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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Friday, March 7, 2025

Gilded Tooth Records artist: Alfie Smith - Every Rome Needs A Nero - New Release Review

 I just had the opportunity to review the most recent release, Every Rome Needs A Nero, and it's rich in folk blues artistry. Opening with title track, Every Rome Needs A Nero, a cool folk blues track with a Latin rhythm, Alfie Smith on lead vocal and guitar captures center stage, with only the minimum of percussion by Dave Gould and bass by Justine Fischer. Troy Dowding on trumpet really adds great highlights with super trumpet phrases. Excellent opener. A fluid rag, All The Blues I Need, features Smith on vocal and excellent trumpet lead by Dowding over solid piano structure by Jesse O'Brian. Very nice. Elizabeth Cotten's classic, Shake Sugaree, is really nicely redone with Smith's deep warm vocals and understated guitar accompaniment. A nice acoustic guitar/trumpet duet really is a nice compliment on this track. Wrapping the release is Leonard Cohen's Bird On A Wire, featuring Smith singing this notable ballad accompanied by guitar, and O'Brien on piano and punctuation by Dowding on trumpet. 


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Thursday, March 6, 2025

Alex McLaughlin - A Brand New State - New Release Review

 I just had the opportunity to review the most recent release, A Brand New State, from Alex McLaughlin, and it's rich and full of texture. Opening with Desert Chapel, Alex McLaughlin on upright bass, sets the quiet framework of the track joined by Jeremy Siskind on piano fleshing out the melody. With Tina Raymond adding crisp, articulate snare and cymbal work, Trumpet man Jeremy Pelt creates a sharp contrast with brilliant phrasing and McLaughlin steps back up with a solid bass solo. Siskind adds his own exploration of the melody making for a super opener. Signals is quite melodic with Pelt laying out the format, framed. Siskind and Pelt  each create dynamic solos making this one of my favorite tracks on the release. Lily has a bluesy feel with the sense of longing in lead lines by Pelt on trumpet and lush reinforcement by Siskind on piano. McLaughlin works hand in hand with Siskind on his bass solo with tight snare/cymbal work by Raymond. Bop track, El Polvo really moves with Siskind, McLaughlin and Raymond expanding it nicely. Excellent! Wrapping the release is Elevation with an avalanche of excellent drumming by Raymond and building tension by Siskind on piano. Pelt breaks the tension with a highly melodic solo, and mixing it up with Siskind rewinds the tension. Breaking into his own solo, Siskind develops a solid groove, anchored by Raymond and McLaughlin, rejoined by Pelt who leads the way to an quiet conclusion. Very nice. 


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Wednesday, March 5, 2025

Greg Nagy - The Real You - New Release Review

 I just had the opportunity to review the most recent release, The Real You, by Greg Nagy, and it's super with healthy doses of soul, R&B, blues, and rock. Opening with title track, The Real You, lead singer, guitarist, song writer, Greg Nagy on lead vocal shows a real feel for R&B. With Josh Ford on guitar, Dale Grisa on organ, John Baron on bass, Todd Glass on drums, Lynne Calloway on backing vocals, Jim Alfredson on organ, Keith Kaminski on sax, this is a solid opener. CeeLo Green's Crazy is a cool addition giving Nagy a open field to show his soulful vocals and bluesy guitar chops, complimented by Dale Grisa on organ and Richard Curran on strings. Very nice. Thornetta Davis steps up in duet with Nagy on George Harrison's remarkable, Something. I have always loved Davis' voice and with Josh Ford laying down some real nice guitar lead, this is an excellent blues rock addition. R&B track, Baby, What Took Your Love Away From Me has a cool, Robery Cray feel with confident vocals by Nagy and potent organ work giving the track real radio appeal. Blues based, Where Do We opens with a crude delta like sound but erupting into a modern blues rocker with hot lead guitar riffs by Bobby Murray and power vocals by Nagy. Wrapping the release is Brandy Carlisle's strong ballad, The Joke, handled by Nagy on lead vocal with potent lead guitar accentuating his Elvis Costello like vocal effort. I like this track and think it's a strong closer for a real nice release. 


