TICKETS ON SALE FRIDAY 15th MARCH
24 Hour Box Office: 0844 478 0898
Book Online: www.thegigcartel.com
Following the March 25th release of Joe Bonamassa’s live album and DVD, An Acoustic Evening At The Vienna Opera House, the internationally renowned guitarist will embark on 7-date UK arena tour during September 2013.24 Hour Box Office: 0844 478 0898
Book Online: www.thegigcartel.com
Tickets go on sale to the general public Friday 15th March from the 24 Hour Box office: 0844 478 0898. Book online: www.thegigcartel.com.
Dates include Cardiff Motorpoint Arena (Sept 18), Bournemouth BIC (Sept 20), Manchester Arena (Sept 21), Aberdeen AECC (Sept 23), Edinburgh Playhouse (Sept 24), Birmingham NIA (Sept 27), and Brighton Centre (Sept 28).
JOE BONAMASSA LAUNCHES NEW RADIO SHOW "THE PICKUP"
Blues rock guitarist Joe Bonamassa has launched a brand new weekly radio show called The Pickup, a
unique and entertaining show blending music history, carefully curated
songs, an encyclopedic knowledge of guitar facts, and illuminating
insights into the mind of one of the world’s greatest musicians. New weekly shows will be premiered online every Friday at www.thepickupradio.com with previous episodes available to listen to on-demand at all times.
Whether it’s unusual knowledge of a vintage Les Paul, played on an obscure record from the 70s, or a friendly debate on how to name your guitar, each episode weaves together witty banter, fun facts, and amazing tour stories from the guitarist who’s “always on the road”.
Music will fall predominantly into the blues and classic rock genres, including Eric Clapton, BB King, Freddie King, Johnny Winter and Jeff Beck, alongside new and little-known artists, up-and-comers and much, much more.
DEREK SHERINIAN JOINS BONAMASSA'S UK SEPTEMBER TOUR
In other news, Derek Sherinian, former Black
Country Communion keyboardist, has joined Joe Bonamassa’s solo band as a
full-time member. Nicknamed by Alice Cooper as “The Caligula of the Keyboards,” Sherinian
toured South America with Bonamassa in August 2013, and will continue
to feature as part of Joe’s UK tour in September. Says Bonamassa -
“Derek is a great player and we’re ecstatic to welcome him as the latest
member of the band.”No stranger to the music world, Sherinian has toured and recorded with Alice Cooper, Billy Idol, Yngwie Malmsteen, Kiss, and Black Label Society. A former member of Dream Theater, Sherinian founded Planet X and co-founded Black Country Communion. In January 2012, Sherinian toured Europe and Asia with the instrumental supergroup “PSMS” featuring Mike Portnoy, Billy Sheehan, and Tony MacAlpine.
The highly anticipated tour will showcase a mix of acoustic and electronic selections performed by Carmine Rojas (bass), Derek Sherinian (keyboards), Tal Bergman (drums) and Joe Bonamassa (guitar, vocals).
Joe Bonamassa - "Athens to Athens" LIVE at Vienna Opera House
“Bonamassa’s Vienna
live album joins Eric Clapton’s Unplugged in the winners’ circle as a
rare acoustic blues album that twists the template, broadens its
author’s horizons and improves on the originals.”
– Classic Rock Presents ‘The Blues Magazine’
– Classic Rock Presents ‘The Blues Magazine’
“Bonamassa is the new messiah for guitar music lovers.”
– The Sun
– The Sun
“Bonamassa’s
guitar playing and singing are still on a strong upward curve. Forget
derivative. This couldn’t be anyone but Joe.”
- Guitarist
- Guitarist
“Bonamassa’s precision guitar playing is something of a revelation.”
