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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Saturday, October 20, 2012

Compared To What - Eddie Harris and Les McCann

Eddie Harris (October 20, 1934 – November 5, 1996) was an American jazz musician, best known for playing tenor saxophone and for introducing the electrically amplified saxophone. He was also fluent on the electric piano and organ. His best-known compositions are "Freedom Jazz Dance", recorded and popularized by Miles Davis in the 1960s and "Listen Here". Harris was born and grew up in Chicago. His father was originally from Cuba, and his mother from New Orleans. Like other successful Chicago musicians, such as Nat King Cole, Dinah Washington, Clifford Jordan, Johnny Griffin, Gene Ammons, Julian Priester, and Bo Diddley (among others), young Eddie Harris studied music under Walter Dyett at DuSable High School. He later studied music at Roosevelt University, by which time he was proficient on piano, vibraphone, and tenor saxophone. While in college, he performed professionally with Gene Ammons. After college, he was drafted into the United States Army and while serving in Europe, he was accepted into the 7th Army Band, which also included Don Ellis, Leo Wright, and Cedar Walton. Leaving military service, he worked in New York City before returning to Chicago where he signed a contract with Vee Jay Records. His first album for Vee Jay, Exodus to Jazz included his own jazz arrangement of Ernest Gold's theme from the movie Exodus. A shortened version of this track, which featured his masterful playing in the upper register of the tenor saxophone, was heavily played on radio and became the first jazz record ever to be certified gold. The single climbed into the U.S. Billboard Hot 100 and reached No. 16 in the U.S. R&B chart. Some jazz critics, however, regarded commercial success as a sign that a jazz artist had sold out and Harris soon stopped playing "Exodus" in concert. He moved to Columbia Records in 1964 and then to Atlantic Records the following year where he re-established himself. In 1965, Atlantic released The In Sound, a bop album which won back many of his detractors. Over the next few years, he began to perform on electric piano and the electric Varitone saxophone, and to perform a mixture of jazz and funk which sold well in both the jazz and rhythm and blues markets. In 1967, his album The Electrifying Eddie Harris reached second place on the R&B charts. The album's lead track, "Listen Here" was issued as a single, climbing to No. 11 R&B and No. 45 on the Hot 100. Harris released several different versions of his composition over the years, including both studio and live concert recordings. In 1969, he performed with Les McCann at the Montreux Jazz Festival. Although the musicians had been unable to rehearse, their session was so impressive that a recording of it was released by Atlantic as Swiss Movement. This became one of the best-selling jazz albums ever, also reaching second place on the R&B charts. Harris also came up with the idea of the reed trumpet, playing one for the first time at The Newport Jazz Festival of 1970 to mostly negative critical feedback. From 1970 to 1975, he experimented with new instruments of his own invention (the reed trumpet was a trumpet with a saxophone mouthpiece, the saxobone was a saxophone with a trombone mouthpiece, and the guitorgan was a combination of guitar and organ), with singing the blues, with jazz-rock (he recorded an album with Steve Winwood, Jeff Beck, Albert Lee, Ric Grech, Zoot Money, Ian Paice and other rockers). He also started singing and to perform comic R&B numbers like "That is Why You're Overweight" and "Eddie Who?". In 1975, however, he alienated much of his audience with his album The Reason Why I'm Talking S--t, which consisted mainly of stand-up comedy. Interest in subsequent albums declined. He was a member of Horace Silver's Quintet in the early 1980s, and continued to record regularly well into the 1990s, sometimes in Europe where he enjoyed a loyal following, but his experimentation ended and he mainly recorded hard bop. He had moved from Chicago to Los Angeles in the mid-1970s, and was responsible for much of the music on the hit TV series, The Bill Cosby Show. Harris died in hospital in Los Angeles from bone cancer and kidney disease, at the age of 62. “To laugh often and much; to win the respect of intelligent people and the affection of children; to earn the appreciation of honest critics and endure the betrayal of false friends; to appreciate beauty; to find the best in others; to leave the world a bit better, whether by a healthy child, a garden patch or a redeemed social condition; to know even one life has breathed easier because you have lived. This is to have succeeded.” - Ralph Waldo Emerson If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!

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