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Tuesday, March 4, 2025

Carly Harvey - Kamama - New Release Review

 I just had the opportunity to review the most recent release, Kamama, from Carly Harvey and it's pure blues. Opening with a blues wail, Native Scat, Carly Harvey on vocal really creates an environment, joined by Walking Eagle on guitar, Coleman Williams on drums and Mark Williams on bass. Powerful opener. Soulful, Misery is an excellent track from the old school format. With Harvey on vocal, backed by Dana Nearing and joined by Mike Tony Echols on bass, Deren Blessman on drums, Jonathan Sloane on guitar (with a wicked solo), Wes Lanich on keys, Danny Davis, Mario D' Ambrosio and Kevin Cerovich on horns, this is an excellent track. Rich blues, Take Your Love, really showcases Harvey's vocal style with full horn backing by Davis, D'Ambrosio and Ben Ford on horns and rich keys by Daniel Clarke on keys. Slone shines on guitar again with a deeply soulful solo and with Sean Hurley on bass and Deren Blessman on drum makes this one of my absolute favorites on the release. Harvey shares the mic with Annika Chambers and Dave Keller for dark blues, Human Too, featuring crisp guitar lead by Keller, Patrick Thornton on bass, Leland Nakamura and Mark Williams on drums and Walking Eagle on percussion and backing vocals. Wrapping the release is funky, Worth Waiting For, with it's poppy melody and bass reinforcement (and solid solo) by Mike Tony Echols and drums by Nakamura and Williams. Punchy horn work by Davis and keys by Lanich makes this a solid closer. Very cool release. 




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Monday, March 3, 2025

Aquinnah Records artist: Arlen Roth - Playing Out The String - New Release Review

 I just had the opportunity to review the most recent release, Playing Out The String, from Arlen Roth and it's great display of Arlen's acoustic guitar talents. I've been listening to Roth since early in his career with tele in hand and this is a cool and interesting departure. Opening with Gus Cannon's Walk Right In, Roth on vocal and guitar sets a more pop pace but the album gets pretty deep in acoustic/blues presentation. Norman Blake's Randall Collins is a terrific track with fleet fingered playing accompanying Roth's vocals. Very cool. Brownie McGhee's Gonna Move Across The River gives Roth a great opportunity to play acoustic slide on a terrific country blues track and Townes Van Zandt's classic, Pancho and Lefty is a strong addition with melody handled purely on guitar. Very nice. Louis Jordan's crowd favorite, You Can't Get That Stuff No More, features Roth on slide acoustic and vocal. Blind Blake's rag track, Diddy Wah Diddy is a great track and Roth some of his best vocal and finger styling on this early blues. Wrapping the release is title track, Playing Out The String, a easy going shuffle. Roth, taking this softer, acoustic look at the blues is a nice break and a solid entry to his ever growing discography. Very nice. 


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Friday, February 28, 2025

Happy Growl Records artist: Jim Eannelli - Just Deserts - New Release Review



 I just had the opportunity to review the most recent release, Just Deserts, from Jim Eannelli, and it's a real nice helping of rockabilly, rock, folk and blues. Opening with 29 Women, a strong rocker with a definite defiant swagger, leading the way on guitar and vocal, backed by Rob A Bell on bass, and Bill Siebert on drums. A potent track and brilliant opener. On Train From Chicago, Eannelli melds folk and blues for a really nice sound. His vocals are soulful and and guitar work selective but pointed. With
Peggy James backing vocals and Tanin on keys, this is another strong track. With a western spin, I Want To Be Your Man is another stand out track with a two step rhythm adding harmonica by Lil' Rev and melodic guitar lead held tight by a simple drum rhythm. Another track with a country influence is Old 97 with it's chord driven melody. This is as radio driven as you'll hear on this release but it is well written and performed with nice over laid guitar lead and vocal harmony with James. Very nice. Wrapping the release is driving rocker, Should I Try with a memorable guitar vamp and solid vocals. This is another track with strong commercial potential and a solid closer for an enjoyable release. 


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Thursday, February 27, 2025

Deep Groove Records artist: Dennis Herrera - Four - New Release Review

 I just had the opportunity to review the most recent release, Four, by Dennis Herrera, and I really like it. Opening with shuffle, Can You Feel It, Dennis Herrera on guitar gets things rolling with Lee campbell on drums, Rich Wenzel on B3, Sid Morris on piano, Frank DeRose on bass and Jack Sanford on sax. Strong opener. Up tempo boogie track, Blues and Roll is strong with raggedy vocal by Herrera who leads on guitar, and Bill Bates. Campbell holds the bottom tight on drums and cool piano by Wenzel adds texture. Great driver. One of my favorites on the release is rag tag, Tenderness I See with it's dark, Hill Country sound. Herrera's vocals are perfect for this kind of track, with added percussion by Gordon Peeke, and with super backing vocals by Tony Jones and Nina Mac and Sanford on sax, this track is off the hook. Preskitt is a super shuffle with excellent bass lines by Bill Stuve and nice sax work by Jorgenson. Fluid guitar lines really lay in the groove, accenting Herrera's laid back vocal work and Wenzel on B3 rides the tide for a well rounded groove. Texas guitar king, Anson Funderburgh brings his excellent blues phrasing to Mean Ole Texas Shuffle. Interwoven with Jack Sanford on sax, Wenzel on B3 and Herrera's own vocals, this is an excellent closer. 