– Classic Rock
– Classic Rock
TICKETS ON SALE FRIDAY 15th MARCH
24 Hour Box Office: 0844 478 0898
Book Online: www.thegigcartel.com
24 Hour Box Office: 0844 478 0898
Book Online: www.thegigcartel.com
CARDIFF MOTORPOINT ARENA
Wednesday 18 September
Ticket Prices: £40, £50, £60, £75
Box Office: 029 20 22 44 88 / Doors: 7pm
Mary Ann St, Cardiff, CF10 2EQ
www.motorpointarenacardiff.co.uk
Wednesday 18 September
Ticket Prices: £40, £50, £60, £75
Box Office: 029 20 22 44 88 / Doors: 7pm
Mary Ann St, Cardiff, CF10 2EQ
www.motorpointarenacardiff.co.uk
BOURNEMOUTH BIC
Friday 20 September
Ticket Prices: £35, £45, £55, £75
Box Office: 0844 576 4500 / Doors: 7pm
Exeter Road, Bournemouth, Dorset, BH2 5BH
www.bic.co.uk
Friday 20 September
Ticket Prices: £35, £45, £55, £75
Box Office: 0844 576 4500 / Doors: 7pm
Exeter Road, Bournemouth, Dorset, BH2 5BH
www.bic.co.uk
MANCHESTER ARENA
Saturday 21 September
Ticket Prices: £40, £50, £60, £75
Box Office: 0844 847 8000 / Doors: 7pm
21 Hunts Bank Victoria Station, Manchester M31AR
www.mcr-arena.com
Saturday 21 September
Ticket Prices: £40, £50, £60, £75
Box Office: 0844 847 8000 / Doors: 7pm
21 Hunts Bank Victoria Station, Manchester M31AR
www.mcr-arena.com
ABERDEEN AECC
Monday 23 September
Ticket Prices: £35, £45, £55, £75
Box Office: 08444 77 9000/ Doors: 7pm
Bridge of Don, Aberdeen, AB23 8BL
www.aecc.co.uk
Monday 23 September
Ticket Prices: £35, £45, £55, £75
Box Office: 08444 77 9000/ Doors: 7pm
Bridge of Don, Aberdeen, AB23 8BL
www.aecc.co.uk
EDINBURGH PLAYHOUSE
Tuesday 24 September
Ticket Prices: £35, £45, £55, £75
Box Office: 0844 871 3014 / Doors: 7pm
18-22 Greenside Place, Leith Walk, Edinburgh, EH1 3AA
www.edinburghplayhouse.org.uk
Tuesday 24 September
Ticket Prices: £35, £45, £55, £75
Box Office: 0844 871 3014 / Doors: 7pm
18-22 Greenside Place, Leith Walk, Edinburgh, EH1 3AA
www.edinburghplayhouse.org.uk
BIRMINGHAM NIA
Friday 27 September
Ticket Prices: £40, £50, £60, £75
Box Office: 0844 338 0338 / Doors: 7pm
King Edwards Road, Birmingham, West Midlands, B1 2AA
www.thenia.co.uk
Friday 27 September
Ticket Prices: £40, £50, £60, £75
Box Office: 0844 338 0338 / Doors: 7pm
King Edwards Road, Birmingham, West Midlands, B1 2AA
www.thenia.co.uk
BRIGHTON CENTRE
Saturday 28 September
Ticket Prices: £35, £45, £55, £75
Box Office: 0844 847 1515 / Doors: 7pm
Kings Road, Brighton. East Sussex BN1 2GR
www.brightoncentre.co.uk
Saturday 28 September
Ticket Prices: £35, £45, £55, £75
Box Office: 0844 847 1515 / Doors: 7pm
Kings Road, Brighton. East Sussex BN1 2GR
www.brightoncentre.co.uk
JOE BONAMASSA: OFFICIAL BIOGRAPHY
As Joe Bonamassa approaches his 25th year as a professional
musician, he continues to blaze a remarkably versatile artistic trail,
and amass an authentic, innovative and soulful body of work.
