Some folks called Chicago harpist Little Willie Anderson "Little Walter Jr.," so faithfully did Anderson's style follow that of the legendary harp wizard. But Anderson was already quite familiar with the rudiments of the harmonica before he ever hit the Windy City, having heard Sonny Boy Williamson, Robert Nighthawk, and Robert Jr. Lockwood around West Memphis.
Anderson came to Chicago in 1939, eventually turning pro as a sideman with Johnny Young. Anderson served as Walter's valet, chauffeur, and pal during the latter's heyday, but his slavish imitations probably doomed any recording possibilities for Anderson -- until 1979, that is, when Blues On Blues label boss Bob Corritore escorted him into a Chicago studio and emerged with what amounts to Anderson's entire recorded legacy.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Wednesday, June 20, 2012
Come Here Mama - Little Willie Anderson
Some folks called Chicago harpist Little Willie Anderson "Little Walter Jr.," so faithfully did Anderson's style follow that of the legendary harp wizard. But Anderson was already quite familiar with the rudiments of the harmonica before he ever hit the Windy City, having heard Sonny Boy Williamson, Robert Nighthawk, and Robert Jr. Lockwood around West Memphis.
Anderson came to Chicago in 1939, eventually turning pro as a sideman with Johnny Young. Anderson served as Walter's valet, chauffeur, and pal during the latter's heyday, but his slavish imitations probably doomed any recording possibilities for Anderson -- until 1979, that is, when Blues On Blues label boss Bob Corritore escorted him into a Chicago studio and emerged with what amounts to Anderson's entire recorded legacy.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
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