Excellent opener. Sleep Delirium is another really solid track featuring Alex Norris pelting out melodic lead soloing on trumpet, chased by Pamies on piano and MacBride on drums. Michael Thomas gets the floor and sets his sax flowing. Corazonada has an extended bass solo by Rodriguez and exceptional percussion by Torres allowing solid piano soloing by Pamies. Kenny Wheeler's Miold Man is a strong addition to the set with a great moving bottom and featuring Marshall Gilkes with a terrific trombone solo, a strong trumpet solo by Norris and Daniel Pardo on flute. Wrapping the release is Nana Para Sergito featuring Paquito D'Rivera on clarinet floating above Pamies on piano melody. D'Rivera and Pamies each take nice stretches, embellishing the melody nicely over Rodrigues on bass and quieted percussion and drums by Torres and MacBride. This is a solid closer for a really strong release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the newest release, Bite of the Street, by Mac Gollehon & The Hispanic Mechanics and it's an entertaining cornucopia of sound. Opening with Souled Out, a Latin infused track with a driving bottom by Eric Klaastad on bass and Jeanne Carno on drums. Mac Gollehon on trumpet soars, blowing great flowing lead and Ismael Sanchez adding intense percussion. Solid opener. Title track, Bite Of The Street, has a funky, soulful feel with Latin overtones. With a powerful brass refrain the track slowly melds into a Spanish flavored tune with great movement and powerful lead. On funky, High Drama, the band drops back giving Gollehon plenty of space to play first muted, then open. This is my favorite track on the release with plenty of movement and exciting lead by Gollehon. Wrapping the release is Sleepwalker, a rapid fire jam with hot trumpet riffs and Ariel Lawler on backing vocals over hot drum and percussion bottom. Tight closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Fine By Me, from Curtis Salgado and it's a great mix or rock, pop R&B and blues. Opening with country rocker, My Girl Is A Nut, with Salgado on vocal and harmonica, Alan Hager on guitar, Keith Brush on bass and Jimi Bott on drums. Chugging rhythm on Better Things To Lie About has a great feel, reinforced by Joe McCarthy on trumpet, Lars Campbell on trombone, and Tim Bryson on sax and features super vocal and harmonica by Salgado. One of my favorite tracks on the release is I'm Gonna Forget About You featuring vocal duet with Salgado and Robert Cray. Jim Pugh on piano and B3 gives the track depth and Jerry Jemmott on bass and Kid Andersen joining Cray on guitar really adds the spice. Hear The Lonely Hearts is a terrific soul track featuring Salgado on lead vocal backed by The Sons of Soul Revivers (James Morgan, Walter Morgan and Dwayne Morgan) on harmonizing vocals. With Rome Yamilov on guitar and Kid Andersen on bass, this is a standout track. Safe At Home is a solid pop rocker with Salgado on vocal backed by Lisa Leuschner, Kid Andersen on guitar and keys, Hershel Yatovitz on slide and bass and Paul Ravelli on drums. Slow blues, You Give The Blues A Bad Name features Anson Funderburgh on guitar and he really digs in. I think that Salgado's best vocals are on this track, with Billy Watts on guitar, Terry Wilson on bass, Loren Gold on piano, Tony Braunagel on drums and the illustrial horn backing of Joe McCarthy on trumpet, Lars Campbell on trombone and Tim Bryson on sax. Excellent track. Wrapping the release is shuffle, Under New Management with nicely styled guitar lead by Funderburgh. Salgado really gets the groove moving on vocal with Wilson on bass, Loren Gold on piano, Bruanagel on drums and McCarthy, Campbell and Bryson on horns. Salgado lays in some real tasty harmonica making this an excellent closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, 106 Miles To Chicago, from The B. Christopher Band and it's a party band deluxe. Opening with Floyd Dickson's Hey Bartender the band is swinging. With Eddie Testa on vocal, B. Christopher on guitar, Anton Fig on drums, Nick Douglas on bass, Bruce Katz on keys, Andy Snizter on sax, Ryan Keberle on trombone, and Tony Kadleck on trumpet, the house is rockin'. Robert