Bonamassa’s career began onstage opening for B.B. King in 1989, when he
was only 12 years old. Today, he is hailed worldwide as one of the
greatest guitar players of his generation, and is an ever-evolving
singer-songwriter who has released 15 solo albums in the last 13 years,
all on his own label, J&R Adventures. Bonamassa’s tour schedule consistently hovers at around 200 shows worldwide each year, and a heaping handful of markedly diverse side projects keep him thinking outside the box and flexing every musical muscle he’s got. He founded and oversees the non-profit Keeping The Blues Alive Foundation to promote the heritage of the blues to the next generation, fund music scholarships, and supplement the loss of music education in public schools.
In addition to live performances, 2013 will mark four major projects on the J&R release schedule: Bonamassa’s first-ever acoustic concert, recorded at the venerable Vienna Opera House with a global ensemble put together by Kevin Shirley; the neo-funk/jazz combo Rock Candy Funk Party; a second album—and first tour—with singer Beth Hart; and a career retrospective recorded and filmed at concerts at four iconic London venues, with show being chronicled for a separate release.
After that, another blues-rock solo album—aka Joe’s “day job”—will no doubt follow, and perhaps a fourth set with hard rock outfit Black Country Communion at some point. “Sometimes journalists just shake their heads, and ask me ‘Isn’t it risky?,’” says Joe. “But I say why not do it? Why play it safe? I want to diversify, not just always have it be business as usual.”
It all builds on Bonamassa’s ascendant prominence of the past few years. Recent kudos include five consecutive “Best Blues Guitarist” wins and a top “Best Overall Guitarist” honour in Guitar Player’s Annual Readers’ Choice Awards, and recognition as Billboard’s #1 Blues Artist, 2010— the year Joe Bonamassa: Live At The Royal Albert Hall was released, featuring Eric Clapton joining him onstage. Reviewing 2011’s Dust Bowl, Premier Guitar wrote, “Over time, Bonamassa has created his own universe that no longer has much to do with what we think of as traditional blues. It’s movie music for your mind with astonishingly great guitar playing.” Regarding Bonamassa’s 2012 album Driving Towards The Daylight (with guests including Aerosmith’s Brad Whitford), Guitar World called him the “roots-based six-string’s new king of pyromania.” Rolling Stone wrote, “His exacting singing blends with fiery symphonic playing.” In a review for the 2012 CD/DVD Joe Bonamassa: Beacon Theatre—Live From New York, the Seattle Post-Intelligencer said, “He makes every note matter and resonate emotionally.”
The first in the queue of Bonamassa’s 2013 releases is We Want Groove, the debut from Rock Candy Funk Party, a quartet of world renowned players who convened for the sheer joy of making music and mutual love for genre-blurring grooves. Featuring nine original tracks, the album—produced by drummer Tal Bergman—is a super-tight reboot of classic ’70s/ ’80s jazz-funk from musicians whose collective credits include, among many others, Joe Zawinul, Hugh Masekela, Prince, Ruth Brown, Chaka Khan, Simples Minds, Billy Idol, Tito Puente, Bruce Springsteen, Rod Stewart, Levon Helm, Conan O’Brien, and Sheila E. In addition to Bonamassa and Bergman, the Rock Candy Funk Party line-up features Ron DeJesus (guitar), Mike Merritt (bass) and Renato Neto (keys).
For KPCC, Steve Hochman writes, “The result is music that at times echoes both [Jeff] Beck’s ‘70s albums and, oh, the soul-funk of Average White Band or Tower of Power, while Neto’s keyboards in particular add elements of fellow Brazilian Deodato and, in the more subdued passages, the atmospheric side of Weather Report.” Bonamassa himself says, “It really was the definition of collaboration, one of those records where you want to bottle the vibe and save it for all albums. It is still one of my most fun musical experiences to date, world-class players all around.”