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Wednesday, February 26, 2025

Blue Moon Marquee - New Orleans Sessions - New Release Review

 I just had the opportunity to review the most recent release, New Orleans Sessions, by Blue Moon Marquee and it's New Orleans blues, simplistic and raw. Opening with Memphis Minnie's Black Cat Swing, BMM hits the ground running with Danny Abrams on bari sax and BC Coogan setting the tempo for lead vocal work by Jasmine Colette who also plays bass. AW Cardinal on rhythm guitar and Nicholas Solnick on drums rounds out the troop for this enjoyable track. Charlie Patton's lively Shake It and Break It features Cardinal on lead vocal and guitar. A true party rocker with honking sax work by Abrams and a cool upright solo by Colette, this track jams. Slow blues, What I Wouldn't Do, features Cardinal on electric guitar and belting out the blues. With rolling piano work by Coogan and meaty sax work by Abrams, this track wails. A rowdy take on St James Infirmary hosts Cardinal on lead vocal and guitar and highlights the firm piano work of  Coogan and Abrams deep sax work making it one of the most memorable tracks on the release. Wrapping the release is Lonnie Johnson's Got The Blues So Bad, with Cardinal on lead vocal and featuring Jon Atkinson. With strong traditional styling, this is a great closer for a solid release. 


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Tuesday, February 25, 2025

Stony Plain Records artist: Kenny "Blues Boss" Wayne - Ooh Yeah! - New release Review

 I just had the opportunity to review the most recent release, Ooh Yeah!, by Kenny "Blues Boss" Wayne, and it's a full plate of Boogie Woogie. Opening with title track, Ooh Yeah!, a cool piano boogie, Wayne really rattling the piano and lead vocal joined by Joey DiMarco on drums, Nick Succi on bass, and Jimmy Bowskill on guitars. Solid opener.  With a New Orleans flavor, Baby, I'm Your Man has a shuffle rhythm by DiMarco Succi, and full horn support of Kaven Jalbert on tenor sax, Remi Cormier on trumpet, Mathieu Mousseau on bar sax and of course strong vocal and piano by Wayne. With a potent strut, Wishing Well is a soulful track really showcasing Wayne's vocals as well as some real nice guitar riffs by Bowskill, backed by Ian McKeown on drums. I really like Honey, Honey, Honey with it's rolling feel, piano/vocal lead by Wayne and and potent horn backing by  Jalbert, Cormier and Mousseau. Wrapping the release is That Crazy Monkey, a cool blues rocker with Leon Russell like potent piano and bouncy vocals, punctuated by Jalbert, Cormier and Mousseau making for a solid closer. 



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Monday, February 24, 2025

RIP Blues Master Linsey Alexander 1942-2025

 

Chicago Blues Master Linsey Alexander




July 23, 1942, Holly Springs, MS.- February 22, 2025, Chicago, IL.

Linsey Alexander's family has confirmed that this Chicago blues master passed early this morning. Sad sad news for the blues community and for our Delmark family. 

Linsey Alexander:
822 - Linsey Alexander - Been There Done That
838 - Linsey Alexander - Come Back Baby
851 - Linsey Alexander - Two Cats
862 - Linsey Alexander - Live at Rosa's
 

 

 


