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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Friday, October 19, 2012
One Eyed Jack - Tas Cru & Young Blood
Tas Cru (guitar) Jeremy Walz (guitar) Jared Alpern (keyboards) Steve Kirsty (bass) and Josh Bloomfield (drums)
It is not for nothing he has been called "the master of the triple entendre." His songs are blues poetry - telltale life lessons crafted with rare verbal flair and delivered with a power and passion the heights of which only the seasoned concert entertainer can reach. Raucuss, rowdy, gentle, sweet, eccentric, quirky, and outright irreverent are all words that fittingly describe Tas Cru's songs and testify to his reputation as a one of the most unique of bluesmen plying his trade today.
Cru grew up in a very musical and generally unquirky family (except for him). Unlike his talented brother and sisters, he did not pursue music in school instead exploring and developing his talent taking up with a rougher crowd of self-taught musicians. In these early bands he was introduced to the Sun Records heroes of that day. Cru's first foray into the blues came after leaving the US Navy when he was asked to join a band formed by a former shipmate named Delray Streeter, a bluesman of unlimited bravado and attitude but limited singing and harmonica skills. Streeter was raised in El Dorado, Arkansas and claimed a rich blues heritage from his upbringing. This partnership, though shot-lived, proved to be very influential as Streeter's repetoire tended toward the older and much rawer country blues. Cru's schooling in country blues later served as a counterpoint to the rock- blues influences he idolized like so many other young guitar players of his time.
“To laugh often and much; to win the respect of intelligent people and the affection of children; to earn the appreciation of honest critics and endure the betrayal of false friends; to appreciate beauty; to find the best in others; to leave the world a bit better, whether by a healthy child, a garden patch or a redeemed social condition; to know even one life has breathed easier because you have lived. This is to have succeeded.” - Ralph Waldo Emerson
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, - ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!
Labels:
New York,
Tas Cru and Young Blood
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