Johnson's Sweet Home Chicago has much of the Blues Brother's swagger with blazing horns, cool piano work by Katz, bluesy guitar swagger by Christopher, a sweltering sax solo by Snizter, warm trombone work by Keberle and smooth vocals by Testa. On Taj Mahal's slinky, She Caught The Katy, Testa really delivers on vocal with Kadleck on trumpet and Studebaker John on harmonica pushing the top. Christopher lays in a real nice guitar solo pulling forth strong emotion from Mahal's original arrangement. Wrapping the release is the horn line from Otis Redding's I Can't Turn You Loose with Katz on organ, Fig on drums, Douglas on bass and Christopher on guitar. A solid Blues Brothers sendoff.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, To The Blues and Back Again, by Val Starr & the Blues Rockets, and it's a solid blues rocker. Opening with title track, Been To The Blues & Back Again, Val Starr o lead vocal leads the way with Frankie Munz on harmonica playing over a shuffle rhythm by John Ellis on bass, Pamela Charlles on keys, Kirk Hooper on drums and featuring Timothy Brisson on lead guitar. Boogie track, If You Don't Blues It You'll Lose It, Starr really puts some swing in her vocals, with Brisson on lead guitar and solid bass work by Ellis and cool key work by Arthur. With a Latin flavor, Ask Me No Questions, really features the vocal work of Starr and Arthur on organ, and a sassy sax solo by Marty Deradoorian and Brisson on guitar. Stephen Kimball lays down some real tasty guitar riffs on The Blues That Moves Me, a soulful track that could get some real traction. R&B track Big City Blues, has a cool Booker T feel courtesy Ellis on bass and sets a nice stage for Starr's vocals. Wrapping the release is folksy blues, Did You Ever Notice, showcasing Starr's vocals and Ellis on lead guitar. Darrell Lee Echols sits in on drums for this solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Brown Eyed Blues, from Jeff Pitchell and it's a lot of fun. Opening with thumping rocker, Now You Know, Jeff Pitchell on lead guitar and vocal sets a finite reference. With grinding guitar tone and solid bass line from John O'Boyle and Ephraim Lowell on drums, this is a powerful opener. Boogie, Wait, is driven by an aggressive bass line by Mike Nunno and Mike Levesque on drums. Pitchell really gets the track rocking with strong vocal lead and great guitar riffs, backed by Colin Tilton on sax, Dan Fontanella on piano, and John Robinson, Theresa Wright and Linda Ransom on backing vocals. Pop rocker, When We Kiss, has a light finky beat and features Duane Betts on guitar, adding the twin lead guitar closely associated with the famous Allman Brothers band. Jay Vernali on piano and organ, Tommy MacDonald on bass and Tom Hambridge on drums make this the radio choice for the release. Latin flavored, Stay While The Night Is Young, features some of Pitchell's best vocals and Santana like Mesa Boogie overdrive. With Nunno on bass, Mike Levesque on drums, Nick Longo on drums, Ivan Santiago on percussion, Kevin Berry on percussion, Bruce Feiner on keys and Vic Steffens on percussion, this is a cool track. Cool shuffle, When It All Comes Down. is one of my favorite tracks on the release, with Pitchell playing call and response with his vocal and guitar. With solid bass and drum backing this track just hits nicely in the slot. Wrapping the release is another Latin flavored track, Welcome To The Beat with Pictell on lead vocal, guitar and bass and Bill Holoman on drums, keys sax and trumpet, backed by Jim and Gloria Pitchell on vocal. Solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, The New Jersey Sessions, from Sean Hong Wei and Jeremy Monteiro, and I really like it. Opening with Charlie Parker's Dewey Square, Alex Sipiagin on trumpet, Jay Anderson on bass and Evan Sherman on drums lay out the basic rhythm/ melody. Sean Hong Wei leads off with a stimulating solo on tenor sax and Jeremy Monteiro follows with a real nice solo of his own. Sipiagin steps up with a real nice trumpet solo punctuated by Monteiro and Anderson rolls in a real nice bass solo of his own crowned by Sherman on drums. Excellent opener. Influenced by Coltrane's