Spanish Melody & Swing - Slim GAILLARD & His Trio

Bulee "Slim" Gaillard (January 4, 1916 – February 26, 1991) was an American jazz singer, songwriter, pianist, and guitarist, noted for his vocalese singing and word play in a language he called "Vout". (In addition to speaking 8 other languages, Gaillard wrote a dictionary for his own constructed language.)
Along with Gaillard's date of birth, his family lineage and place of birth are disputed. One account is that he was born in Santa Clara, Cuba of a Greek father and an Afro-Cuban mother; another is that he was born in Pensacola, Florida to a German father and an African-American mother. Adding to the confusion, the 1920 U.S. Census lists a 19-month-old boy named "Beuler Gillard" in Pensacola, but born in Alabama. He grew up in Detroit and moved to New York City in the 1930s.

According to the obituaries in leading newspapers, Gaillard's childhood in Cuba was spent cutting sugar-cane and picking bananas, as well as occasionally going to sea with his father. However, at the age of 12, he accompanied his father on a world voyage and was accidentally left behind on the island of Crete. After working on the island for a while, he made his home in Detroit. In America, Gaillard worked in an abattoir, trained as a mortician and also had been employed at Ford's Motor Works.
Gaillard first rose to prominence in the late 1930s as part of Slim & Slam, a jazz novelty act he formed with bassist Slam Stewart. Their hits included "Flat Foot Floogie (with a Floy Floy)", "Cement Mixer (Putti Putti)" and the hipster anthem, "The Groove Juice Special (Opera in Vout)". The duo performs in the 1941 movie Hellzapoppin'.

Gaillard's appeal was similar to Cab Calloway and Louis Jordan in that he presented a hip style with broad appeal (for example in his children's song "Down by the Station"). Unlike them, he was a master improviser whose stream of consciousness vocals ranged far afield from the original lyrics along with wild interpolations of nonsense syllables like MacVoutie O-reeney. One such performance is celebrated in the 1957 novel On the Road by Jack Kerouac.

Gaillard later teamed with bassist Bam Brown; Slim and Bam can be seen in a 1948 motion picture featurette—with the Gaillardese title O'Voutie O'Rooney -- filmed live at one of their nightclub performances.

In the late forties and early fifties, Gaillard frequently opened at Birdland for such greats as Charlie Parker, Flip Phillips, and Coleman Hawkins. His 1945 session with Parker and Dizzy Gillespie is notable, both musically and for its relaxed convivial air. Gaillard could play several instruments, and always managed to turn the performance from hip jazz to comedy: he would play the guitar with his left hand fretting from the top of the neck, or would play credible piano solos with his palms facing up.Gaillard also wrote the theme song introducing the Peter Potter radio show.
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