LINSEY ALEXANDER is a classic Chicago bluesman, and has been a fixture on the blues scene since he arrived in 1963. He was born on July 23rd, 1942 in Holly Springs, Mississippi. Linsey learned to play the guitar at an early age — around 12 years old— after he had moved with his mother and sister to Memphis, Tennessee. Linsey has played with some of the most legendary bluesmen in history; B.B. King, Magic Slim and even Mr. Buddy Guy himself to name a few. His playing is straight forward and to-the-point, he turns his amps up and lets it fly. He is serious about the music. He has a great time at each show, making sure everyone is entertained. I was introduced to Linsey several years ago, by Buddy Guy’s guitarist Ric Hall, at one of Chicago’s historic blues venues...The Kingston Mines. It was a cold winter night, but Linsey was on fire! Linsey was walking through the crowd, stopping at each table to sing to everyone in the house. The Hoochieman knows how to work the room, and I can tell you everybody loves it. Linsey is one of hardest working Bluesman in Chicagoland. You can catch him playing almost any night of the week. Whether he’s headlining at a local blues club, or doing an acoustic set somewhere, you’re sure to catch him live around town. This show was recorded at Rosa’s Lounge, on the northside of Chicago, in May 2019. Linsey was in rare form, and ready to deliver. The setlist consists of several originals by Linsey, as well as songs by notable artists including Junior Wells, Freddie King and B.B. King and Latimore. The first track on the album is “Please Love Me” which Linsey says is a tune by B.B. King. Great opening song, with some killer keyboard action on it. The second song is an original by Linsey titled “My Days Are So Long” from his 2006 album of the same name. Track three is a classic blues jam by Freddie King titled “Have You Ever Loved A Woman”. The second longest track on the album, it’s a stone-cold killer blues piece, filled with some beautiful guitar work. Linsey’s vocals and guitar playing are spot on. Track number four “I Got A Woman” is another original by Linsey, from his album Come Back Baby. It’s a funky cool groove that will get you up on the dance floor for sure. Track number five is another Linsey original titled “Goin’ Out Walking” that has a Texas Boogie vibe to it. Track six is a Latimore song titled “Somethin’ ’Bout ’Cha” which has a slower Blues classic sound. Linsey’s vocals are on point here, and the song has an old school feel to it. Also from the album Come Back Baby, track seven “Snowing In Chicago” is one of my personal favorites. From the opening riff to the classic hook, this is a fan favorite! Track eight is a blues jam from Junior Wells titled “Ships On The Ocean”. It is also the second longest song on the album, clocking in at 8:35. This is Chicago Blues at its finest right here. The last track on the album is “Going Back To My Old Time Used To Be”. Linsey says the riff came from his son Nick Alexander, who is also a very accomplished guitar player in his own right. The fruit didn’t fall far from the tree! LINSEY’S BAND THESE TWO NIGHTS IN MAY 2019 INCLUDED: Sergei Androshin(guitar), Ron Simmons(bass)–who has been with Linsey for over 40 years–Roosevelt Purifoy (keyboards), “Big” Ray Stewart(drums). Support live blues music and help us in Keeping The Blues Alive in Chicago and all over the world! —DJ MIGHTY QUINN • BUDDY GUY RADIO


Linsey Alexander is a true bluesman, a great artist, and a mentor to so many. He already has three albums on Delmark. His fourth has been recorded during two live shows at the legendary Chicago blues club, Rosa’s Lounge. The highly praised record “All Your Love, I Miss Loving: Live at the Wise Fool’s Pub Chicago” (DE-781) by Otis Rush was Delmark’s reference for the production of Linsey’s new project. Otis’s live album represents an ultimate example of an authentic blues album and moment. On that path, for Linsey’s new live album “Linsey Alexander Live at Rosa’s” the Delmark team of Julia Miller, Elbio Barilari and Steve Wagner aimed for the alloy of an updated, big modern sound with a classic concept, energy and warmth which conveys what Linsey and his band unchain on the stage. Continuing the Delmark legacy of great live recordings, this album is a milestone for Linsey Alexander’s career.

Born in Mississippi and raised in Memphis, Tennessee, Linsey Alexander discovered a down to earth city that truly understands and appreciates music on Chicago's southside. In much the same way as many great blues artists before him, he grew up in a poor but honest and hard working family, learning early on that music has the power to lift the spirit and comfort the soul. In Linsey's own words, "Blues is not hard- it's just a documentary about life." His first guitar - a gift from a family friend who played on the front stoop of Linsey's home in Memphis - was never retrieved from the pawn shop where he left it almost 50 years ago. Using the money to help pay his way to Chicago, he now plays a variety of Gibson and Fender guitars. Since 1959, Linsey Alexander has been perfecting the art of entertainment blues for the sheer and simple pleasure of it. His easy smile and unpretentious personality define a charismatic entertainer who loves to perform; and perform he does!

Although having played with B.B.King, Bobby Rush, Buddy Guy, Little Milton, Magic Slim, Johnnie Taylor, A.C.Reed, Larry McCray, Bither Smith, John Primer, Otis Clay, Eddie Clearwater, and other great blues performers, Linsey Alexander has remained resolutely true to his own style. His earlier CD's released, "Someone’s Cookin' in My Kitchen," "My Days Are So Long," and "If You Ain't Got It" are all three compilations of original Blues and R&B tunes.

Alexander has been to 10 countries and all across America spreading the joy of blues.

He is thankful for the good things in his life, and now at last, seems willing to realize that the friends that encouraged him to keep playing over the years may have known a thing or two about talent. Linsey has "never truly believed in himself" until now; Now, he is ready to believe. In 2012, He signed with Delmark Records and recorded his first international CD, "Been There, Done That."

Linsey's recent Delmark CDs, "Come Back Baby," from August 2014, landed Linsey a spot as number three best Chicago Blues album, and Living Blues magazine called it “a can’t-miss release for any lover of no-nonsense Chicago blues."

"Two Cats" from 2017, where "Linsey weaves his colorful stories throughout this album of blues, soul, R&B, and funk. It’s great fun and serious music at the same time. `Cause the blues don’t mess around and neither does Linsey."

Linsey Alexander was inducted into the Chicago Blues Hall of Fame June 8th, 2014.