arrangement of Billy Eckstine's I Want To Talk About You, Hong lays down his own interpretation with rich tenor tone. Coaxed by Monteiro and anchored by Anderson and Sherman, this is a solid entry to the set. Marvin Fisher's, When Sunny Gets Blue is another rich ballad and Hong's sax really sings it joined by Houston Person. Expressive phrasing and simple backing by Monteiro, Anderson and Sherman gives Hong plenty of room. Anderson takes an extended bass solo which contrasts Hong nicely. Milt Jackson's, Bags' Groove, really does have a terrific groove with Hong sharing the lead with Houston Person also on tenor sax. I really like Monteiro's piano work on this track adding in a really nice swing. Wrapping the release is The Duke's, Sophisticated Lady, where Hong and Monteiro share the spotlight. Monteiro's piano is precise and sensitive and Hong's sax rich and expressive. Excellent closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Tornado Watch, from Adam Hersh and it's quite interesting. Opening with Woe V Shade, Adam Hersh on Rhodes piano, Jermaine Paul on bass and Myles Martin on drums create a whirling rhythm. Andrew Renfroe on guitar joins adding to the mix and a very cool tight mix. Parallel Motion is a deeper exploration featuring Evan Abounassar on trumpet and Devin Daniels on Alto sax. Hersh on Rhodes and stepping bass lines by Paul create an intriguing dialog and Daniels on sax plays thoughtfully expressive phrasing. Very interesting. On Concessions there is a distinct change in direction with a more forward melody by Abounassar and Daniels. With a bop driving bass line by Paul and piano encouragement by Hersh, Daniels lays out a real nice solo. Hersh takes the reins and a real nice gallop over Paul's bass line and tight drum action by Martin. Very nice. Wrapping the release is Propellant with a smooth, almost Latin influence. Paul keeps it tight with Hersh and Daniels holding the melody. Joined by Abounassar on trumpet and Renfroe on guitar, Paul's bass comes to life with solid lead lines. A real nice melodic piano solo by Hersh takes over the track with light bass and drum bottom giving way to a strong trumpet solo by Abounassar and then Daniels on sax. Solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Reimagining The Court of the CrimsonKing and it's a modern day replication of Fripp's early masterpiece. Opening with 21 Century Schizoid Man, Todd Rundgren and Arthur Brown on vocal is a bit more outrageous than Greg Lake's stellar vocals on the original release. Fripp who masterminded everything that KC did played guitar beautifully on the original yet Chris Poland pushes the envelope yet further. Michael Giles, who plays drums on the original track I always thought did a masterful job yet Ian Paice really does a nice job here as well and the addition of Mel Collins on sax really is a great touch. Excellent! One of my favorites form the original composition is I Talk To The Wind with Jakko M Jakszyk on vocal, guitar and keys and he really does a nice job. Django Jakszyk on flute holds the sub melody. Very nice. Danny Faulkner has the lead on Epitaph and really carries it well. Joe Lynn Turner sings Moonchild adding just a touch of theatrics to the original track and Jah Wobble on bass compliments the track with tight lines, and Marty Friedman on guitar sails. Title track, The Court of The Crimson King features James Labrie on vocal and Steve Hillage on guitar. Hillage creates trademark solos joined by Carmine Appice on drums. The release returns with instrumental takes on Schizoid Man and Brian Auger runs an elaborate keyboard solo certainly justifying the addition.