Next up is An Acoustic Evening at the Vienna Opera House (CD/DVD/Blu-ray), filmed in HD and recorded in Dolby 5.1 as part of Bonamassa’s unprecedented series of “unplugged” dates in Europe in 2012. Producer Kevin Shirley—a long-time creative partner of Bonamassa’s who has produced nine of his albums, and many more for artists including Led Zeppelin and John Hiatt—assembled a multi-cultural/world group especially for the project, which is the artist’s first-ever acoustic release. The Opera House in Vienna, regarded as the “City of Music,” was chosen for the main event because of its history and splendour, and association with many legendary composers. Accompanying Bonamassa on the same stage once graced by Mozart, Beethoven, Schubert, Brahms, Mahler, and Haydn are: traditional Irish fiddler Gerry O’Connor, who also plays mandolin and banjo; Swedish multi-instrumentalist Mats Wester on the nyckelharpa, a keyed fiddle; Los Angeles-based keyboardist Arlan Schierbaum texturing the mix with celeste, accordions, toy pianos, and assorted “organic” instruments; and renowned Puerto Rican percussionist Lenny Castro.
Joe recalls, “Originally, when I had the idea of doing an all-acoustic concert, I imagined doing it solo. I’d surround myself with a bunch of guitars, tell the background story of each song, and then play it. Kevin believed the show would be more exciting with a band and he got to work. All of a sudden, we had a five-piece group, and 72 hours to rehearse 20 or so songs. It was amazing, different than anything I’d ever done before.” An Acoustic Evening at the Vienna Opera House features gorgeously textured music made with a wealth of rare, vintage, organic, and “oddball” instruments. Highlights among the 22 songs include “Woke Up Dreaming”—the one acoustic song, and fan favourite, that Bonamassa regularly plays during his electric shows— as well as “Around The Bend,” “Driving Towards The Daylight,” “Ball Peen Hammer,” and “Sloe Gin.”
Bonamassa’s second album with blues-rock vocal diva Beth Hart reprises the powerful dual chemistry they generated on 2011’s Don’t Explain, a collection of ten soul and blues covers that both honours and rethinks the original recordings—classics made famous by artists including Billie Holiday, Etta James, Tom Waits, Ray Charles, Delaney & Bonnie, Bill Withers, and Aretha Franklin. Of the sessions for Don’t Explain, producer Kevin Shirley says, “Beth’s got a pretty heady voice, very reminiscent of Janis Joplin, and she’s also got a lot of Etta James in her, but hadn’t really accessed it yet. With this material, there is gentleness to the way she delivers the most heartfelt tunes that she hasn’t shown before.” Shirley will also produce the as-yet-untitled volume two, and Bonamassa and Hart (who recently brought down the house tributing Buddy Guy at the Kennedy Center honours) are once again backed by the band featured on Bonamassa’s 2009 Blues chart-topper The Ballad of John Henry: Anton Fig (drums, percussion), Blondie Chaplin (guitar), and Carmine Rojas (bass), as well as Arlan Schierbaum (keyboards). They will also perform several concert dates in Europe.
While Bonamassa is always stretching creatively and looking forward, he will also celebrate his story so far in a major way this year. He and his band will visit London in the spring, and perform concerts—that will be recorded and filmed—at each of the four venues in which he’s has previously played, from smallest on up: The Borderline, Shepherd’s Bush Empire, HMV Hammersmith Apollo, and The Royal Albert Hall. Each show will feature a different configuration of the band, and a different selection of songs from Bonamassa’s extensive catalogue—nothing will be repeated. By year’s end, J&R Adventures will release a 2-disc DVD set from each of the four concerts; CDs of each show will come out in 2014.
Live-on-stage is exactly the right format for a career retrospective spotlighting an artist known for transformational live performances. “No one on the scene today plays with as much passion, has as much finesse and raw talent, has reverence for those who came before him, and has as much passion for his craft as Joe Bonamassa,” writes Classic Rock Revisited. But Bonamassa’s still got a long way to go, and will certainly in turn inspire many who come after him as he continues to reinvent himself with a varied palette of side projects—and logs endless miles “dressing up in sunglasses and a suit,” touring the world and growing his legacy as one of the greatest guitar slingers of all time.
Issue #5 of "Classic Rock Presents The Blues" featuring Joe Bonamassa on the front cover.
Order your copy HERE
JOE BONMASSA ONLINE
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