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Young Man's Blues, by Frankie Boy & The Blues Express and it's strong. Opening with Guitar Jr, a cool jam with a funky, James Brown "Boogaloo" feel. Frankie Boy Blues takes the lead on guitar and vocal with Mickey Maguire on bass, Mike Morgan on guitar and Harrison Foti on drums. Young Man's Blues is a cool, laid back blues with a low slung guitar vamp. Mike Morgan plays a melodic guitar solo with Frankie on vocal and a stiff drum swat by Foti. Very nice. Luther Johnson's Talkin' About Soul is a energetic hi stepper with JB energy. Funky rhythm guitar, a rumbling bass line and a stiff drum swat gives Frankie plenty of room to groove. Lots of fun. Slow blues, Something About You really showcases Frankie's feel for the blues and excellent guitar phrasing. Cheatham's Chicago classic, Black Drawers On, really rolls. With excellent guitar work by Morgan this is one of my favorites on the release. Buddy Guy's Mary Had A Little Lamb maintains Guys arrangement and fits nicely into this funky set. Wrapping the set is original track, What More Can I Do with it's radio format. A solid melody, vocals and understated guitar work seal the deal for this enjoyable release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Tulsa Custom, from Seth Lee Jones, and it's a cool blues rocker. Opening with stylized Texas blues rocker, 110, Seth Lee Jones creates that overdriven romp that a certain band from Texas made famous. Grabbed chords on guitar and gritty vocals by Jones, solid bass by Bo Hallford and a steady drum beat by Matt Teagarden makes this a very memorable opener. Rockin boogie, All That I Ask has a driving rhythm and a cool moving bass line, snapped in place by Teegarden. I like Jones' approach on guitar soloing. Very cool. Another driving boogie, One Chance, has a terrific groove. Jones' vocals are gritty and Hallford and Teegarden really kick up the dirt. Jones on guitar blends traditional blues rock riffs with more contemporary "tricks" but the end results is solid boogie. Wrapping the release is bluesy ballad, Don't Waste A Thing, with Jones singing with a much silkier nature and melodic guitar soloing. This is certainly the radio track for the release but if you want a kick ass boogie rocker in the vein of "That Little Ol Band from Texas", you'll love this release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Three Chord Monte, from Tony Romano and I really like it. Opening with fusion track, Cadillac Green, Tony Romano on percussive guitar, Jennifer Vincent on bass and Rob Garcia set a really super groove. Paul Carlon on sax sets up the melody and continues with an aggressive sax groove. Romano takes the lead on guitar and really digs in with percussive guitar rhythm and jazz chords. This really is a super opener. Lay It Down is a jazz rocker with an African rhythm feel. Romano and Carlon alternate and jointly play the compact melody before Romano takes an adventurous run on guitar. This track really has that Kuti vibe and with excellent work by Vincent and Garcia on the bottom this track is hot. Carlon's sax work is terrific with the life of authentic African jazz. Excellent! Camino has a definite Latin feel with a solid bottom by Vincent and Garcia and slick Flamenco style guitar work by Romano. Very nice. Ratatat is a ethereal track with a driven, but understated bottom and Romano presenting a mixture of rhythms, chords and melodic phrasing. Loosely crafted (and tightly maintained) Squirrelly, has a New Orleans style stumble drum rhythm providing the rhythm for a solid bass line by Vincent and a rhythmic chorded guitar solo by Romano. Wrapping the release is Home is a soothing, melodic track featuring Carlon laying out the melody on sax, handing off to Romano who elaborates on guitar. This is a cool closer for a real nice release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, About Time, from Celos Salim and Darryl Carriere and it's packed full of lively rock and blues. Opening with BBQ, a hot R&B style track with a funky backbeat. Celso Salim on guitar leads this rocker with a cocky strut and Darryl Carriere on harmonica and vocal really get this track going, backed by Mike Hightower on bass and vocal and David Kida on drums. Solid opener. Jump track, Sweet Thing really has a great feel with excellent riffs and wicked trem bends by Salim and wailing harmonica by Carrier. Excellent! Slow blues, In Your Arms has it all with a strong melody vocal depth by Salim, sumptuous harmonica solo by Carriere and gripping solo by Salim. Very nice. Lightly funky, Get Along is really a cool track with a potent drums rhythm by Kida. Salim and Carriere play a great call and response vocal jibe and tasty work by both , this is one of my favorites on the release. Shuffle, Love On A Shelf has a rolling bass line by Hightower and Salim and Carriere share the mic with stinging guitar riffs as accents all through the melody. Carriere really shows his blues influences on this track with great tone and phrasing. Wrapping the release is country blues, Make You Mine with Salim on resonator and Carriere on vocal and harmonica. With a foot stomp as percussion, this track has a really soulful authentic old school feel. Solid closer for a really cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Silver Lining, from Misty Blues, and it's strong. Opening with Seduction By Blues, Gina Coleman with her deep, thick blues oozing vocals permeate the air. Out of the darkness bursts Seth Fleischmann on guitar backed by Bill Patriquin on bass and Rob Tatten on drums, driven by David Vittone on keys. Powerful opener. The Upper Hand had a cool creep about it with atmospheric guitar work woven with Joel Nicolas on keys, Aaron Dean on sax and Patriquin on trumpet. Bluesy rocker, Enough Lovin' For Two and a great sax/bass riff and Fleischmann rips a real nice guitar solo adding nicely to this already cool track. Funky blues rocker, That's My Cross, finds Coleman on vocal over a funky guitar rhythm. I really like the laid out sax solo by Dean and Fleischmann rips a great solo of his making this one of my favorite tracks on the release. Wrapping the release is Blues Never Ends, with the Diego Mongue Band. With backing vocals by Fleischmann, Patriquin, Tatten and Dean, Diego Mongue on percussion and the solo sax work by Dean, this is a solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Person of Interest, by Billy Price and it's got style. Opening with funky, Inside The Box, Billy Price is back with his next chapter. Notable for a leading vocal style for more than 25 years, Price is joined by Larry Fulfher on bass, Josh Sklair on guitar, Jim Pugh on keys, Tony Braunagel on drums and backing vocals by Masayn Lewis, Fred White and Will Wheaton. Of course there's a great horn section behind him including Ron Dziubla on sax, Eric Spaulding, and Mark Pender on trumpet. Great opener. Bluesy ballad, Mercy, gives Price a chance to belt one out and warm keys by Pugh under the solid lead guitar work of Fulcher, and a sultry sax solo by Spaulding make this a solid radio contender. Title track, Person Of Interest, really has a funky pop sound in the vein of Steely Dan. Reggie McBride on bass lays in a great vibe and Pugh is killer on keys. Price's vocals are loose and free and Dziubla and Pender do a great job on horns. Having spent 3 years with Roy Buchanan, Price dedicates a track, Change My Mind, to Roy. A serious soul track and featuring Joe Bonamassa on guitar who gives Roy a few nods this is a very cool track. Latin rhythms on A Certain Something has radio warmth and a strong melody. Pugh leads the track nicely on keys and Lenny Castro on percussion and Braunagel really spice up the bottom with Fulcher on bass and lead vocal by Price, backed by Lewis, White and Wheaton really shines. Wrapping the release is high stepping, Damage Control, with Price playing call and response with Dziubla and Pender on horns. McBride on bass holds the line with Braunagel on drums and Pugh of course on keys is stellar. Spaulding shines on tenor sax whipping out a real nice solo and Lewis, White and Wheaton blend nicely. This is a consistently cool release ... think a bluesy Steely Dan. Very nice!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent releases, Spirits, by Kid Andersen and Soul, by Lisa "Little Baby" Leuschner released together as a single release (2 discs) and it's great! Opening with slow blues, The Civilized Life, Kid Andersen opens with some of the most powerful music to come out of Greaseland Studio. Andersen is a talented musician across the board and his guitar playing and lead vocals here are really strong. Endre Tarczy on bass, Chris Burns on keys and Mike Rinta on trombone, Dr Aaron Lington and Stevie Gurr on harmonica add great texture to this excellent opener. Blind Willie Johnson's Nobody's Fault But Mine gets a really nice rework with a slinky feel courtesy Dave LeMieux on drums and Kid on guitar, bass and lead vocal shared with Lisa Leuschner. Check out the outrageous slide guitar work by Kid on Hey, Little Reaper, a Chicago style blues romp with solid harmonica work by Nic Clark and Charlie Musselwhite, coupled with Burns on keys. Very nice. I really love the feel on I Ain't Right with Kid on lead vocal and slide guitar. This track is a loose shuffle and reminiscent of the work that Skydog did with Arthur Conley at Muscle Shoals back in the early 70's. The groove is excellent and horn work by Eric Spaulding, Jack Sanford, along with Lorenzo Farrell on keys, June Core on drums and Jerry Jemmott really sends this one over the edge. Wrapping Spirits is Ship of Fools, a sauntering soul/jazz track in the vein of early War. The vocal blending by a host of characters is incredible and Jemmott really anchors this track. Excellent closer for disc one.
Leuschner opens her disc with Mike Schermer's In My Mind's Eye with a warm R&B influenced feel. Smooth, soulful vocals, backed by Kenny Ken Franklin on bass, D'Mar on drums, and clean guitar work by Kid make this a solid opener. Another R&B track, Donnie Woodruff's I Won't Let That Happen To Me, really has a great feel showcasing Leuschner's voice nicely. With Jemmott setting a deep groove on bass, D'Mar on drums, Jim Pugh on keys, Vicki Randle on percussion and cllean, understated guitar work by Kid, this is a really nice entry. Digging back into Bishops great days with Jo Baker, Rock Bottom is resurrected and is punchy as it was when I first heard it in college. Lisa is backed by James, Dwayne and Walter Morgan on vocals, Rinta, Lington, Scott Jensen on trumpet add in authentic horns and Kid rips a guitar solo that would make Crabshaw proud. Kickass! Infectious, Slipped Through My Fingers, has a strong deep groove courtesy Kid on bass, Latimore on keys and D'Mar on drums. Latimore trades vocals with Lisa on this serious radio track. Wrapping the release is smart little ballad, Family, written and performed by Lisa with the last verse sung by Kid. With only acoustic guitar, keys and bass backing, this is a really nice track with Lisa's voice as pure as it gets, unadorned and straight up. Very nice closer for a tremendous double set. One of the most enjoyable reviews of the year!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Mariwo^, from Juan Megna Group and it moves. Opening with title track, Mariwo^, a fast paced, Latin flavored number, Juan Megna on drums and percussion holds a tight ship. Jose' Luiz Martins on piano sets up the structure with Shawn Purcell on guitar and Leonardo Lucini on bass. Tedd Baker on sax plays a really strong solo, Lucini on bass has a solid solo of his own, David Sacks lays in some great trombone riffs and Megna really takes it home on drums. Powerful opener. F'ara Ogunja' has a driving rhythm and Baker really lays it out there on sax, joined by Sacks on trombone really intensifying the feel. Megna is anything but a quiet drummer with excellent rhythm and driving riffs. Purcell lays out a really nice solo of his own on guitar punctuated by Martins on piano and well placed bass lines by Lucini. Si Estuvieras is a particularly beautiful song composed by Megna and Luis A Perez. With a Lucini on bass, Megna on cymbal and light snare and Martins on piano the groundwork is laid. Martins creates the structure for the track on piano and Emmanuel Trifilio on Bandoneon plays the melody. Really really nice. More radio oriented track, Coisa No2 features Alisson Crockett on vocals and Baker on sax over a lively bass, drum, piano background. Wrapping the release is The Owl Look, with a pop melody and a Latin flare. Martins and Baker weave their magic over a firm bass line by Lucini and tight rhythms by Megna. Improv starts with a an adventurous sax solo by Baker, who hands off to Purcell on guitar and Martins on bass who propel the track nicely. A deeper dive into the track by Martins and Megna yields tension coming to a resolution with a return to a more melodic conversation with Lucini. Solid closer.
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